It's one thing to have bike lanes. And it's another thing to have really generous bike lanes. The above video by Streetfilms does a good job of comparing Paris to New York City, and showing just how far Paris has come in terms of cycling infrastructure. Some of you might remember that in the fall of last year, Paris announced plans to become a "100% cycling city." This was a follow-on to their plan vélo 2015-2020, which saw a doubling of the city's bike lanes. The current plan, which covers 2021-2026, includes 130 km of new bike lanes and 52 km of pandemic lanes that have been (or will be) made permanent. But again, it's one thing to have a lot of bike lanes. And it's another thing to have a lot of wide bike lanes that look like the ones in this video.

I recently mentioned that it would be nice to be able to buy a five-storey building in Soho (New York) for $70,000. Yes, that was in 1968 dollars. But even in today's dollars, we're talking less than $600,000. I would gladly buy a cast-iron five-storey building in Soho for that price today if it were somehow possible.

In response to this post, a reader sent me this (thank you), which is another great example of an artist buying an old buying in New York for what is clearly an absurdly low price. The artist is photographer Jay Maisel, and the building is The Germania Bank Building at 190 Bowery.

Jay bought the six-storey building in 1966 for $102,000. He then used it as his residence, a studio, and as a place to collect a hell of a lot of things. Though at one point he also rented out some of the other floors to artists like Roy Lichtenstein.

It is alleged that most people thought the building was abandoned. But this was obviously not the case. Jay sold the building to RFR Holdings in 2014 for $55 million. And in 2019, streetwear brand Supreme opened up in the bottom.

Today, I understand that Web3 things are also happening in the building. And who knows, it might be the case that we'll be reading about some of them, in a similar kind of way, fifty years from now.

Even if you never experienced it yourself, we have all heard the lore of 1970s New York City. It was a raw, dangerous, and unpolished city that was simultaneously teetering on the edge of bankruptcy and providing fertile ground for artists and many other forms of expression (some suspect and some not).

Jane Jacobs is famous for saying that "new ideas often require old buildings." And the New York of this era was exactly that kind of city. Artist Donald Judd (a favorite of mine) bought his five-storey cast-iron building in Soho (on Spring Street) around this time (1968). He paid just under $70,000.

So it is perhaps easy to romanticize this more accessible (and equitable?) version of New York. But there were many other things going on the city at this time beyond minimalist art in Soho loft buildings.

This photo essay by Joseph Rodriguez does a great job at telling some of those other stories in a decidedly humanistic way. Joseph was a New York cab driver from 1977 to 1985. And his final years, he had taken up photography and had started documenting the people and the city through his windows.

His incredible photos are also available in this book called, TAXI: Journey Through My Windows 1977-1987.

Photo: Joseph Rodriguez