I don't know about all of you, but I miss traveling. So let's talk about Norway's new passports, which just entered circulation. Designed by Neue, these new passports are the result of a design competition that was launched back in 2014. The goal of the competition was to come up with something that could very clearly express the Norwegian identity, as well as improve overall security (i.e. minimize forgery).
The solution, and one clear idea, is this:
Inside the passport and across each double page spread is a rendition of the Norwegian landscape. Mountains, lakes, streams, and probably a bunch of other beautiful things. But when you hold it under UV light, which is known to happen from time to time inside airports, each landscape image changes to a night view. It's a simple and elegant solution that appears to solve two goals at once: identity and security.
And that's usually how good design works. It feels both simple and elegant.
Images: Neue
I like this article and photo essay in the Guardian talking about “Hong Kong’s fight to save its neon shimmer.” Neon lights have been a ubiquitous feature of the Hong Kong nightscape since about the middle of the 20th century. They were an outcropping of increasing economic prosperity. And in many ways they really represent the culture of the city – a frenetic free market where entrepreneurs have no choice but to compete for attention.
But thanks to more restrictive sign ordinances and new technologies (though LED can be made to look pretty similar to neon), there’s growing concern that a fundamental part of Hong Kong’s urban landscape may be disappearing. The article mentions a newish (2017) advocacy group called the Hong Kong Neon Heritage Group, which is trying to raise awareness about the city’s remaining lights.
Love live the neon.
Photo by Sean Foley on Unsplash
I just stumbled upon an interview with Christopher Hawthorne (architecture critic for the Los Angeles Times) talking about a “third Los Angeles.”
His argument is that the first Los Angeles ran from about 1880 to World War II, and was characterized by a form of urbanism that most of, today, do not associate with LA. It was a city of streetcars, innovative multi-family housing, and local landscapes.
The second Los Angeles was the second half of the 20th century. And it is the LA that probably comes to mind for most people when they think of LA. It is the city of freeways, single-family homes, and sprawl.
The third Los Angeles is the city’s most recent iteration and started sometime around 2000. Like many things in life, it is in some ways a return to the past: namely the first LA. It is about urban intensification, transit, and more drought resistant landscapes. It is a city that senses its geographic limits.
I like how he talks about some of the challenges associated with intensification and this third LA:
“People in very good conscience who live in Santa Monica or San Francisco think of a moratorium on development as a progressive thing to support rather than reactionary or conservative or just in their own political self-interest. I don’t have a problem with somebody who bought a house at a certain point saying, “I bought into a certain place, you know, I want it to stay this way, and I’m going to use whatever resources I can to keep it that way.” They have every right to say that, even if I disagree. I have a problem with people saying that’s consistent with a progressive agenda about cities or a forward-looking attitude about the environment or about resources. It’s not.”