The American Institute of Architects (AIA) just announced its 2025 Architecture Award winners. This is a program that celebrate the best contemporary architecture in the US, spanning all scales and budgets.
Firstly, I'm obligated to share that Studio Gang won an award for its Kresge College Expansion at the University of California, Santa Cruz. This is a beautiful project consisting of 4 new mass-timber buildings — three residential halls and an academic center — in the middle of a redwood forest in northern California.
But since we talk a lot about housing on this blog, I also wanted to highlight two projects by Brooks + Scarpa. The first is 11NOHO in North Hollywood, CA. This is a 5-storey apartment consisting of 60 suites, 12 of which are affordable (which allowed for a density bonus).
The second is the Rose Mixed-Use Apartments in Venice, CA. This one is a 4-storey apartment and is 100% affordable. I'd like to know how they got the pro forma to work, but regardless, it's proof that Europe doesn't have a monopoly on beautiful social housing projects.
What I really wanted to point out, though, are the projects' courtyards. Southern California has a rich history of courtyard buildings and these two projects offer a contemporary interpretation of this tradition. Both include an elevated courtyard and both have found a way to maintain a connection to the street.
What I like about this approach is that it's simultaneously extroverted (there's a connection to the broader urban context) and introverted (residents get a semi-private amenity).
I think this duality can be particularly helpful when you're designing and developing in a context that maybe isn't the most conducive to intimate urban spaces. It allows you to create your own new ground plane, while not turning your back on the city.
Coincidentally, it also happens to be one of the design moves that Globizen put forward in a recent submission to Salt Lake City for the redevelopment of a full city block in the Granary District.
Photos from Brooks + Scarpa
These are photos of the Blue House — and its siting — in the civil parish of Capelas on the island of São Miguel. Designed by the Portuguese firm Atelier Backlar, the house was completed in 2023 and now serves as a popular short-term rental in the Azores. If you'd like to take a look inside and/or book it, here's the Airbnb listing. Right now it's going for over C$1k per night.
But what's even more interesting about this property is that it once belonged to Bianca's maternal great-grandparents. Her great grandfather was a whaler and so its location on the water beside the Porto das Capelas was naturally ideal for days in the office. This is also where Bianca's grandmother lived prior to emigrating to Toronto in the 60s.
Like a lot of real estate, there's an emotion-filled story that explains why it's no longer in the family. But I do think it's nice that the architects chose to preserve some of the existing walls of the previous house (which they describe as an abandoned ruin on their website). I also think it's cool that it has become one of the most noteworthy examples of modern architecture on the island.
Let's call this the second-best outcome.
Yesterday we visited the Arquipélago — Centro de Artes Contemporâneas in Ribeira Grande on the northern part of the island. Originally the Ribeira Grande Distillation Factory, the site dates back to the late 19th century. Construction on the original buildings began in 1893 and the first export of alcohol was reported in 1896. However, production was short lived.
In 1901, due to pressures from the Portuguese mainland, a protectionist measure was put in place capping alcohol production across the Azorean islands to 2 million liters per year — a drop from 10 million liters per year. The mainland simply couldn't compete with low-cost alcohol from the islands and so they complained. This crippled the local industry and the factory shut down shortly after.
Subsequent to this, the site was repurposed for tobacco drying and storage, and even served as military barracks for a period of time. Then in 2006, the property was purchased by the Azorean government and, using money from the EU's Regional Development Fund, it was remade into what is now fittingly referred to as a "factory of culture."
The architects for the project were João Mendes Ribeiro and Menos é Mais Arquitectos, and if you ever find yourself on São Miguel, I would highly recommend you visit the center. The architects did a wonderful job creating a cohesive dialogue between the old (constructed out of black volcanic basalt) and the new. It was recommended to me and now I'm recommending it to all of you.