Tag: monocle

• Seoul’s infamous modernist megastructure

  Seun Sangga is Seoul’s first mixed-use complex.

  Constructed between 1967 and 1972, the elaborate structure sits atop a strip of land measuring 50 m x 1.2 km, which had been flatted during the Second World War as a way to contain the spread of fire in the event of an air raid and to act as an evacuation corridor.

  It’s a modernist development that is very much of this period. It’s massive, complicated in section and, in many ways, completely disconnected from its surrounding urban context. Flanking the various buildings are elevated and covered walkways.

  So it is perhaps not surprising that this development has followed a similar fate to many others of this era. While it was initially viewed as being quite modern and desirable — it was one of the first buildings in Seoul to have elevators — Seun Sangga was quick to start showing signs of decline.

  In fact, by as early as the 1970s, the complex became known for its porn shops and a bunch of other informal economy-type activities.

  It’s an interesting, though familiar, story.

  If you’d like to learn more, I recommend you check out this episode of the Urbanist and this article from The Architectural Review. The photos in the article are good accompaniment to the audio-only Urbanist episode, so make sure you flip through them.

  2024.05.15

• Canadian complacency

  The founder and Editor-in-Chief of Monocle Magazine, Tyler Brûle, recently had a nice trip to Ottawa:

  If you’ve never been to Ottawa, don’t bother. Of all the G7 capitals, it’s one that hardly conjures up much in the way of attractive images. Don’t believe me? Try it. What comes to mind? What stands out? You see what I mean? No Big Ben, no Lincoln Memorial, no Eiffel Tower. Ottawa might have had an easier time when Germany was partitioned and Bonn was its capital but that credit ran out when Berlin was reinstated as Haúptstadt and the Brandenburg Gate roared back as a symbol for the Federal Republic’s capital.

  He and his mom also thoroughly enjoyed their hotel:

  We walked into the bar and the whole space seemed gripped by a similar force that plagued the front desk: no speed, movement or sense of urgency. A man-child showed us to the table and barely said a word. His colleagues at the bar were having their own discussion, disconnected from the patrons around them. I started to laugh. My mother urged me to stop. “It’s incredible that this is the best that our country can do for people coming to the capital, no?” I said.

  As an unabashedly proud Canadian, this is deeply upsetting. It is upsetting because a lack of movement, a lack of urgency, and an overall lack of engagement are truly terrible qualities to possess. But more importantly, it is upsetting because one could argue that Tyler’s Ottawa and hotel experiences were a microcosm of some broader national issues around Canadian complacency.

  2023.01.15

• What is a beautiful place?

  

  The UK has something called the National Model Design Code. The purpose of this national code is to provide guidance to local authorities and communities on the production of policies that promote successful design. More specifically, it is intended to help people determine what “good quality design looks like in their area.”

  So as part of this, the code wades into subjective things like beauty, attractiveness, and distinctiveness (see above chart). This is an interesting discussion — and a topic in this recent Monocle radio episode — because, at the end of the day, is there really such a thing as universal beauty? Can we all agree on what the most beautifully designed places in the world are?

  At the same time, and architect Félicie Krikler points this out in the Monocle episode, there are countless examples of ugly places that are still wildly successful by all other urban measures. Is that okay or should they also be beautiful? And if budgets are tight (they always are), is it better to be a beautiful building or to be a more affordable one? Uh oh.

  There is also a temporal consideration. Sometimes the things that were once thought to be ugly are now actually thought to be quite beautiful. Beauty can take time, and places sometimes take time to settle in and find their best uses. This is something that I have written about a few times before on the blog.

  All of this being said, I believe wholeheartedly in the importance of beautiful places. And I don’t think we talk enough about it. Too often we get hung up on esoteric planning stuff, even though so many of the places that we love would never meet these same tests. However subjective as it may be, more beauty is rarely a bad thing.

  Image: National Model Design Code

  2022.01.12

• Is better design the solution to NIMBYism?

  Alexis Self has an opinion piece in today’s Monocle Minute (email newsletter) that deals with development in London and NIMBYism. Here’s an excerpt:

  Affluent, socially liberal city dwellers can be the most extreme Nimbys. But perhaps their ire wouldn’t be so fierce if what was being built weren’t so aesthetically offensive. In the postwar era, London’s councils teemed with ambitious urban planners. The result: design classics such as Trellick Tower in Kensal Green, the Barbican Estate and Camden’s Alexandra Road Estate. While it’s true that these were labelled ugly at the time, they were undeniably the work of Europe’s best architects. Few, if any, of the city’s 21st-century edifices will enjoy a similar reappraisal.

  Alexis raises two interesting points: 1) Could better architecture and design actually help to quash NIMBY sentiment and 2) are we really not designing and building like we used to?

  I’ll start with number two.

  I am not that familiar with the “design classics” that Alexis mentions above, but it just so happens then when I was watching Never Too Small over the weekend I came across this studio apartment in the Barbican Estate.

  Designed by Chamberlin, Powell and Bon in the 1960s, the Barbican is a residential complex with somewhere around 2,000 apartments. It’s considered a prominent example of British brutalist architecture and so most of it is listed.

  While certainly noteworthy, it strikes me that it is likely one of those pieces of architecture that designers and architects love (I like it), but that the general public dislikes. In fact, architect Witold Rybczynski once argued that, “if people don’t hate it, it can’t be Brutalist.”

  Brutalism is having a bit of a renaissance. Kind of. But I don’t think we’re anywhere near universal appreciation. So I wonder if the general public really views these “design classics” as being some sort of golden era of British architecture and development.

  I also think, and I have argued this before on the blog, that buildings sometimes take time to settle in. From Montreal to Stockholm, our perceptions have been shown to change. The things we disliked before suddenly become desirable.

  Which means it can be hard to tell if we objectively dislike something (we’re not building like we used to) or if it’s simply not old enough for us to starting appreciating it. Beauty also happens to be a kind of subjective thing when it comes to buildings. Turns out we’re better at assessing whether people are good looking.

  This is probably a good time to come back to point number one: Could better architecture help quash NIMBYism?

  Not quite. I would argue that it certainly helps but it won’t completely quash it. I believe wholeheartedly in the power of great design. I want everything to be beautiful and considered. But the cynical developer in me knows that it will sadly only go so far.

  Béton brut (raw concrete) isn’t for everyone, I guess.

  2021.08.30

• Paul Smith on being “childlike”

  

  British designer Paul Smith was recently interviewed by Monocle on Design about his recent collaboration with BMW and Mini. If you like Mini cars, you’ll probably like the episode. But he also raises two interesting points about his business and about how he approaches design.

  The first is that his business is a balancing act. In the front, he wants it to be pioneering, flashy, and self-indulgent. But in the back, he keeps the lights on by selling lots of navy blue suits and polo shirts. Both are important, because if you stop pioneering then you stop being relevant.

  The second point he makes is about how he approaches design. Paul Smith’s London studio is famously cluttered. He likes to collect a lot of stuff. Some might call it hoarding. But for him, the space helps him think laterally and also remain “childlike.” (Where we work apparently matters.)

  Children, as we know, are honest, curious, and free in a way that adults aren’t. They don’t have the same reference points and that can be very empowering. Forget the way that things are currently done and challenge yourself: “What if?” I like that a lot.

  To listen to the Monocle on Design episode, click here.

  Photo by Boris YUE on Unsplash

  2021.08.25

• The Monocle Book of Homes

  

  

  

  Monocle has new book coming out called The Monocle Book of Homes. It’s a guide to 20 exceptional residences from around the world, spanning everywhere from Mexico and Australia to Finland and Lebanon. In addition to these home tours, the book is intended to serve as a kind of how-to guide for improving your own living space. There’s also a portion dedicated to inspiring neighborhoods and community-driven urban projects. I don’t have a copy of this book and so I can’t vouch for its life-enhancing abilities. But Monocle generally has good taste and always takes nice photos. So I think many of you will appreciate this book. It’s available for pre-order over here.

  2021.04.23

• Weekly link roundup — laneway housing to SPACs

  

  Here’s a weekly round up of links and articles that you may find interesting. The topics cover the sorts of things that we usually talk about on this blog.

  • The latest Mackay Laneway House update is now live on the Globizen Journal. The ground floor steel is complete, with framing currently underway. The post has some background on the challenges faced in order to get to this stage.
  • Brick comparison. Here’s a recent tweet of mine. I’m curious if any of you can tell the difference between these two brick finishes and if you have a clear preference. One of them is stamped concrete and the other is real brick (precast concrete with brick slips).
  • Pools as art. Apparently this is a trend right now, but it’s not necessarily a new one. Pablo Picasso accidentally created one when he “signed” the bottom of one in Spain back in the early 1960s. A pool would be fun right now. [FT paywall]
  • Alley house in King’s Cross by architect David Adjaye is currently on the market for £6.5 million. Lots of black. I love the mint green room with the exposed concrete ceiling. Oh, and there’s a pool.
  • Nightclubs are, not surprisingly, really struggling. Most have been closed since March. Unlike restaurants, you can’t really hack together a solution with outdoor dining, heat lamps and takeout. They’re predicated on people being proximate to each other. [Sorry, another FT paywall]
  • SPACs are so hot right now, particularly in the world of Chamath Palihapitiya and Social Capital. A good follow-up to this week’s earlier post about $IPOB’s merger with real estate startup Opendoor.
  • Monocle has just published a new book about “gentle living.” It’s a guide to “slowing down, enjoying more and being happy.” I’m trying to do more of this, or at least be more mindful about it. It doesn’t always/usually work. Perhaps I need this book.
  • “Decade of the home.” Opinion piece about the current desire for suburban over urban locations. If you’re a regular reader of this blog, you’ll know that I am steadfast in my belief that urban life is going to prove to be incredibly resilient on the other side of this.
  • McKinsey report about the impact that lockdown is having on digital adoption, e-commerce penetration, and the overall customer experience. You’ll need to enter some information in order to download the PDF, but it’s free.

  Photo: Lost House by Adjaye Associates via The Modern House

  2020.09.19

• My life as a tram

  

  Love them or hate them (I happen to love them), Toronto’s streetcars are part of this city’s identity. Most North American cities got rid of their streetcars around the middle of the 20th century. But Toronto didn’t. And that has left us with the largest first generation streetcar network in the Americas in terms of total track length, number of cars, and ridership. That’s something. If you’re also a fan of streetcars (or just like geeking out about cities), you may enjoy this little ode to Zürich’s tram network by Monocle. It’s called, “My life as a tram.”

  2019.09.25

• 25 most liveable cities in 2019

  

  The July/August issue of Monocle is hot off the press and, as has become tradition, it includes their annual Liveable Cities Index. Now, some of this could be construed as objective, but a lot of it is of course subjective. A liveable cities index is also very different from a global cities index, which is why you won’t find New York or London, or Toronto for that matter, on this list. Click here for a video of the 25 most liveable cities in 2019.

  Spoiler: Zürich takes the top spot.

  Photo by 🇨🇭 Claudio Schwarz | @purzlbaum on Unsplash

  2019.06.22

• How developers shape public life

  

  The most recent episode of The Urbanist is about the role of private developers in shaping public spaces and public life within our cities. How do you balance private and public interests?

  Much of the discussion focuses on the redevelopment of King’s Cross in London, which is generally considered to be a successful example of large-scale, developer-led, urban regeneration. Andrew Tuck is less complimentary of Hudson Yards in New York.

  One point that I found interesting was the remark that modern zoning tends to force buildings apart. It creates more in-between space. The result is that we are losing some of the more intimate public spaces found in older neighborhoods.

  To listen to the full 30 minute episode, click here.

  Photo by Josh Edgoose on Unsplash (King’s Cross, London)

  2019.05.24