This past weekend Bright Moments opened up their NFT art gallery in New York's Soho. This is the company's second gallery. The first was in Venice, California. And there are plans for eight more cities, with Berlin being the next one. (When is Toronto?!)
Bright Moments is a decentralized autonomous organization (DAO), which is interesting in its own right but is a topic for another post. You can read a bit more about Bright Moments and DAOs, here and here.
What I would instead like to talk about today is how Bright Moments is operating at the intersection of NFT art and real-world spaces. They are in effect a community. It's a place for artists to release/showcase their work and a place for people to connect.
One of the things that the company is doing with each gallery launch is minting an NFT collection that is tied to the city and that uses the local demonym. When they opened their popup in Venice, they launched the
This past weekend Bright Moments opened up their NFT art gallery in New York's Soho. This is the company's second gallery. The first was in Venice, California. And there are plans for eight more cities, with Berlin being the next one. (When is Toronto?!)
Bright Moments is a decentralized autonomous organization (DAO), which is interesting in its own right but is a topic for another post. You can read a bit more about Bright Moments and DAOs, here and here.
What I would instead like to talk about today is how Bright Moments is operating at the intersection of NFT art and real-world spaces. They are in effect a community. It's a place for artists to release/showcase their work and a place for people to connect.
One of the things that the company is doing with each gallery launch is minting an NFT collection that is tied to the city and that uses the local demonym. When they opened their popup in Venice, they launched the
In each case, 1,000 NFTs were minted and the idea is that once they have expanded to their 10 cities, there will be a collection of 10,000 NFTs.
I have said it before, but this is an exciting time in the world. Maybe this current NFT craze ends up being a massive bubble, or maybe it doesn't. Either way, things are exciting.
But here's the thing.
Organizations like Bright Moments show you just how important physical spaces, live communities, and cities continue to be. It doesn't matter that this is digital art being displayed on a screen and that one could be viewing it from anywhere. People want to hang out in the same room and experience these sorts of new things together.
I just discovered the work of artist and photographer Federico Winer. More specifically, I just discovered his ongoing art project called ULTRADISTANCIA, which uses Google Earth satellite imagery as a starting point for beautiful map art.
Above is a piece from his "Mines" collection. What you are seeing is the Ekati Diamond Mine in Canada's Northwest Territories. It is located about 310 km northeast of Yellowknife, 200 km south of the Article Circle, and apparently it's Canada's first surface and underground diamond mine.
In addition to using images of mines, Federico has transformed airports, ports, and other urban landscapes. Here is a link to his "Selected" gallery, which includes places ranging from Venice to Minas Gerais, Brazil. I think his work is amazing.
In each case, 1,000 NFTs were minted and the idea is that once they have expanded to their 10 cities, there will be a collection of 10,000 NFTs.
I have said it before, but this is an exciting time in the world. Maybe this current NFT craze ends up being a massive bubble, or maybe it doesn't. Either way, things are exciting.
But here's the thing.
Organizations like Bright Moments show you just how important physical spaces, live communities, and cities continue to be. It doesn't matter that this is digital art being displayed on a screen and that one could be viewing it from anywhere. People want to hang out in the same room and experience these sorts of new things together.
I just discovered the work of artist and photographer Federico Winer. More specifically, I just discovered his ongoing art project called ULTRADISTANCIA, which uses Google Earth satellite imagery as a starting point for beautiful map art.
Above is a piece from his "Mines" collection. What you are seeing is the Ekati Diamond Mine in Canada's Northwest Territories. It is located about 310 km northeast of Yellowknife, 200 km south of the Article Circle, and apparently it's Canada's first surface and underground diamond mine.
In addition to using images of mines, Federico has transformed airports, ports, and other urban landscapes. Here is a link to his "Selected" gallery, which includes places ranging from Venice to Minas Gerais, Brazil. I think his work is amazing.
Tourist visits to Venice last year were estimated to be about 1/5 of what they usually are
Short-term rental bookings as of December 2020 were down about 74% year-over-year
It is estimated that short-term rentals normally represent about 12% of homes in Venice (this is significantly higher than the "typical city" which is estimated to be about 1-2%)
Even before the pandemic, average property prices had declined from about €4,500 per square meter in 2018 to €4,341 in 2019 (2020 data is still coming)
Pre-pandemic, the population of the city was about 50,000, which is less than a third of what it was back in the 1950s
A 2018 study by Airbnb reported that for every local Venetian the city had 74 tourists on average (wow)
Being a dominant port city, the city has generally been disproportionately impacted by plagues and other health crises throughout its history
The Lazzaretto Vecchio, which still stands today, is a small island in the Venetian Lagoon that was founded in the 15th century as a hospital to care for plague victims; apparently it was the first of its kind in the world
During the 15th century, Venice saw its population drop by about two-thirds as a result of an epidemic
At the height of the Republic of Venice in the 1790s, the city had a population of about 170,000; after falling to Napoleon it halved to about 96,000
It's worth pointing out that the "height of the republic" occurred after many great epidemics; the subsequent population decline was seemingly the result of a conquest and not pestilence
Short-term rental bookings as of December 2020 were down about 74% year-over-year
It is estimated that short-term rentals normally represent about 12% of homes in Venice (this is significantly higher than the "typical city" which is estimated to be about 1-2%)
Even before the pandemic, average property prices had declined from about €4,500 per square meter in 2018 to €4,341 in 2019 (2020 data is still coming)
Pre-pandemic, the population of the city was about 50,000, which is less than a third of what it was back in the 1950s
A 2018 study by Airbnb reported that for every local Venetian the city had 74 tourists on average (wow)
Being a dominant port city, the city has generally been disproportionately impacted by plagues and other health crises throughout its history
The Lazzaretto Vecchio, which still stands today, is a small island in the Venetian Lagoon that was founded in the 15th century as a hospital to care for plague victims; apparently it was the first of its kind in the world
During the 15th century, Venice saw its population drop by about two-thirds as a result of an epidemic
At the height of the Republic of Venice in the 1790s, the city had a population of about 170,000; after falling to Napoleon it halved to about 96,000
It's worth pointing out that the "height of the republic" occurred after many great epidemics; the subsequent population decline was seemingly the result of a conquest and not pestilence
