I have written about Bright Moments before. They are a digital art company exploring the intersection of NFTs and real-world experiences. It started as a popup gallery in Venice Beach California, where artists could show new work and where collectors could buy IRL. They then created their own pixel art collection called CryptoVenetians. It included 1,000 different people-centered NFTs by artist QianQian. Since then, they have gone on to host events and create new CryptoCitizen collections in New York, Berlin, London, Mexico City, Tokyo, and Buenos Aires. And this week they were in Paris.

(I don't know why they skipped over Toronto!)

Their end goal is to create a complete collection of 10,000 NFTs, most of which are tied to a specific city. (The only one that isn't is their CryptoGalacticans collection.) What's obviously great about this approach is that it's a way to promote digital art and onboard new users into the crypto space. They are literally going around the world, throwing parties, and saying "look how cool and fun this whole crypto thing is." At the same time, it also links the digital and the physical, which I believe is fundamental. We're social beings and web3 will never change that.

The other interesting thing about Bright Moments is that they are structured as a decentralized autonomous organization (or DOA). That's like a company, except that governance is distributed to its tokenholders and it's all managed on a blockchain. But it still operates as a company and it can raise money like one too. In 2021, Union Square Ventures invested 500 ETH into the DOA through a blockchain transaction that would naturally be public if you cared to look it up. Based on today's spot price of about CA$4k per ETH, that was a CA$2 million investment.

In the case of Bright Moments, its tokenholders are the people who own a CryptoCitizen. These are the people who get to vote on how the organization is run. They can also earn money if they do things like host a community dinner or organize a local meetup, with the idea being that, as an organization, you want to encourage this sort of bottom-up participation and innovation. I find it fascinating to watch this new governance and entity structure emerge, and it will only continue to evolve.

I've been following Bright Moments more or less since they dropped the CryptoVenetians. I thought about jumping in then, but I figured I would wait to see if there would be a CryptoTorontonian. That would obviously be my number one choice. But once they announced their final list of cities, and Toronto wasn't on it, I grumpily decided I would instead wait for a CryptoParisian. And since this week was Paris, it was time.

I now hold CryptoParisian #112:

I like that it has the Pont Neuf and that the human is wearing sunglasses.

This means that I now have a small ownership stake in the Bright Moments DOA. So presumably I'll soon have a say in important and serious matters! It also means that when they launch their final CryptoCitizen collection in Venice, Italy this spring (nice work going full circle here), there is a chance I might get airdropped a CryptoVenetian. It's a random process, so whatever. I also know that it's easy to look at this pixelated Parisian and think, "WTF, Brandon." But something new is building here. And I'm sure that all of the folks who were in Paris this week can testify to that.

I love what Bright Moments is doing. And Fred Wilson's post this morning -- about their latest event in Mexico City -- reminded me of that.

Bright Moments describes themselves as "an NFT art collective on a mission to create environments where artists and collectors witness the birth of generative art together."

What this means is that they are working to move the experience of NFT art away from individual computer screens toward physical events where the art can be consumed and also created (i.e. minted) in a group setting.

For a taste of what this actually means, check out their website and then hang out for a bit with their homepage video.

So far they have hosted an event in the following 5 cities: Venice Beach (okay, actually a neighborhood), New York, Berlin, London, and Mexico City. And at each stop on their tour of what will be 10 places, they have done an in-person minting of their official collection, called CryptoCitizens.

I haven't been to one of them, but I can see how it would be a lot of fun and how it might change your perception of NFTs. So I am hoping that for one of their last 4 stops (the first stop was in the "Galaxy"), they'll come to Toronto. Ethereum was pretty much created in this city, so I think it only makes sense for there to be Toronto CryptoCitizens.

If you too would like to see this happen, make sure you tweet at Bright Moments and tell them that they should come to the greatest city in the world.

The Wall Street Journal recently asked: Venice Beach Is a Hot Place to Live, So Why Is Its Housing Supply Shrinking? 

According to Issi Romem, chief economist at BuildZoom, it’s because Venice Beach is the toughest place in America to build housing.

Here are some numbers from the WSJ:

“The Venice Beach population is shrinking even as the local economy has boomed. The neighborhood had about 27,000 residents in 2015, about 3,800 fewer than in 2000, according to U.S. Census data. At the same time, the ZIP Code has added 4,000 new jobs, according to Jed Kolko, chief economist at employment website Indeed.”

And here is a chart that speaks to the relationship between housing prices and housing supply:

Housing supply, alone, isn’t going to solve all of our problems. But it certainly matters. Also, what’s up with Chicago?