Back in undergrad, I spent a summer living and working in Taipei and Hong Kong. It was my first time being in either of these cities and I absolutely loved it. I was studying architecture. I was really developing my love of big cities. And these felt like two very real and big cities.

Below is a cheesy tourist photo that I paid someone to take of me from the Kowloon Pier. I still have access to it because obviously my mom has it framed and prominently displayed in her kitchen:

I'm sharing this photo because one of the things that really stood out to me about Hong Kong, in particular, was how they lit their buildings. There were neon signs (which is something that Hong Kong is, or least was, famous for); lights shining up into the sky (bad, I know); and full light shows and animations across entire building elevations.

I immediately thought to myself: "Why don't we have fun like this? Especially considering that Toronto can get kind of dark during the winter."

Well, some twenty years later, we are now starting to have more lights. We fought hard for our placemaking sign at Junction House. The CN Tower has since been illuminated. And most recently, we got 160 Front Street West. But it turns out that building lights can be a little divisive:

My view is exactly what it was when I first landed in hot and humid Hong Kong. And so I respectfully disagree with Jocelyn Squires (though I have great admiration for her work). Architectural lighting adds color and dynamism to our cities. It can also help our cities from all looking the same.

Let's stop being so conservative and have some fun. Nice work, 160 Front.

The new OMA-designed Taipei Performing Arts Center opened up last Sunday and so you'll now find lots of articles, photos, and drone videos circulating around online. The two partners-in-charge, Rem Koolhaas and David Gianotten, were also on this Monocle on Design episode talking about the genesis of the project and how they worked to optimize the various theater spaces.

My favorite part of the whole story is how they actually won the design competition. The site is located next to Taipei's renowned Shilin Night Market. And I can attest to this fame because I spent a summer living in Taipei while I was in university. This night market was the thing I was immediately told I needed to visit as soon as I stepped off the plane. And they weren't wrong. I spent many a nights with those stinky tofu dishes that smell like feet but actually taste pretty good.

But for whatever reason, the competition brief stipulated that the night market was to be torn down in order to make way for this new performing arts center. And since it was in the brief, almost everyone took it as a non-negotiable given. The only firm that didn't -- out of 140 bidders -- was OMA. They questioned why the city couldn't have both: a new performing arts center and their wildly successful night market.

So that's how OMA -- at least partially -- won the competition. And I'm certain that Taipei is better for it.

Last month, a giant 4K digital cat was installed on a billboard near Shinjuku station in Tokyo. See above tweet. It was created using a 26 x 62 foot LED display, and the resulting effect is very much a trompe-l'œil. The cat looks like it's sitting on a ledge that is carved into the side of a building.

The cat doesn't have a name. But the New York Times has reported that locals have started to call it "Shinjuku east exit cat" because of where it is situated relative to the station. I am going to assume that this name sounds a little more endearing in Japanese.

Having spent a fair bit of time in Asia in my twenties -- mainly Taipei, Tokyo, and Hong Kong -- I've always been impressed by how playful Asian cities are with their buildings, billboards, signage, and lighting. It can make us feel overly conservative. A trip to Tokyo can be like a trip to the future.

I appreciate that most people don't want their cities to be overrun with advertising, and that's what billboards are usually for. It can get tacky. I get it. But sometimes it just makes sense to stick a massive 3D cat on the side of your building. It's fun and it captures people's attention.