Our week of working remotely in the mountains of Utah has come to an end. Being on mountain time meant early mornings every day. But it also meant being able to enjoy the evenings, including sunsets like the one shown here at the top of Ensign Peak. This was my first time really experiencing the Salt Lake City area in the summer, and I'm grateful for the opportunity. It is a beautiful place, and one that still feels under the radar once you exclude its global draw as a ski and snowboard destination. I also had a great time capturing it on my camera. So I'm excited to share my latest NFT photography collection -- Utah. All of the photos were taken on my Fujifilm X-T3 (35mm) and can be viewed and purchased over here on Foundation.
Salt Lake City is not a walking city. The blocks are too big (660 feet x 660 feet) and the streets are too wide (132 feet) for that. This has translated into many of the streets have upwards of 6 lanes. To put this into further context, here is a block comparison chart from 99% Invisible:
One of the most extraordinary things about Salt Lake City is that you can land at its airport and then, in 20-30 minutes, you're in the mountains looking at landscapes like this:
In the past, I have called this inheritance one of the greatest city building challenges. Because once you've designed a city around the car, it can be hard to move away from that. But as I have also said in the past, there are, of course, lots of things that can be done to make a place more hospitable to pedestrians.
What is also interesting is that, according to 99% Invisible, the original intent for Salt Lake City's urban grid was not for its large 660 x 660 blocks to serve as a rigid and immutable plan for the city. The intent was that its large blocks would be further subdivided into smaller blocks as the city grew and developed.
Other than maybe a few examples, this never happened. Salt Lake City's large blocks remain a defining characteristic of the city. But who is to say it's too late for change?
By my estimation, this makes it the most accessible big city and mountain town combination in North America.
Historically though, Salt Lake City hasn't really been known for modern architecture. There is, of course, one glaring exception and that is the work of architect John Sugden.
Sugden was originally from Chicago, had trained under Mies van der Rohe, and is credited with bringing a similar kind of International Style to Utah.
The house pictured above is one of Sugden's projects.
I'm not sure when it was originally built, but it was meticulously renovated by Brent Jespersen, and featured in Dwell magazine back in 2009. If you'd like to take a closer look, click here. (It is again being renovated right now.)
When I was researching who in Salt Lake City and Park City was building cool stuff, Brent's name immediately came up. So I appreciate him taking the time to tour me through some of his projects this evening. Thank you, Brent.
What is now clear to me is that this whole not being known for modern architecture thing is quickly going away.
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