Today is a travel day, so I don’t have a whole lot to say. But BlogTO did just publish a story about our Junction placemaking sign: “This intersection is set to become Toronto’s next best photo-op.” I am also happy to report that the sign’s timer has now been installed, which means that, starting today, it will get illuminated each night from sunset to 11PM. (We’re required to shut it off at this time because, you know.)

So far the response has been overwhelmingly positive. And I truly hope that this installation will become a symbol for the Junction neighborhood. This was our sole purpose for pursuing it. It would also be ironic if something that was so difficult to get approval for ends up being loved by city. Perhaps it’s a lesson that stubbornness can be a good thing when you believe in something.

I love seeing these little Invaders all over Marseille. They are everywhere — and usually in a place where you’d be looking even if it wasn’t there (see above). I just learned that there’s also a game you can play with them called Flash Invaders. The way it works is that you earn points every time you come across one and snap a photo. I haven’t been playing. But even without that, they are a lot of fun to discover. I see them as 100% public art and I wish we had something similar in Toronto.

If you've ever been to Paris, you've probably noticed the small pixelated art pieces that are scattered all around the city on buildings and various other hard surfaces.

Or maybe you haven't seen or noticed them in Paris, but you've seen similarly pixelated mosaics in one of the other 79 cities around the world where they can be found.

Or maybe you have no idea what I'm talking about right now. Huh? Here's an example from Bolivia (click here if you can't see the embedded post below):

These pixelated urban art pieces are the work of French artist Invader. Modeled after 8-bit video games from the 1970s and 1980s, Invader has been installing these mosaics since 1998 as part of his broader "Space Invaders" project. The first one was installed in Paris.

No two pieces are alike and they're all made out of ceramic tiles so that they last. Invader also meticulously researches and then records each install location. He is basically trying to take over the world with his "invasions". As of today, there are 4056 invaders in 80 cities.

Here's a map. Sadly there are none in Toronto.

The goal of the project is to liberate art from what Invader calls "its usual alienators", that being museums and other institutions. It is about bringing art out and into the public realm so that everyone can enjoy it. And this is precisely what makes his mosaics so wonderful -- it is their playful integration into the urban landscape.

But these aren't exactly sanctioned pieces of art. If he started out by asking, the answer probably would have been no.

Invader thinks of himself as a kind of hacker of public realms. He keeps his identity concealed. He installs these mosaics during the night (from what I have read). And sometimes he gets in a lot of trouble.

Sometimes they also get removed by the building owner, though at this point his mosaics are pretty well known, so I can't imagine many owners not wanting to be "invaded."

But let me ask all of you this: If you owned a building in a major city and woke up tomorrow morning to a Space Invader on the front of it, would you celebrate it, apathetically leave it, or would you remove it immediately?

Today is a travel day, so I don’t have a whole lot to say. But BlogTO did just publish a story about our Junction placemaking sign: “This intersection is set to become Toronto’s next best photo-op.” I am also happy to report that the sign’s timer has now been installed, which means that, starting today, it will get illuminated each night from sunset to 11PM. (We’re required to shut it off at this time because, you know.)

So far the response has been overwhelmingly positive. And I truly hope that this installation will become a symbol for the Junction neighborhood. This was our sole purpose for pursuing it. It would also be ironic if something that was so difficult to get approval for ends up being loved by city. Perhaps it’s a lesson that stubbornness can be a good thing when you believe in something.

I love seeing these little Invaders all over Marseille. They are everywhere — and usually in a place where you’d be looking even if it wasn’t there (see above). I just learned that there’s also a game you can play with them called Flash Invaders. The way it works is that you earn points every time you come across one and snap a photo. I haven’t been playing. But even without that, they are a lot of fun to discover. I see them as 100% public art and I wish we had something similar in Toronto.

If you've ever been to Paris, you've probably noticed the small pixelated art pieces that are scattered all around the city on buildings and various other hard surfaces.

Or maybe you haven't seen or noticed them in Paris, but you've seen similarly pixelated mosaics in one of the other 79 cities around the world where they can be found.

Or maybe you have no idea what I'm talking about right now. Huh? Here's an example from Bolivia (click here if you can't see the embedded post below):

These pixelated urban art pieces are the work of French artist Invader. Modeled after 8-bit video games from the 1970s and 1980s, Invader has been installing these mosaics since 1998 as part of his broader "Space Invaders" project. The first one was installed in Paris.

No two pieces are alike and they're all made out of ceramic tiles so that they last. Invader also meticulously researches and then records each install location. He is basically trying to take over the world with his "invasions". As of today, there are 4056 invaders in 80 cities.

Here's a map. Sadly there are none in Toronto.

The goal of the project is to liberate art from what Invader calls "its usual alienators", that being museums and other institutions. It is about bringing art out and into the public realm so that everyone can enjoy it. And this is precisely what makes his mosaics so wonderful -- it is their playful integration into the urban landscape.

But these aren't exactly sanctioned pieces of art. If he started out by asking, the answer probably would have been no.

Invader thinks of himself as a kind of hacker of public realms. He keeps his identity concealed. He installs these mosaics during the night (from what I have read). And sometimes he gets in a lot of trouble.

Sometimes they also get removed by the building owner, though at this point his mosaics are pretty well known, so I can't imagine many owners not wanting to be "invaded."

But let me ask all of you this: If you owned a building in a major city and woke up tomorrow morning to a Space Invader on the front of it, would you celebrate it, apathetically leave it, or would you remove it immediately?