OMA NY -- the New York office of OMA -- has just published its first monograph. It's called OMA NY: Search Term. For those of you who may be unfamiliar, Office for Metropolitan Architecture (OMA) is an architecture firm that was founded by Rem Koolhaas in Rotterdam in 1975.

The firm is considered to be one of the most influential in the world because of their projects, the writing and thinking of Rem Koolhaas, and because of how many notable architects developed their craft under his tutelage.

When I was in architecture school, OMA was a firm that people wanted to work at and I had friends who did. You weren't paid very much from what I remember, but people put up with that because you wanted OMA on your resume and you wanted to learn things from Rem (apparently he's a big fan of Raisin Bran in the morning).

The New York office of OMA is run by Shohei Shigematsu and Jason Long who are both partners. The practice started out as an American outpost, but it has become more independent over the years and, from what I can gather, it now prides itself on having its own attitudes and views on architecture and urbanism.

This monograph is about that. Twenty radical projects from the firm's new guard. It also includes interviews from people like Virgil Abloh (Off-White). I don't have a copy yet, but if you're an architecture and urbanism person, you probably want this one on your bookshelf.

Image: Rizzoli

Five cities. Five stories.

Here is a short film by Nils Clauss and Neil Dowling, which recently premiered at the Seoul Biennale of Architecture and Urbanism. (If you can't see the embedded video above, click here.) The film is named after this year's Seoul Biennale (which is going on right now until the end of October) and focuses on five crossroads of city life that were put forward by French architect Dominique Perrault: above/below, heritage/modern, craft/digital, natural/artificial, and safe/risk.

To illustrate these urban crossroads, the filmmakers visit New York, Seoul, Mumbai, Paris, and Nairobi. But instead of interviewing so-called "experts", these crossroads are examined from the perspective of people just living through them. The documentary is very well done. And having just come back from Paris, I can say that I think they chose the right city to tackle the heritage/modern crossroad.

To close things out, I would like to share one screenshot from the film. Here you can see an ingenious little urban table that slips over a street bollard. It's just perfect. There is so much that can be done to better activate our streets and public spaces.

The New York Times' recent celebration of the city's "legendary literary hangouts" is an important reminder of one of the great features of city life. Cities have a way of mixing different people together and inspiring the creation of great things. And sometimes that happens rather informally. (That's one of the reasons why there's tremendous value in the nighttime economy.) Tina Jordan writes: "You might think of them as solitary creatures, furiously scribbling or typing alone, but as long as there have been writers in New York City, they have socialized together in an assortment of bars, restaurants, apartments and clubs."

For the full thing, click here.