This landed in my inbox earlier in the week. And since I think it's important to support Canadian talent and I think it's important for us to continually nurture a Canadian cultural identity, I'm sharing this design prize with all of you today.
Hosted by the University of British Columbia's School of Architecture + Landscape Architecture (SALA), the Margolese Prize is intended to recognize early to mid-career Canadians who are doing outstanding work related to the built environment. This could be in fields like architecture and planning or it could be in adjacent fields.
Nominations are open until April 10, 2022 and you can both nominate yourself and nominate others. The winner will be announced this September and, in addition to a ceremony and presumably a trophy of sorts, the committee will be giving out $50,000. If you'd like to nominate yourself/someone, click here.
This past week I attended the "Home and Away" Lecture series at the Daniels Faculty of Architecture, Landscape, and Design. Matt Davis (of DesignAgency here in Toronto) was the home. And Barbara Bestor (of Bestor Architecture in Los Angeles) was the away.
Both have completed some spectacular work. DesignAgency has really carved out a name for itself in the hospitality space with projects like the Broadview Hotel (Toronto) and the Generator hostel chain (global). And Bestor has completed a number of high profile corporate offices (Snapchat, Beats by Dre, Nasty Gal), as well as a home for Mike D (Beastie Boys) and some infill residential projects.
The project I'd like to talk about today is her residential project known as Blackbirds. It is a cluster of 18 homes in Echo Park, Los Angeles, which are built into the site's hilly topography and centered around a shared parking/open space.
Back before the 2008 financial crisis, I did a short stint working for a real estate developer in Dublin, Ireland.
Most of our projects were in Ireland, but our consultant teams were sometimes from all over.
One day we were having a meeting with our architect from Germany and we started talking about a particular project’s green space.
But this wasn’t the sort of green space that was supposed to be actively used. It was a green space that, I guess, you were just supposed to look at and admire for its greenness.
So one of my Irish colleagues asked, while referencing the proposed design: “How are we going to keep people off the grass?”
Our German friends didn’t immediately appreciate the concern and responded with: “What do you mean?”
Irish: “How will we stop people from walking and hanging out on the grass?”
German with serious face: “Oh. We will put up a sign.”
At that point, every Irish person in the room just started laughing and more or less said: “Yeah, that’ll never work.”
Cultural differences can be subtle.
This landed in my inbox earlier in the week. And since I think it's important to support Canadian talent and I think it's important for us to continually nurture a Canadian cultural identity, I'm sharing this design prize with all of you today.
Hosted by the University of British Columbia's School of Architecture + Landscape Architecture (SALA), the Margolese Prize is intended to recognize early to mid-career Canadians who are doing outstanding work related to the built environment. This could be in fields like architecture and planning or it could be in adjacent fields.
Nominations are open until April 10, 2022 and you can both nominate yourself and nominate others. The winner will be announced this September and, in addition to a ceremony and presumably a trophy of sorts, the committee will be giving out $50,000. If you'd like to nominate yourself/someone, click here.
This past week I attended the "Home and Away" Lecture series at the Daniels Faculty of Architecture, Landscape, and Design. Matt Davis (of DesignAgency here in Toronto) was the home. And Barbara Bestor (of Bestor Architecture in Los Angeles) was the away.
Both have completed some spectacular work. DesignAgency has really carved out a name for itself in the hospitality space with projects like the Broadview Hotel (Toronto) and the Generator hostel chain (global). And Bestor has completed a number of high profile corporate offices (Snapchat, Beats by Dre, Nasty Gal), as well as a home for Mike D (Beastie Boys) and some infill residential projects.
The project I'd like to talk about today is her residential project known as Blackbirds. It is a cluster of 18 homes in Echo Park, Los Angeles, which are built into the site's hilly topography and centered around a shared parking/open space.
Back before the 2008 financial crisis, I did a short stint working for a real estate developer in Dublin, Ireland.
Most of our projects were in Ireland, but our consultant teams were sometimes from all over.
One day we were having a meeting with our architect from Germany and we started talking about a particular project’s green space.
But this wasn’t the sort of green space that was supposed to be actively used. It was a green space that, I guess, you were just supposed to look at and admire for its greenness.
So one of my Irish colleagues asked, while referencing the proposed design: “How are we going to keep people off the grass?”
Our German friends didn’t immediately appreciate the concern and responded with: “What do you mean?”
Irish: “How will we stop people from walking and hanging out on the grass?”
German with serious face: “Oh. We will put up a sign.”
At that point, every Irish person in the room just started laughing and more or less said: “Yeah, that’ll never work.”
Cultural differences can be subtle.
A few things are immediately interesting about this project. For one, I have been told that parking in Los Angeles is typically required to be covered. Here they managed not to do that and it allowed the center of the complex to become a more flexible communal space. The residents sometimes use it for dinners.
Secondly, the overall masterplanning of the site was done in a way that makes it feel like an organic collection of 18 homes, as opposed to a linear stacking of row homes. Apparently, Bestor managed to still get the same number of homes on the site and it greatly improved their marketability.
Lastly, I like how she plays with scale. Below is a section through three of the homes. But if you look at the roofline, you can see how it would appear as two homes from the street. These sorts of design techniques can be useful in striking the right balance between maximum density and a contextual design response.
For more events by the Daniels Faculty, click here.
Images: Bestor Architecture
A few things are immediately interesting about this project. For one, I have been told that parking in Los Angeles is typically required to be covered. Here they managed not to do that and it allowed the center of the complex to become a more flexible communal space. The residents sometimes use it for dinners.
Secondly, the overall masterplanning of the site was done in a way that makes it feel like an organic collection of 18 homes, as opposed to a linear stacking of row homes. Apparently, Bestor managed to still get the same number of homes on the site and it greatly improved their marketability.
Lastly, I like how she plays with scale. Below is a section through three of the homes. But if you look at the roofline, you can see how it would appear as two homes from the street. These sorts of design techniques can be useful in striking the right balance between maximum density and a contextual design response.
For more events by the Daniels Faculty, click here.
Images: Bestor Architecture
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