
Last weekend I watched Minimalism: A Documentary About The Important Things. I’ve been reading the blog for awhile now (I blogged about it) and so the movie has been on my to-do list since it came out.
Now, I am not a minimalist to the same extent as Joshua and Ryan, and some of the people featured in the film. I have not reduced all of my personal belongings to 51 things and I have not renounced any sort of permanent residency. I own some stuff.
But I am very much attracted to the philosophy that less can be more. That less can make us happier. That quality is more important than quantity. And that we actually need far less stuff than we think we do, especially in a consumerist society like ours.
One word that comes up a lot in the documentary is: deliberate. In other words, we should be more deliberate about the choices we make, the things we buy, and so on. Will it create value in my life?
And that’s one of the reasons I like this notion of minimalism: It’s a challenge. You have to think. Because if you don’t, you will be told what to do and what to buy, and you will accumulate things without even knowing. It’s essentially a constant battle against excess.
Perhaps the biggest potential for excess happens with our choice of housing, which is why small homes feature so prominently in the film. A tiny house isn’t going to be for everyone, but many people have certainly come to the realization that square footage alone does not equate to more happiness.
There’s something powerful about seeing/hearing cities being depicted in film, TV, and other kinds of pop culture. It creates familiarity and does a lot to drive the brand of that place.
But how often are you just seeing one city disguised to look like another? Actually quite often.
Here’s an interesting video that talks about how the 3rd largest film production city in North America never actually plays itself.
[youtube https://www.youtube.com/watch?v=ojm74VGsZBU?rel=0&w=560&h=315]
I know that there are real economic benefits to being a cheap place to film movies, but I would love to see Canadian cities play themselves. There are also big benefits to that.
Thanks to Scott Bonjukian at The Urbanist for sharing the above video this morning.

Last weekend I watched Minimalism: A Documentary About The Important Things. I’ve been reading the blog for awhile now (I blogged about it) and so the movie has been on my to-do list since it came out.
Now, I am not a minimalist to the same extent as Joshua and Ryan, and some of the people featured in the film. I have not reduced all of my personal belongings to 51 things and I have not renounced any sort of permanent residency. I own some stuff.
But I am very much attracted to the philosophy that less can be more. That less can make us happier. That quality is more important than quantity. And that we actually need far less stuff than we think we do, especially in a consumerist society like ours.
One word that comes up a lot in the documentary is: deliberate. In other words, we should be more deliberate about the choices we make, the things we buy, and so on. Will it create value in my life?
And that’s one of the reasons I like this notion of minimalism: It’s a challenge. You have to think. Because if you don’t, you will be told what to do and what to buy, and you will accumulate things without even knowing. It’s essentially a constant battle against excess.
Perhaps the biggest potential for excess happens with our choice of housing, which is why small homes feature so prominently in the film. A tiny house isn’t going to be for everyone, but many people have certainly come to the realization that square footage alone does not equate to more happiness.
There’s something powerful about seeing/hearing cities being depicted in film, TV, and other kinds of pop culture. It creates familiarity and does a lot to drive the brand of that place.
But how often are you just seeing one city disguised to look like another? Actually quite often.
Here’s an interesting video that talks about how the 3rd largest film production city in North America never actually plays itself.
[youtube https://www.youtube.com/watch?v=ojm74VGsZBU?rel=0&w=560&h=315]
I know that there are real economic benefits to being a cheap place to film movies, but I would love to see Canadian cities play themselves. There are also big benefits to that.
Thanks to Scott Bonjukian at The Urbanist for sharing the above video this morning.
There has always been a strong relationship between architecture and film. Next to actually being there, video is one of the best ways to experience architecture.
And that’s because space is not static. A big part of how we experience space has to do with what it feels like as you move through it.
For example, American architect Frank Lloyd Wright was notorious for his sprawling horizontal houses and low ceiling heights. In his Fallingwater House (which is stunning), I swear that my head was rubbing on the ceiling in certain rooms (I’m 6'3").
But he did this to purposefully create a feeling of compression. Because then as you exited the room (in this case to go outside onto a terrace) the feeling of openness and expansion is all that more powerful. The contrast creates awareness.
In honor of the cinematic nature of architecture, below is a magnificent video of the Casa del Acantilado (House on the Cliff) by Fran Silvestre Arquitectos. Pay attention to the sliding planes and framed views throughout.
The image shown at the top of this post is from Architizer.
[vimeo 52162380 w=500 h=281]
Casa del Acantilado | House on the Cliff by Fran Silvestre Arquitectos from Fran Silvestre Arquitectos on Vimeo.
There has always been a strong relationship between architecture and film. Next to actually being there, video is one of the best ways to experience architecture.
And that’s because space is not static. A big part of how we experience space has to do with what it feels like as you move through it.
For example, American architect Frank Lloyd Wright was notorious for his sprawling horizontal houses and low ceiling heights. In his Fallingwater House (which is stunning), I swear that my head was rubbing on the ceiling in certain rooms (I’m 6'3").
But he did this to purposefully create a feeling of compression. Because then as you exited the room (in this case to go outside onto a terrace) the feeling of openness and expansion is all that more powerful. The contrast creates awareness.
In honor of the cinematic nature of architecture, below is a magnificent video of the Casa del Acantilado (House on the Cliff) by Fran Silvestre Arquitectos. Pay attention to the sliding planes and framed views throughout.
The image shown at the top of this post is from Architizer.
[vimeo 52162380 w=500 h=281]
Casa del Acantilado | House on the Cliff by Fran Silvestre Arquitectos from Fran Silvestre Arquitectos on Vimeo.
Share Dialog
Share Dialog
Share Dialog
Share Dialog
Share Dialog
Share Dialog