Susan Kare was the screen graphics and font designer for the original Apple Macintosh computer in the 1980s. Being from Philadelphia’s affluent Main Line, she initially proposed that the various fonts be named after the railroad stops along it.

However, when Steve Jobs asked where the names had came from, he contested that, if the fonts were to be named after cities, they should be named after “world-class cities”, rather than small ones that nobody had ever heard of.

And since that’s what Jobs wanted, that’s what Jobs got. The fonts were renamed: Venice, London, Athens, Toronto, Chicago, New York and Geneva. Some of these font names you’ll probably still recognize but some, including Toronto, were eventually abandoned. 

The Toronto font was removed from System 6 onwards. So from 1988 onwards.

Dutch architecture firm OMA (Office for Metropolitan Architecture) has a subtle way of being incredibly subversive in their architecture.

The recently completed 1.9 million square foot Shenzhen Stock Exchange (SZSE) building is presently making the rounds online and I personally find it incredibly striking. It has the same timelessness about it that makes me love Mies’ Toronto Dominion Centre.

But it wasn’t until I read the description on OMA’s website that I decided to blog about it. Here’s the first paragraph:

"For millennia, the solid building stands on a solid base; it is an image that has survived modernity. Typically, the base anchors a structure and connects it emphatically to the ground. The essence of the stock market is speculation: it is based on capital, not gravity.

All of these factors suggest an architectural invention: our project is a building with a floating base. As if it is lifted by the same speculative euphoria that drives the market, the former base has crept up the tower to become a raised podium.”

It’s a powerful, yet potentially controversial, symbol, as one could argue that efficient markets should, at least in theory, operate not on ramped speculation but upon fundamental values. However, if markets are an expectations game, perhaps you could simply argue that the building symbolizes a perceived bright future.

Either way, very interesting.

I first heard about Mjölk a few years ago. Located in the Junction, it’s a gorgeous gallery & store dedicated to Scandinavian and Japanese craftsmanship. It has everything from furniture to hand crafts. It’s well worth a visit if you’re into clean lines and the “pure aesthetic of the north.”

Started by a husband and wife duo, the couple also own the building and live above the store. They recently renovated their home and it was just awarded a 2013 Toronto Urban Design Award. You can see all the photos here. I particularly like the third floor inner courtyard:

If you’re curious as to what brought them to the Junction, check out this response from a Dwell interview dated 2011:

“Downtown became so expensive, and that pushed people either east or west. In the past five years, this area has really become a destination. A lot of young, independent businesses have popped up, starting with reclamation stores Smash and Post and Beam. There’s also Crema Coffee Co., Pandemonium Books & Discs, Junction Fromagerie (a Quebecois cheese shop), and Bunner’s gluten-free vegan bakery, to name a few.”

I like to think of residential properties as a leading indicator for gentrification. Sometimes it’s easy to miss the change taking place behind closed doors though.