Over the years, I have written a few times about the great balcony debate. It's a discussion that comes up time and time again as those of us in the building industry go through the process of designing new residential buildings. One the one hand there are the arguments that balconies don't really get used all that much and that they are bad for the environment (thermal bridging through the slabs). And on the other hand there's the argument that, regardless of whether or not they actually get used, they form an important part of the buying/renting decision. Usually the former is made by architects and engineers and the latter is made by sales and marketing teams.

Back in 2016, I remarked that I was starting to see more Juliet balconies across Toronto (could have been some sort of bias at work -- like when you're shopping for a new car and then all you can see is that new car). Regardless, there are countless examples of architects and developers omitting balconies and finding creative ways to connect inside and out. But given that this pandemic has forced us to reconsider and reallocate how we use space in our cities, it's probably worth revisiting the great balcony debate. Has COVID-19 changed how we view outdoor space? And if so, will it last?

I've decided to start with a Twitter survey (see above tweet) and then either do a long-form article or a series of posts on the topic. If you have any thoughts that you would like to share (ideally before I write), please leave a comment below or on Twitter.

Candace Taylor published an article today in the WSJ about the late Zaha Hadid's One Thousand Museum tower in downtown Miami. The title: "Zaha Hadid’s Miami Tower Is an Architectural Feat. Is It Designed to Sell?"

It's an interesting case study, particularly for those of us in the industry. With only 84 units across 62 storeys, it is certainly "ultraluxury." There's also a helipad on the roof. Here is an excerpt from the article to give you a sense of the unit sizes:

Louis Birdman, one of the project’s developers, said prices, which range from just under $5 million to $25 million, are negotiable. Each floor has only one or two units, ranging in size from about 4,600 square feet to 10,400 square feet and each has at least four bedrooms. “Given what’s going on in the market now, I think all of us developers are competing for a similar buyer, so there’s obviously flexibility on price,” he said.

As you can probably glean from the above, the ultraluxury market has softened in Miami. But Candace is right: One Thousand Museum is an architectural masterpiece. If you're in the market for a new four bedroom home in downtown Miami, now may be right time.

Toronto's Chief Planner, Gregg Lintern, posted this on Twitter a few days (if you can't see it below, click here):

A couple things came to mind when I saw this.

First, it's a reminder that census data is painfully slow. Five years is a long time and a lot can and will change during that time period, including the kind of built form that people are living in.

Second, I agree with Gregg. Toronto is in the process of transforming into a majority apartment/condo dwelling city (if it hasn't already), and it signals a pretty important juncture in our city's history.

It also begs an important question: How should our planning response change and adjust as this percentage of urban dwellers continues to creep upward?