Nearly 1,000 lots from Karl Lagerfeld's estate are soon to go up for auction. I was reading about it over the weekend in FT and, what is obvious, is that Lagerfeld liked to collect things. He had homes all over the place and in those homes were lots of nice things, ranging from art and tapestries to unique furniture and iPods.
Yes, he really liked iPods. After he passed away, over 500 of them were discovered in one of this drawers and another 70 were found in his office in Paris' 7th. Apparently he used to curate music on them and then gift them to people. It was one of his things.
Of course, Lagerfeld was a wildly successful fashion guy and his estate is surely pretty unique. But I think it's important to keep in mind that to collect is a deeply human endeavor. We have been doing it forever. And in this context, it's not surprising at all why non-fungible tokens (NFTs) have taken off in the way that they have.
Our world is profoundly digital, but before blockchains and NFTs, we were missing a way to validate ownership over digital assets. That's no longer the case. For more on this,
Nearly 1,000 lots from Karl Lagerfeld's estate are soon to go up for auction. I was reading about it over the weekend in FT and, what is obvious, is that Lagerfeld liked to collect things. He had homes all over the place and in those homes were lots of nice things, ranging from art and tapestries to unique furniture and iPods.
Yes, he really liked iPods. After he passed away, over 500 of them were discovered in one of this drawers and another 70 were found in his office in Paris' 7th. Apparently he used to curate music on them and then gift them to people. It was one of his things.
Of course, Lagerfeld was a wildly successful fashion guy and his estate is surely pretty unique. But I think it's important to keep in mind that to collect is a deeply human endeavor. We have been doing it forever. And in this context, it's not surprising at all why non-fungible tokens (NFTs) have taken off in the way that they have.
Our world is profoundly digital, but before blockchains and NFTs, we were missing a way to validate ownership over digital assets. That's no longer the case. For more on this,
here is an interesting TEDx Talk by Roham Gharegozlou
, who is the CEO of Vancouver-based Dapper Labs (the company behind CryptoKitties and NBA Top Shot). The talk is from 2018, but it's just as relevant.
Lately, I've become very interested in live/work uses. This is not something that I have written much about over the years, but it is now on my mind for a few reasons.
One, many of us tried working from home for the first time over the last 21 months or so, and my understanding is that some people enjoy it. It's not my preference, but I don't represent everyone.
Two, photography is a hobby of mine and I've always thought it would be super fun to have a studio space to play around with on the weekends. If any of you have any suggestions or spaces available, please let me know.
Three, there are lots of urban conditions where retail doesn't work, but a bit more ground-floor animation would be nice. This is commonly how live/work uses have been used. That said, I can think of a number of unsuccessful examples of this in Toronto. It's tough to execute on.
And four, there are lots of instances of older non-conforming spaces throughout our cities serving this purpose: inexpensive spaces for people to live, work, and create in. Though often "illegal", I believe they are important for fostering new ideas.
Here's an example that I was reading about this morning in The Spaces and that triggered this blog post. It's about sculptor Andreas Anastasis and his live/work loft on the west side of New York.
https://youtu.be/tZobmZnlvds
I don't know what building this is and whether or not work functions are technically permitted (presumably they are), but it's an example of what I'm talking about. Take a spin through the video embedded above. If you can't see it, click here.
Should we be designing and creating our new residential spaces with multiple uses and this kind of flexibility in mind? Is there a big enough market for it? Does it devalue the pure residential aspect of the building knowing that your next door neighbor might have an office in their space, an artist studio, or a short-term Airbnb rental?
These are some of the things that I've been thinking about and I would love to hear thoughts in the comment section below.
These "aesthetic monsters" are part of a new NFT collection that I recently bought into. They're called Angomon (supposedly "ango" translates from Japanese into "dwelling in peace"). And they can be purchased on the Magic Eden NFT marketplace. At the time of writing this post, the floor price is about 1.15 SOL.
The ultimate plan is for these characters to live in some sort of 3D world that will be called the Angoverse (which is an obvious play on metaverse). The team is also planning to provide NFT holders with the original 3D files for these Angomon so that owners can 3D print their own real-world figurines. Longer term, the hope is that there will be official Angomon collectible figurines available for purchase.
All of these things are of course future plans. They could happen or they could not. These NFTs could have tremendous value or they could not. I just thought these monsters looked cool and fashionable, and so I bought a few. Right now the plan is to frame them and display them all at Parkview Mountain House.
But it is also interesting to note how go-to-market strategies are changing in this new world of crypto and web3. Fred Wilson recently wrote about this over on his blog. In web2 (think the Facebook/Instagram era), most consumer applications started out with a tool. The network came after.
Chris Dixon called this strategy, "come for the tool, stay for the network." In the case of Instagram, the tool was initially photo filters. People used it to apply those filters that made every photo look brown and hipster-like. But eventually network effects took over and that became more important. There are were lots of people using it.
In web3, everything now seems to start with some kind of asset or token. People buy in and then become invested in the project, which is interesting because they then begin to market out of self-interest. This post is not about that and is more about sharing something that I think is cool.
Fred Wilson has proposed a new slogan for this. It is: "come for the assets, stay for the experience." So these Angomon are now assets of mine. If the experience does eventually come, I guess I'll stick around. Hello web3.
Lately, I've become very interested in live/work uses. This is not something that I have written much about over the years, but it is now on my mind for a few reasons.
One, many of us tried working from home for the first time over the last 21 months or so, and my understanding is that some people enjoy it. It's not my preference, but I don't represent everyone.
Two, photography is a hobby of mine and I've always thought it would be super fun to have a studio space to play around with on the weekends. If any of you have any suggestions or spaces available, please let me know.
Three, there are lots of urban conditions where retail doesn't work, but a bit more ground-floor animation would be nice. This is commonly how live/work uses have been used. That said, I can think of a number of unsuccessful examples of this in Toronto. It's tough to execute on.
And four, there are lots of instances of older non-conforming spaces throughout our cities serving this purpose: inexpensive spaces for people to live, work, and create in. Though often "illegal", I believe they are important for fostering new ideas.
Here's an example that I was reading about this morning in The Spaces and that triggered this blog post. It's about sculptor Andreas Anastasis and his live/work loft on the west side of New York.
https://youtu.be/tZobmZnlvds
I don't know what building this is and whether or not work functions are technically permitted (presumably they are), but it's an example of what I'm talking about. Take a spin through the video embedded above. If you can't see it, click here.
Should we be designing and creating our new residential spaces with multiple uses and this kind of flexibility in mind? Is there a big enough market for it? Does it devalue the pure residential aspect of the building knowing that your next door neighbor might have an office in their space, an artist studio, or a short-term Airbnb rental?
These are some of the things that I've been thinking about and I would love to hear thoughts in the comment section below.
These "aesthetic monsters" are part of a new NFT collection that I recently bought into. They're called Angomon (supposedly "ango" translates from Japanese into "dwelling in peace"). And they can be purchased on the Magic Eden NFT marketplace. At the time of writing this post, the floor price is about 1.15 SOL.
The ultimate plan is for these characters to live in some sort of 3D world that will be called the Angoverse (which is an obvious play on metaverse). The team is also planning to provide NFT holders with the original 3D files for these Angomon so that owners can 3D print their own real-world figurines. Longer term, the hope is that there will be official Angomon collectible figurines available for purchase.
All of these things are of course future plans. They could happen or they could not. These NFTs could have tremendous value or they could not. I just thought these monsters looked cool and fashionable, and so I bought a few. Right now the plan is to frame them and display them all at Parkview Mountain House.
But it is also interesting to note how go-to-market strategies are changing in this new world of crypto and web3. Fred Wilson recently wrote about this over on his blog. In web2 (think the Facebook/Instagram era), most consumer applications started out with a tool. The network came after.
Chris Dixon called this strategy, "come for the tool, stay for the network." In the case of Instagram, the tool was initially photo filters. People used it to apply those filters that made every photo look brown and hipster-like. But eventually network effects took over and that became more important. There are were lots of people using it.
In web3, everything now seems to start with some kind of asset or token. People buy in and then become invested in the project, which is interesting because they then begin to market out of self-interest. This post is not about that and is more about sharing something that I think is cool.
Fred Wilson has proposed a new slogan for this. It is: "come for the assets, stay for the experience." So these Angomon are now assets of mine. If the experience does eventually come, I guess I'll stick around. Hello web3.
