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Wishing you all a Merry Christmas and a restful holiday break.
Katharina Fritsch's Madonnenfigur is one of the most iconic and polarizing works of contemporary German art. Based on a 12-inch, mass-produced souvenir statuette of the Madonna she found while traveling, Fritsch's version stands 170 cm tall (her own height) and is coated in saturated, matte fluorescent yellow paint. This changes your perception of what would otherwise be a deeply familiar object (to most, at least). As far as I know, the artist has never clarified whether her work is intended to be religiously respectful or satirical — so that's for you to decide.
Art: Katharina Fritsch, Madonnenfigur | Madonna Figure, 1987
Photo: Ivo Faber

Compared to 2019, the Tate galleries in London are seeing ~2.2 million fewer visitors, representing an approximately 27% decline in patronage. Much of this is coming from a decline in international/European visitors. They're at 61% of pre-COVID levels, whereas domestic visitors are at 95%.
One of the biggest groups to fall off has been young visitors (aged 16-24) from the EU. Between 2019-2020, the Tate Modern alone welcomed 609,000 people from this segment. By 2023-2024, this had dropped to 357,000 and it remains depressed.
So now the Tate is cutting its staff and blaming two macro changes: the pandemic and Brexit. Though some people are arguing that it's really because the programming has been too woke and stuff.
In my mind, the Brexit excuse makes the most sense because it has clearly created additional friction. If you're a school traveller in France and want to visit the UK, you now need to complete a school trip information form (I'm assuming this wasn't the case before).
And if you're a student from any another country, you need a passport. In some cases you may also need a visa. So it makes sense that schools and teachers might say, "yeah, let's make our lives easier and just stay within the EU."
Based on a very cursory review of how other cultural institutions are doing, this possibly checks out. In 2019, the Centre Pompidou in Paris welcomed

Parkview Mountain House has just launched a new creative residencies program intended to reinforce the house's identity as a creative retreat. The way it works is very simple: If you're an artist, designer, creative or a brand doing culture-shaping work, you can now apply for a free three-night stay at the house. In exchange for the stay, we ask that creative residents produce and share original content that reflects their experience in the mountains of Utah and at Parkview Mountain House. This could include photography, videos, written pieces, branded campaigns (such as a lookbook), and maybe even an artifact for the house. Long term, the idea is to assemble a kind of cultural archive with credit being given back to each individual creator and/or brand. We're really excited to see what this residency program produces and we hope that the results will be design-focused, globally minded, and rooted in a deep love for the mountains.
If you'd like to apply, or know of someone who would be a good fit, here's the link.
Wishing you all a Merry Christmas and a restful holiday break.
Katharina Fritsch's Madonnenfigur is one of the most iconic and polarizing works of contemporary German art. Based on a 12-inch, mass-produced souvenir statuette of the Madonna she found while traveling, Fritsch's version stands 170 cm tall (her own height) and is coated in saturated, matte fluorescent yellow paint. This changes your perception of what would otherwise be a deeply familiar object (to most, at least). As far as I know, the artist has never clarified whether her work is intended to be religiously respectful or satirical — so that's for you to decide.
Art: Katharina Fritsch, Madonnenfigur | Madonna Figure, 1987
Photo: Ivo Faber

Compared to 2019, the Tate galleries in London are seeing ~2.2 million fewer visitors, representing an approximately 27% decline in patronage. Much of this is coming from a decline in international/European visitors. They're at 61% of pre-COVID levels, whereas domestic visitors are at 95%.
One of the biggest groups to fall off has been young visitors (aged 16-24) from the EU. Between 2019-2020, the Tate Modern alone welcomed 609,000 people from this segment. By 2023-2024, this had dropped to 357,000 and it remains depressed.
So now the Tate is cutting its staff and blaming two macro changes: the pandemic and Brexit. Though some people are arguing that it's really because the programming has been too woke and stuff.
In my mind, the Brexit excuse makes the most sense because it has clearly created additional friction. If you're a school traveller in France and want to visit the UK, you now need to complete a school trip information form (I'm assuming this wasn't the case before).
And if you're a student from any another country, you need a passport. In some cases you may also need a visa. So it makes sense that schools and teachers might say, "yeah, let's make our lives easier and just stay within the EU."
Based on a very cursory review of how other cultural institutions are doing, this possibly checks out. In 2019, the Centre Pompidou in Paris welcomed

Parkview Mountain House has just launched a new creative residencies program intended to reinforce the house's identity as a creative retreat. The way it works is very simple: If you're an artist, designer, creative or a brand doing culture-shaping work, you can now apply for a free three-night stay at the house. In exchange for the stay, we ask that creative residents produce and share original content that reflects their experience in the mountains of Utah and at Parkview Mountain House. This could include photography, videos, written pieces, branded campaigns (such as a lookbook), and maybe even an artifact for the house. Long term, the idea is to assemble a kind of cultural archive with credit being given back to each individual creator and/or brand. We're really excited to see what this residency program produces and we hope that the results will be design-focused, globally minded, and rooted in a deep love for the mountains.
If you'd like to apply, or know of someone who would be a good fit, here's the link.
Could it simply be better programming? Yes, of course. But it's hard to argue that erecting barriers to become more closed off from the rest of the world, won't, you know, make you more closed off from the rest of the world. Here we're just talking about one cultural institution in the UK. But the lesson scales.
I'm thinking of you right now, America.
Could it simply be better programming? Yes, of course. But it's hard to argue that erecting barriers to become more closed off from the rest of the world, won't, you know, make you more closed off from the rest of the world. Here we're just talking about one cultural institution in the UK. But the lesson scales.
I'm thinking of you right now, America.
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