Tracey Lindeman over at the Walrus recently asked: Why is Canadian architecture so bad? Is it because Canadians are too passive and apathetic when it comes to good design? Or is it because we're too cheap and don't like our tax dollars being spent on unnecessarily lavish public buildings?
Whatever the case, there is an argument out there that we maybe had this wonderful period between the 50s and 70s where we really excelled in modern architecture and design (including graphic design), but that we kind of stopped caring and have built mostly banal stuff since then.
Part of Tracey's argument is simply that we're cowards. We're more interested in "checking boxes instead of taking chances." We've become too bureaucratic when it comes to procuring new public architecture. And she's not wrong.
Why we accept it is a patently Canadian phenomenon: our national psyche has us much more interested in checking boxes than in taking chances. Our standard process for contracting buildings often gives projects to the lowest bidders, even if a vastly more beautiful design is just a little bit more expensive. We have become so devoted to frugality and bureaucracy, and are so readily appeased by basic functionality, that we have lost the fortitude to take and demand risks, even if the outcome could be the most beautiful thing we’ve ever seen.
Great architecture requires not only great architects, but also great patrons of architecture. That has generally been the way all throughout history. But here's the fortunate thing. We have lots of wonderfully talented architects in this country and lots of people who see the value in architecture.
In fact, I think you could argue that over the last 5-10 years we have seen the quality of architecture in our cities step up dramatically. Some of these projects have been designed by top Canadian architects and some have been designed by leading international architects.
In both cases it's because we see the value proposition and have decided to invest in architecture and design. Now we just need to be bolder across the board and get bureaucracy and checkboxes out of the way of Canadian creativity.


The UK has something called the National Model Design Code. The purpose of this national code is to provide guidance to local authorities and communities on the production of policies that promote successful design. More specifically, it is intended to help people determine what "good quality design looks like in their area."
So as part of this, the code wades into subjective things like beauty, attractiveness, and distinctiveness (see above chart). This is an interesting discussion -- and a topic in this recent Monocle radio episode -- because, at the end of the day, is there really such a thing as universal beauty? Can we all agree on what the most beautifully designed places in the world are?
At the same time, and architect Félicie Krikler points this out in the Monocle episode, there are countless examples of ugly places that are still wildly successful by all other urban measures. Is that okay or should they also be beautiful? And if budgets are tight (they always are), is it better to be a beautiful building or to be a more affordable one? Uh oh.
There is also a temporal consideration. Sometimes the things that were once thought to be ugly are now actually thought to be quite beautiful. Beauty can take time, and places sometimes take time to settle in and find their best uses. This is something that I have written about a few times before on the blog.
All of this being said, I believe wholeheartedly in the importance of beautiful places. And I don't think we talk enough about it. Too often we get hung up on esoteric planning stuff, even though so many of the places that we love would never meet these same tests. However subjective as it may be, more beauty is rarely a bad thing.
Image: National Model Design Code
Toronto's new garden suite (accessory dwelling unit) policies are headed to Planning and Housing Committee this week for approval. If you'd like to leave a supportive comment, you can do that over here by clicking "submit comments" at the top of the page. I just finished doing exactly that.
Given that this is happening, I figured I would share this related article from the New York Times talking about ADUs and informal housing in Los Angeles. I discovered it through this Strong Towns article by Jay Strange. And I love how he refers to informal structures as the "desire paths" of housing.
Desire paths, for those of you who may be unfamiliar, are the naturally formed paths and lines that get created when people just walk where they want to walk. Usually these are the shortest and/or most logical routes and, by definition, they don't align with any designed paths or walkways.
Jay's point with informal housing is that it is similarly what people actually want to do, but maybe can't, usually because of restrictive zoning and/or building codes.
The New York Times gives the example of a family that illegally built an accessory dwelling unit at the back of their house in the 1990s. It was rented to friends and family, and it helped them get through some difficult financial times. But again, it wasn't lawful.
According to some researchers at UCLA, Los Angeles County is estimated to have some 200,000 informal units. Many are forced into demolition, but many, like the above example, manage to sneak under the radar because lots of other people are building them and nobody in the community wants to disrupt things.
Of course, Los Angeles now allows backyard cottages. And so what was once illegal is now not only permitted, but encouraged. Funny, isn't it? I don't know if it was the "desire housing" that ultimately made it happen. But it is clear that many people wanted it and they were voting with their actions.
