MAD Architects recently completed its first project in the United States at 8600 Wilshire Boulevard in Beverly Hills. It's interesting (and beautiful) in that it was designed to resemble a village of gabled residences sitting on top of a green hillside.
The green hillside is actually a three-storey concrete podium that is covered in what is said to be the largest living walls in the country. The gabled houses on top are wood-frame construction and were assembled to create an open-air courtyard in the middle of the site. Eighteen residences in total. Prices starting from USD 3.7 million (as of May 2019).
At five storeys, I suppose you would call this a mid-rise building. The site area is about 25,700 square feet and the building area is not even 48,000 square feet, according to ArchDaily. So the overall density on the site is actually remarkably low. At least compared to what we're accustomed to building in Toronto. It might be dense for Beverly Hills.
I would love to see the development math for a site like this. After I got over the architecture, the first thing I thought was, "you could never build a mid-rise building like this in Toronto." I suspect it's also not obvious in Los Angeles. And you probably need "starting from 3.7 million" in order for it to pencil.
Photo by Darren Bradley via Dezeen
Today is the last day of 2014.
It felt like a frenetic year for me, and so I have to say that I’ve been really enjoying this holiday break. I needed the downtime. I needed the time to think and strategize. And I got all of that this holiday. (The only thing that would make this break even better would be some more snow on the mountains.)
I’m super excited for the new year and what’s ahead, but before getting into that, I thought it would be worthwhile to look back at what happened in 2014.
I was initially going to list out some of my thoughts, but then I figured that a better way would be to simply list out the most read Architect This City posts. That way it’s my (daily) thoughts, but curated according to what readers cared about most this past year.
Click here for the top 15 most read Architect This City posts of 2014. I’ve listed them on a “topics” page that I plan to update every year.
If you’re looking for some other 2014 themed reading material, I recommend also checking out the best #cityreads of 2014 by CityLab; the best articles of 2014 from ArchDaily; and what just happened? by venture capitalist Fred Wilson.
Happy new year everyone! Thanks for reading. See you in 2015.
Image: Family and friends lunch at Pizzeria Libretto, University
MAD Architects recently completed its first project in the United States at 8600 Wilshire Boulevard in Beverly Hills. It's interesting (and beautiful) in that it was designed to resemble a village of gabled residences sitting on top of a green hillside.
The green hillside is actually a three-storey concrete podium that is covered in what is said to be the largest living walls in the country. The gabled houses on top are wood-frame construction and were assembled to create an open-air courtyard in the middle of the site. Eighteen residences in total. Prices starting from USD 3.7 million (as of May 2019).
At five storeys, I suppose you would call this a mid-rise building. The site area is about 25,700 square feet and the building area is not even 48,000 square feet, according to ArchDaily. So the overall density on the site is actually remarkably low. At least compared to what we're accustomed to building in Toronto. It might be dense for Beverly Hills.
I would love to see the development math for a site like this. After I got over the architecture, the first thing I thought was, "you could never build a mid-rise building like this in Toronto." I suspect it's also not obvious in Los Angeles. And you probably need "starting from 3.7 million" in order for it to pencil.
Photo by Darren Bradley via Dezeen
Today is the last day of 2014.
It felt like a frenetic year for me, and so I have to say that I’ve been really enjoying this holiday break. I needed the downtime. I needed the time to think and strategize. And I got all of that this holiday. (The only thing that would make this break even better would be some more snow on the mountains.)
I’m super excited for the new year and what’s ahead, but before getting into that, I thought it would be worthwhile to look back at what happened in 2014.
I was initially going to list out some of my thoughts, but then I figured that a better way would be to simply list out the most read Architect This City posts. That way it’s my (daily) thoughts, but curated according to what readers cared about most this past year.
Click here for the top 15 most read Architect This City posts of 2014. I’ve listed them on a “topics” page that I plan to update every year.
If you’re looking for some other 2014 themed reading material, I recommend also checking out the best #cityreads of 2014 by CityLab; the best articles of 2014 from ArchDaily; and what just happened? by venture capitalist Fred Wilson.
Happy new year everyone! Thanks for reading. See you in 2015.
Image: Family and friends lunch at Pizzeria Libretto, University
At this point, it is well known that I am a big fan of neon. It is something that we have obviously worked to incorporate into our Junction House project through things like our rooftop placemaking sign (it's actually LED), our collaboration with local artist Thrush Holmes (his work incorporates neon), and the neon popup gallery that we hosted last year in collaboration with the Downtown Yonge BIA and Neon Demon Studio. So it was no surprise that a friend of mine sent me an ArchDaily article this morning talking about how neon lighting shapes architecture.
What I like about the piece, and the pictures it includes, is that it emphasize the spatial qualities and potential of neon. For a lot of us, neon has come to represent brash advertising. Neon is bright. That was and is great for advertising. But that association has been changing. Even cities like Hong Kong, which have for so long been synonymous with neon, are starting to lose that form of advertising. I'm not saying that loss is a good thing. But I do think that we are now seeing neon being used in completely different ways. It has become more creative. It has become architectural.
Below is an excerpt from the ArchDaily article that speaks to this same idea. But what you really want to do is shoot over and look at all of the photos.
Yet because neon is so fundamentally associated with signage, which can feel limiting or kitschy for some architects, it is often neglected. Rudi Stern writes further that “Unfortunately for many architects, neon is the last shoddy pink ‘pizza’ sign they have seen, and they summarily reject a medium that offers great promise as a spatial and environmental element.” Thus, despite its historical and commercial associations, neon has the potential to be even more than retro symbols or cosmopolitan phrases. Abstract designs, atmospheric colors, and the kinetic properties of light combined can completely alter a space even without references to a historical aesthetic or explicit messages. In the images of the With.It Home below, BodinChapa Architects have used neon in a non-representational way to create a stunningly memorable James Turrell-esque room that is simultaneously tranquil and radiant. Neon light has the power to completely transform a room even if used in as simple a way as lining the corners of the ceiling, due to the unique properties of light in conversation with the sense of space itself. If architects can move past its commercial associations and investigate its relationship to architectural space, neon can become an even more powerful atmospheric element than it is already.
Photo by Yuiizaa September on Unsplash
At this point, it is well known that I am a big fan of neon. It is something that we have obviously worked to incorporate into our Junction House project through things like our rooftop placemaking sign (it's actually LED), our collaboration with local artist Thrush Holmes (his work incorporates neon), and the neon popup gallery that we hosted last year in collaboration with the Downtown Yonge BIA and Neon Demon Studio. So it was no surprise that a friend of mine sent me an ArchDaily article this morning talking about how neon lighting shapes architecture.
What I like about the piece, and the pictures it includes, is that it emphasize the spatial qualities and potential of neon. For a lot of us, neon has come to represent brash advertising. Neon is bright. That was and is great for advertising. But that association has been changing. Even cities like Hong Kong, which have for so long been synonymous with neon, are starting to lose that form of advertising. I'm not saying that loss is a good thing. But I do think that we are now seeing neon being used in completely different ways. It has become more creative. It has become architectural.
Below is an excerpt from the ArchDaily article that speaks to this same idea. But what you really want to do is shoot over and look at all of the photos.
Yet because neon is so fundamentally associated with signage, which can feel limiting or kitschy for some architects, it is often neglected. Rudi Stern writes further that “Unfortunately for many architects, neon is the last shoddy pink ‘pizza’ sign they have seen, and they summarily reject a medium that offers great promise as a spatial and environmental element.” Thus, despite its historical and commercial associations, neon has the potential to be even more than retro symbols or cosmopolitan phrases. Abstract designs, atmospheric colors, and the kinetic properties of light combined can completely alter a space even without references to a historical aesthetic or explicit messages. In the images of the With.It Home below, BodinChapa Architects have used neon in a non-representational way to create a stunningly memorable James Turrell-esque room that is simultaneously tranquil and radiant. Neon light has the power to completely transform a room even if used in as simple a way as lining the corners of the ceiling, due to the unique properties of light in conversation with the sense of space itself. If architects can move past its commercial associations and investigate its relationship to architectural space, neon can become an even more powerful atmospheric element than it is already.
Photo by Yuiizaa September on Unsplash
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