Tag: electronic music

• Lisbon House Mafia

  

  

  

  This past Monday, I got together with David Wex (of Urban Capital) and Rick Sole (my business partner) for a night of DJ’ing electronic music. We called it our inaugural developer rave session and it was a ton of fun. I (mostly) had no idea what I was doing. Rick and David were great. And together, we played to a sold out crowd that consisted of two of our wives.

  David was also kind enough to host us at his bar Lisbon Hotel (it’s closed on Mondays). Which is why when I posted some of the above photos on X, Affan Imran asked if we are calling ourselves the Lisbon House Mafia. I thought that was pretty good. And since I’m still in search of a proper DJ name, that’s the title of today’s post.

  Maybe when we do this again, we’ll open it up to more than 2 people. Maybe.

  2024.07.26

• You don’t want a version of Las Vegas’ Sphere

  Full disclosure: I’ve never really been to Las Vegas.

  I say “really” because I did pass through it as a kid. But I’ve never been during a time in my life when I could actually remember it and, to be honest, I’ve never had a huge desire. Though, I was interested in the work that Tony Hsieh was doing in downtown Vegas. And I have had people try to tempt me with the lure of good electronic music (and by good I mean not EDM).

  Then all of a sudden, Refik Anadol revealed this enormous sphere that shows happy faces. And now I really want to go to Vegas. So at some point, I will endeavor to do that. But the other thought that came to mind when I first learned about the sphere was “this seems to be working, which means other cities will likely copy it and want their own version of Vegas’ sphere.”

  This is, of course, an understandable desire. And today I learned that Los Angeles is working on a “tiny Las Vegas sphere replica” for Sunset Boulevard. Despite being “tiny”, I’m sure it’ll be pretty cool too. But in the end, who wants to be a replica? The aim should never be to recreate some version of what another city has already done (see “Two very different beans“).

  The aim should be to create something new and truly remarkable. And Las Vegas did exactly that with its sphere. So much so that, one day, I may actually visit the place.

  2023.11.13

• The birthplace of techno

  Detroit has been called the birthplace of techno. Beginning in the early 1980s – when the city was well in decline – the Detroit techno sound started to emerge, thanks to musicians such as Juan Atkins, Derrick May, and Kevin Saunderson. 

  Chicago had house music. And Detroit had techno music – among, of course, many other musical genres. But what I find fascinating about Detroit techno, in particular, was how it really reflected the ethos of post-industrial Detroit. It was high-tech. It was about machines. And it was obsessed with the future.

  Below is a clip from a 1996 French documentary called Universal Techno. Even if you’re not into electronic music, I think you should at least watch the segment starting at 1:40. I love how Derrick May talks about Detroit, and what should be this balance between the past and the future. It really reflects my own views on city building.

  [youtube https://www.youtube.com/watch?v=RSX_r0u3uzE?rel=0&w=420&h=315]

  If you can’t see the video, click here.

  I’m thinking about Detroit and its music because I’m headed there during Memorial Day weekend for the annual Movement Electronic Music Festival. It has been about 2 years since I was last in Detroit and so I’m excited to see the city in full swing.

  2016.05.16

• Real estate and house music in Johannesburg

  I’ve written about the Ponte Tower in Johannesburg before. At 54 storeys, it is the tallest building in Africa. It’s located in Hillbrow, which is an inner city neighborhood known for its crime and poverty. 

  In the 1970s when the tower was built, Hillbrow was an Apartheid-designated white-only neighborhood and the tower was filled with affluent residents. But that didn’t last long and eventually the wealth fled for the suburbs.

  Here’s a brief 6 minute video talking the Ponte Tower. Let’s call it the real estate perspective. Click here if you can’t see it below.

  [youtube https://www.youtube.com/watch?v=3EIKmmSifqw?rel=0&w=560&h=315]

  Now, here’s a Real Scenes documentary talking about the thriving electronic music scene in Johannesburg. I think it’s fascinating to look at a city from a particular subculture and, compared to the first video, I get a very different feel for the city. Click here if you can’t see it below.

  [youtube https://www.youtube.com/watch?v=Ykt2f6o7-e8?rel=0&w=560&h=315]

  2015.05.21

• Real Scenes Documentary — a look at New York’s electronic music scene [Video]

  

  I just stumbled upon a fascinating documentary series called Real Scenes. Each film explores “the musical, cultural and creative climate” within a particular city. 

  Below is Real Scenes: New York (click here if you can’t see it below). It’s an inside look at the underground music scene that has developed in Brooklyn, but that is at the same time being threatened by development and rising rents. Disclaimer: There’s a lot of f-bombs and a lot of hating on gentrification.

  [youtube https://www.youtube.com/watch?v=LDtf0uIUPuE?rel=0&w=560&h=315]

  I’ve only watched the New York video from this series, but I plan to watch each and every one of them. The other cities are Tokyo, Johannesburg, Paris, Berlin, Detroit, and Bristol.

  What’s fascinating about these short documentaries is that they give you a glimpse into a particular undertone within each city – one that would otherwise be hard to get if you weren’t living there and engrossed in the scene.

  It’s also interesting to see how some people view change within cities. 

  To some, transforming a neighborhood from one that looks like a “bomb went off” to something more pristine, is a good thing. But to others, it’s the worst possible outcome. It all depends on your frame of reference.

  Now, how do I get them to make a Real Scenes: Toronto? 🙂

  Image: Resident Advisor

  2015.03.09