Brandon Donnelly

Daily insights for city builders, delivered every morning at 6 AM ET. I’m Brandon Donnelly — a Toronto-based real estate developer and founder of Globizen. I’ve been writing here since 2013.

Subscribe

Tag: design

  • Indian Institute of Management rethinks plans to demolish Louis Kahn-designed dormitories

    Last month the Indian Institute of Management in Ahmedabad put out an “Expression of Interest” for the design of new student housing at its main campus. In it was the assumption that 14 of its existing dormitories would be demolished and replaced with something new.

    The problem with this assumption is that these dormitories were designed by one of America’s most noteworthy architects: Louis Kahn. And so there was immediate public outcry. Architectural historian William J.R. Curtis — who seems quite fond of real estate developers — had the following to say in this op-ed piece in The Architectural Review:

    Such is the smash-and-grab approach of developers in a world of astronomical land values and real-estate profiteering, especially in Modiland, the heartland of the Gujurat economic ‘model’. The price of everything, the value of nothing, quick returns on loans and investment above anything: such is the virus of neoliberalism as it spreads so quickly, far and wide across the globe. Timeless architecture has no role to play, and preservation is a pesky nuisance that gets in the way of profiteering. The public interest, social values and any long-range sense of history are thrown to the winds.

    The Architectural Review also started a petition to save Kahn’s IIMA’s dormitories. But just like that, the school came forward with an announcement that it had decided to pull its Expression of Interest and that it would go back and deliberate on what to do next. (The dorms were apparently built using “second class bricks” and are currently in a state of extreme disrepair.)

    As a developer and fake architect, I think I have a fairly good appreciation for both perspectives. Restoring old buildings is both difficult and expensive (the two usually go together). But I also grew up studying the work of Kahn. He happened to teach at the University of Pennsylvania until his death, though this was well before my time there.

    I’ve also visited a number of his projects including the Salk Institute for Biological Studies in La Jolla, California and the National Parliament House in Dhaka, Bangladesh. Many credit Kahn with introducing modern architecture to Bangladesh with this project. It has unquestionable cultural significance.

    Some things are worth saving.

  • Sleeping well at night

    I get that real estate developers don’t always have the best of reputations. We build buildings that cast shadows. We invest in (or gentrify) neighborhoods. And yes, like every other for-profit business, the goal is to make a bit of money along the way.

    But believe it or not, there are developers out there who care deeply about the work that they do. They care about their craft. And they want to do the right thing.

    Perhaps the best way for me to start to explain what I’m getting at here is to quote the late Steve Jobs. An obsessive perfectionist, Jobs was known for focusing on every little detail in the projects that he worked on. Here’s an excerpt from an interview he did for Playboy back in 1985:

    “We just wanted to build the best thing we could build. When you’re a carpenter making a beautiful chest of drawers, you’re not going to use a piece of plywood on the back, even though it faces the wall and nobody will ever see it. You’ll know it’s there, so you’re going to use a beautiful piece of wood on the back. For you to sleep well at night, the aesthetic, the quality, has to be carried all the way through.“

    As a developer and a fake architect, this paragraph really resonates with me. But here’s the thing. One of the differences between making a beautiful chest of drawers (or a computer) and making a beautiful building, is that buildings have an inordinate amount of rules that tell you what you can build where and then how you need to build.

    Some of these rules, of course, make a lot of sense. Life safety is no joke. But some of these rules also make no sense. And sometimes these rules — that don’t make sense — prevent you from putting what I would metaphorically consider to be that beautiful piece of wood on the back.

    The beautiful piece of wood isn’t about money. In fact, it’s going to cost you more compared to just using a piece of plywood. It’s about giving a shit and caring about your craft, even if nobody else does. It’s so you can sleep well at night.

    Photo by Michał Kubalczyk on Unsplash

  • Latin American architecture and Miami’s influence

    Art Basel Miami Beach was cancelled this year for obvious reasons. It had originally been scheduled to kick off on December 3rd. But Design Miami is still hosting some physical exhibitions and naturally a lot of online programming. They also partnered up with Dezeen (and others) to host a series of online talks as part of the festival. Here is one about Latin American architecture and its symbiotic relationship with Miami. For some, Miami is known as “the capital of Latin America.” This talk explores that idea, but also how the relationship really runs both ways. It’s with architects Tatiana Bilbao and Carlos Zapata, and developer Joseph Schwarzkopf.

    If you can’t see the video, click here.

  • Project Profile: Tiam in Hue, Vietnam

    It has been over a month and so it’s probably time for another edition of project profile. In this edition we are going small and looking at yet another cool infill project built on top of an impossibly tight urban site. In this case, it’s a 35 square meter corner lot in Hue, Vietman.

    Designed by Nguyen Khai Architects & Associates (NKAA), the entire project is about 150 square meters and was built to house both a ground floor cafe (run by the owners) and a multi-generational family of 7.

    According to the drawings, the second floor is for mom and dad and their two daughters. The third floor is for the grandparents and an uncle. And the fourth floor is a “sacred space” that includes a large outdoor terrace.

    Of course, in order to house all of these functions and people on such a small site, you have to really think about interior space much differently. The “bedrooms” are probably not what you might be expecting.

    To put the scale of this project into some sort of context, the footprint of this site is smaller than that of the laneway house that we are currently building. And in the case of the laneway house, it has been designed to house 1-2 people, instead of 7.

    Space is, perhaps, all about perspective. I just wonder what would happen if all 7 family members tried to jump on a Zoom call at the same time.

    All photos via NKAA.

  • Coming soon

    onedelisle.com / #onedelisle

  • Project Profile: Hinterhouse by Ménard Dworkind Architecture & Design

    I recently discovered a company called Hinter (a colleague, who clearly knows me very well, sent it to me). It’s exactly the kind of the company that I would love to start, if only there were 30 hours in a day. They’re a non-traditional hotel in that they work with “iconic architects” to build unique spaces that are distributed and hidden in nature. (They also have a policy of planting 10 new trees for every booking.)

    Today’s post is a profile of their Hinterhouse (hh1) by Montréal-based Ménard Dworkind Architecture & Design. The space is located in La Conception, Québec, which is about 15 minutes from Mont-Tremblant. It’s 980 square feet (which is all you really need) and has 2 bedrooms. There’s also a private sauna and outdoor shower in a separate outbuilding. As soon as I saw it, I felt inspired and immediately opened up Realtor.ca to look for available land. Maybe it will do the same for you.

    All photography by David Dworkind.

  • Weekly link roundup — laneway housing to SPACs

    Here’s a weekly round up of links and articles that you may find interesting. The topics cover the sorts of things that we usually talk about on this blog.

    • The latest Mackay Laneway House update is now live on the Globizen Journal. The ground floor steel is complete, with framing currently underway. The post has some background on the challenges faced in order to get to this stage.
    • Brick comparison. Here’s a recent tweet of mine. I’m curious if any of you can tell the difference between these two brick finishes and if you have a clear preference. One of them is stamped concrete and the other is real brick (precast concrete with brick slips).
    • Pools as art. Apparently this is a trend right now, but it’s not necessarily a new one. Pablo Picasso accidentally created one when he “signed” the bottom of one in Spain back in the early 1960s. A pool would be fun right now. [FT paywall]
    • Alley house in King’s Cross by architect David Adjaye is currently on the market for £6.5 million. Lots of black. I love the mint green room with the exposed concrete ceiling. Oh, and there’s a pool.
    • Nightclubs are, not surprisingly, really struggling. Most have been closed since March. Unlike restaurants, you can’t really hack together a solution with outdoor dining, heat lamps and takeout. They’re predicated on people being proximate to each other. [Sorry, another FT paywall]
    • SPACs are so hot right now, particularly in the world of Chamath Palihapitiya and Social Capital. A good follow-up to this week’s earlier post about $IPOB’s merger with real estate startup Opendoor.
    • Monocle has just published a new book about “gentle living.” It’s a guide to “slowing down, enjoying more and being happy.” I’m trying to do more of this, or at least be more mindful about it. It doesn’t always/usually work. Perhaps I need this book.
    • “Decade of the home.” Opinion piece about the current desire for suburban over urban locations. If you’re a regular reader of this blog, you’ll know that I am steadfast in my belief that urban life is going to prove to be incredibly resilient on the other side of this.
    • McKinsey report about the impact that lockdown is having on digital adoption, e-commerce penetration, and the overall customer experience. You’ll need to enter some information in order to download the PDF, but it’s free.

    Photo: Lost House by Adjaye Associates via The Modern House

  • Marking up drawings

    Apparently I’ve been living in the dark ages. The One Delisle project team just introduced me to Bluebeam Revu and, frankly, I’m not sure how we were marking up PDF drawings before this. It’s faster and more responsive than Adobe Acrobat. Everyone’s comments sit nicely in the cloud. And you can even take measurements off of the drawings. It kind of feels like a light and friendlier version of AutoCAD (which I haven’t used in over a decade). Marking up drawings is something that I do regularly as part my job. Sometimes I do that with trace paper (I did that for probably every suite at Junction House). But more often it has been with Adobe Acrobat. If you’re in the same boat and aren’t yet using Bluebeam, I would encourage you to check it out.

  • The importance of the RCP

    One of my colleagues likes to remind me that in an open concept floor plan, which is obviously pretty common these days, it is the RCP, or reflected ceiling plan, that really defines a space. (For those of you who might be unfamiliar, an RCP is a plan drawing that shows you what the ceiling of a space looks like.) What he means by this is that it is things like dropped ceilings and bulkheads that really define a space. And when you’re designing a multi-unit building, you are going to have these things to contend with and coordinate (though you can also run exposed ductwork, which eliminates the need for some bulkheads/drops).

    I like this reminder for two reasons.

    One, he’s right. Ceilings matter. Frank Lloyd Wright, for example, is well known for playing around with them in his projects. He would take you through compressed spaces with lower ceiling heights and then “release” you into grand open spaces. The contrast made it all feel even more dramatic. (But I reckon Mr. Wright was pretty short because I swear I’ve been in some of his houses and the ceilings were in the range of 6′-6″.) And two, I want us to focus on this level of detail in our projects. They can be a pain in the ass to coordinate and you can’t always get them exactly how you want them, but we are paying attention.

  • Project Profile: LR2 Residence

    Homes that are built on or into sloping terrains are fascinating to me because the inconveniences of having to deal with uneven ground create additional constraints. And constraints are good for design. Not only because, I feel, it makes the design process easier, but because it helps to ensure that the moves being made are less arbitrary.

    You are forced to respond to the surrounding context. You have no choice but to find some kind of harmony. And that can make things feel more deliberate, which may be the most important characteristic of good design. You want to know that someone actually thought about the design that they have put forward. You want to know that things were carefully considered.

    Of course, sloping terrains also create opportunities. They usually translate into great views, which is certainly the case with the LR2 Residence in Pasadena, California by Montalba Architects (pictured above). Here, the main “entertaining deck” is located on the upper floor and has a large outdoor terrace. This configuration is not uncommon in slopside houses.

    For more information about the LR2 Residence, including photos and floor plans, click here.

    Photo/Diagram: Kevin Scott / Montalba Architects