Tag: architecture

• The change order (ruminations on innovation)

  If any of you are in the
  business of creating – whether that’s a mobile app or a building – I’m sure
  you understand that the product or thing you’re working on will naturally
  evolve and change over time – probably in unexpected ways.

  In fact, I usually take this as a positive sign. When I have my
  head in a project and I’m focused on solving problems, ideas will naturally
  start to flow. I start thinking of things that I never would have thought
  about at the outset. That’s why I generally think of creativity as a process,
  rather than as some divine gift.

  But the challenge with all of this is that many of our existing business
  processes are not set up to deal with this kind of ambiguity. If anything we
  try and punish these sorts of deviations. If it wasn’t pre-meditated at the
  beginning of the project, we call it “scope creep” and charge extra for them as
  “change orders.” These two words equal death in construction.

  Now, don’t get me wrong, I completely understand the realities
  of running a business and the importance of managing scope and resources. It’s
  a balancing act. Without some structure, nothing would get done. 

  But the more that iterative
  lean methodologies and “design thinking” can be embedded into our processes,
  the more value creation I believe we will see.

  My thinking is as follows: At
  least part of the reason that innovation comes from startups and new market
  entrants is that the founders aren’t usually sitting around talking about defined
  scope and laying out elaborate business plans. They’re focused on creatively
  solving problems and doing whatever it takes to get there.

  It’s also one of the reasons
  that conventional wisdom dictates that tech startups shouldn’t outsource development.
  It’s too core a competency and you can’t “move
  fast and break things” if you don’t have that in-house and you’re constantly worried
  about eye-popping invoices hitting your desk.

  I have always seen lots of
  parallels between startups and architecture. In both of these worlds, the idea
  you start with is rarely what you end up with (at least that’s the case in
  architecture school). You research, learn, and iterate along the way and that
  leads you in new and unexpected ways.

  And in my view, that’s often what
  the path to innovation looks like. Because if you define the entire path at the
  outset, how can you expect to go anywhere new? And if you’re not going anywhere
  new, how can you expect to outperform the market?

  2016.06.08

• 133 Wai Yip Street, Hong Kong

  Dutch architecture firm MVRDV recently converted an old industrial building in Hong Kong into new office space. The overall project size is roughly 200,000 sf. What’s unique about the project is the obsessive focus on transparency and glass.

  Here’s what the interior looks like:

  

  And here’s how the architect has described the project:

  “We are moving into a transparent society, businesses are becoming more open with the public, and people care more about what goes on behind closed doors. In that way, a clear workspace leaves nothing questionable, nothing hidden; it generates trust.” Tells MVRDV co-founder Winy Maas, “But also it is an opportunity for the building to become a reminder of the industrial history of the neighbourhood, monumentalised in a casing of glass.”

  I have written quite a bit about how I believe we are shifting towards a more transparent world – perhaps even a radically transparent world. And so it’s interesting to see an architect pick up on this broader theme and translate it into physical space.

  The floor is transparent. The partitions are transparent. The furniture is transparent. And you can clearly discern the interfaces between old and new.

  Good architecture, at least in my opinion, should reflect what is happening in our broader society. That’s why I believe that studying the history of art and architecture is really like studying the history of the world.

  For more photos of the project, click here.

  Image by Ossip van Duivenbode via MVRDV

  2016.06.04

• Event: Community Consultation for Mirvish Village

  

  One June 13, 2016 from 6:30 to 9:00 pm, the City of Toronto will be hosting a community consultation meeting for the proposed redevelopment of Honest Ed’s / Mirvish Village. 

  The meeting will be held at the Bickford Centre Auditorium at 777 Bloor Street West (across from Christie Pits Park).

  The purpose of the meeting is to present Westbank’s revised development proposal, which was submitted to the city last month. Their first proposal was submitted last summer (July 2015). 

  Some of the key changes include a new on-site public park, the retention of additional heritage buildings (now 21 in total), more pedestrian porosity, and the retention of Honest Ed’s alley in its current location.

  I consider Westbank to be one of the most thoughtful developers in the city and so I’m pretty excited to see this one evolve. I’m planning to attend the community meeting and maybe I’ll see you there.

  Below are a couple of other renderings to give you a taste.

  

  2016.06.02

• Photoblog: Cranbrook Schools

  My spring allergies have gotten the best of me today. So instead of a regular post, I’m going to share some of my photos of the Cranbrook Schools. I toured the campus this afternoon.

  Cranbrook Schools is a private boarding school (PK – 12) in Bloomfield Hills, outside of Detroit. It has an endowment fund of about $233 million, which is one of the largest of American boarding schools. In 1989, the campus was designated a National Historic Landmark.

  The photos are in the order in which they were taken.

  

  A man happen to be playing a violin in the space below.

  

  The stone shingles below get smaller as they move up the roof to give the illusion that the building is larger than it really is.

  

  And here are my fellow architecture nerds, Matthew and Rick.

  

  2016.05.29

• Architect Profile: Omar Gandhi

  

  This week – thanks to an introduction from a mutual friend – I had the pleasure of having lunch with architect Omar Gandhi. 

  Based in both Halifax and Toronto, the Globe and Mail has called Omar one of Canada’s next top architects and Wallpaper Magazine has named him one of the top 20 young architects in the world. So if you haven’t yet heard of him, consider this post as your heads up.

  What’s exciting about his work is how it really reflects the ethos of the places he works in (east coast Canada in many cases). At the same time though, his works seems to define a new modern and Canadian design sensibility. 

  And this is what I believe great architecture should do. It should respond to and reinforce local cultures, but also help to shape them as they invariably evolve. Architecture and culture are inextricably linked.

  I love seeing local talent thrive, so I hope you will take a minute to visit Omar Gandhi’s website.

  Image: Modern Cabin in Cap Breton from OG

  2016.05.27

• 3 obscure things to think about before buying a condo

  If you’re an architect, developer, or someone else in the business of building buildings, chances are you have an extensive mental list of things that you would think about before buying a piece of real estate. I know I certainly do. These are things you learn over time – sometimes by making mistakes.

  Depending on the type of real estate, this list would vary. So this is not going to be a comprehensive list of things to consider, by any means. But today I thought I would mention 3 things that a lot of people might not think about when buying a new condo, particularly when buying pre-construction off drawings.

  Noisy Adjacencies: 

  What’s around the suite? Elevator shafts, mechanical rooms, and gyms all create noise. There are measures to protect against all of these noises, but that doesn’t stop me from worrying about these sorts of things. For instance, in my experience, some (many?) condo gyms don’t have the right kind of floor to deal with dropping weights. In these cases, something is usually done after turnover to address the noise complaints.

  Exposed Overhangs: 

  Does the suite overhang the floor below or sit on top of a space that is exposed to the elements, such as a loading bay or walkway? If so, you might get a cold zone if it hasn’t been properly insulated or heat traced. Of course, most projecting condo balconies also create a thermal bridge that can create a cold zone around it. But the first example could be worse. If you live in a place that doesn’t have subarctic winters (Toronto) this may be a moot point.

  Transfer Floors: 

  The most efficient way to build a multi-family building is to repeat the same floor plan as you go up the building. This ensures that everything runs in a straight line. The minute you create stepbacks and offsets, you then need to start “transferring.” This means that structure and services will need to be brought from one location of the building to another. This can lead to deeper structural beams and additional bulkheads which could then impact ceiling heights in the suites. This won’t always be the case, but something to think about when you see dramatic changes in the building’s form next to your suite.

  Again, this is not a comprehensive list, but these are some of the small – perhaps anal – details that I would think about if I were buying a condo. Feel free to add other items in the comment section below. They don’t have to be anal-retentive in nature.

  If you’re on the building side, you work to get ahead of these issues by, for example, anticipating where you could need additional height for transfers and sound attenuation (such as around mechanical spaces). But buildings are complicated and sometimes things happen. It’s a long way from initial sketch to finished occupied building.

  2016.05.21

• De Rotterdam…

  

  “Manhattanism is the one urbanistic ideology that has fed, from its conception, on the splendors and miseries of the metropolitan condition – hyper-density – without once losing faith in it as the basis for a desirable modern culture. Manhattan’s architecture is a paradigm for the exploitation of congestion.” 

  –Rem Koolhaas, Delirious New York, 1978

  Image: De Rotterdam by photographer Ossip Van Duivenbode via The Architectural Review

  2016.05.07

• The Social Life of Small Urban Spaces

  “It is difficult to design a space that will not attract people. What is remarkable is how often this has been accomplished.” -William Whyte
  

  In 1980, the sociologist and urbanist William Whyte published a revolutionary book called The Social Life of Small Urban Spaces. 

  The ambition was to discover why some urban plazas are successful and why many others fail. And to do that, he went out and studied urban plazas throughout New York using video and simple observation, such as head counting.

  His work has been hugely influential for architects, designers, and other urbanists. But if you think about how often we fail at creating urban spaces that actually attract people, I think it’s worthwhile revising what Whyte discovered way back in the 70s and 80s.

  Some of the principles – such as providing places to sit – are dead simple and intuitive. But again, a lot of urban spaces suck. So we’re clearly not doing it.

  The other thing I feel we often forget is that it’s not just the space itself that matters, it’s also the urban fabric around it. The Seagram Building in New York plays a central role in Whyte’s work as an example of a successful urban plaza. 

  But we can’t forget that Mies van der Rohe’s simple gesture of setting the tower back from the street is strengthened by the remaining urban fabric and the activity along Park Avenue. The plaza acts as a kind of release.

  Alongside the book, Whyte also published a 60 minute video. If you’ve never seen it, I highly recommend you watch it when you get a chance. Click here if you can’t see the video below.

  [youtube https://www.youtube.com/watch?v=MjxXTsHgc8g&w=420&h=315]

  To close out this post, I thought it would be fun if everyone shared their favorite public urban space in the comment section. It can be in your city or it could just be a place you’ve visited.

  To kick things off, I’m going to go with with a space that’s close to home: Berczy Park. It has lots of places to sit, including movable chairs. There’s a great water feature. And it’s well connected to the rest of the area and surrounding streets. I often sit there during lunch or when I just want to think.

  It’s also in the midst of a revitalization and I’m excited to see that come together.

  2016.04.27

• Nest or cave?

  I was recently introduced to the work and writing of Japanese architect Sou Fujimoto. One concept that he writes about that I really like is the idea of nest vs. cave.

  The way Fujimoto describes a cave is that it’s a naturally occurring and pre-existing condition. It is exists independent of humans. So if and when a human decides to occupy a cave, he or she must assimilate their lives to that which is already there. They have to deal with the ambiguity of the spaces because it is not clear how everything should be used.

  A nest, on the other hand, is something completely created by and for the benefit of a person or animal. It would not exist without someone creating it and so it is prescriptive and functional in a way that a cave is not.

  Fujimoto is interested in exploring architecture that is analogous to caves. Which is why he designs houses like this one (House NA) in Tokyo:

  

  In most countries, a house like this would not meet code and would be illegal. But in Tokyo it’s obviously allowed. And his hope is that the owners will discover new and unintended ways to interact with the unusual pairing of levels and platforms.

  However, I think about this juxtaposition differently – likely incorrectly in the mind of Fujimoto.

  I’m actually more interested in nests. Because in a way, mass produced housing is like a cave. It exists whether or not we decide to occupy it. And it is generally created to appeal to lots of people, rather than to the idiosyncratic tastes of one person. So when someone does occupy it, they invariably end up trying to shape it.

  But not to the extent of a nest. A nest is custom. It is what you would build for yourself given the opportunity to do so. And that thought is really appealing to me. Maybe it’s because I don’t like the ambiguity of a cave. That could be a possibility.

  I could also be thinking about it differently because I tend to think of Japanese homes as being quite individualistic. Since Japanese people generally don’t care about resale value, they don’t have the same fixation with marketability and future value. That means they’re more likely to just build what they want.

  I’d love to have my own nest.

  Image: Wall Street Journal

  2016.04.22

• Gray on gray on gray

  This past weekend was gorgeous in Toronto. I always love seeing the city come to life after the winter and last weekend was the first sign of that this year.

  Being the fair-weather cyclist that I am, I had the flat fixed on my single speed bike and I was ready to go by the weekend. I managed to test out the GoPro handlebar mount that I mentioned last week but, quite honestly, the footage was so jittery and bouncy that it made me nauseous to watch it. So I need to rethink my city geek filming strategy. 

  (Sidebar: GoPro needs to make it easier to turn their raw footage into content that is actually worth sharing.)

  Still, I had a good ride over to the new Canary District on the east side of downtown. The gates just recently game down, so I was itching to take a look at it. Here are a couple of photos to give you some context for the rest of this post:

  

  None of the retailers have moved in, so the area currently feels like Toronto post zombie apocalypse (to use a friend’s description of the neighborhood). But all of the bones are in place for an incredible downtown neighborhood.

  Here are some of my thoughts as I was riding around:

  The opening of this neighborhood repositions the Distillery District. Initially, the Distillery District struggled as a kind of island on the edge of downtown. But thankfully they stuck to their initial vision for the community and now they get the benefit of this new mixed-use anchor to the east of it.

  Trinity Street to the north of the Distillery District proper is a fantastic opportunity to not only extend the magic of the Distillery northward, but also “plug” the area into Front Street East, which is the primary east-west spine that connects the Canary District back to the downtown core. I hope we (the city, developers, and so on) take advantage of this.

  The Front Street Promenade running through the Canary District and connecting into Corktown Common (park) is going to be an absolutely magical urban space once the restaurants, cafes, and retailers open up. I can’t wait for this to happen. Live Work Learn Play has been orchestrating the retail component.

  Finally, why are all of the buildings gray? 

  Gray brick. Gray window wall. Gray spandrel panel. It’s gray on gray on gray. We’re playing into that boring Canadian stereotype here. I hope the subsequent developments introduce some wild colors. Although some red brick to tie into the Distillery District would work well too. The best nearby architecture (just to the north) is the River City complex by Saucier + Perrotte.

  Notwithstanding the gray, I’m super excited about the Canary District and I am generally bullish on the east side of downtown. If you’ve had a chance to visit, I’d love to also hear your thoughts in the comment section below.

  2016.04.18