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I have written about Bright Moments before. They are a digital art company exploring the intersection of NFTs and real-world experiences. It started as a popup gallery in Venice Beach California, where artists could show new work and where collectors could buy IRL. They then created their own pixel art collection called CryptoVenetians. It included 1,000 different people-centered NFTs by artist QianQian. Since then, they have gone on to host events and create new CryptoCitizen collections in New York, Berlin, London, Mexico City, Tokyo, and Buenos Aires. And this week they were in Paris.
(I don't know why they skipped over Toronto!)
https://twitter.com/seth/status/1761302227216376000?s=20
Their end goal is to create a complete collection of 10,000 NFTs, most of which are tied to a specific city. (The only one that isn't is their CryptoGalacticans collection.) What's obviously great about this approach is that it's a way to promote digital art and onboard new users into the crypto space. They are literally going around the world, throwing parties, and saying "look how cool and fun this whole crypto thing is." At the same time, it also links the digital and the physical, which I believe is fundamental. We're social beings and web3 will never change that.
The other interesting thing about Bright Moments is that they are structured as a decentralized autonomous organization (or DOA). That's like a company, except that governance is distributed to its tokenholders and it's all managed on a blockchain. But it still operates as a company and it can raise money like one too. In 2021, Union Square Ventures invested 500 ETH into the DOA through a blockchain transaction that would naturally be public if you cared to look it up. Based on today's spot price of about CA$4k per ETH, that was a CA$2 million investment.
In the case of Bright Moments, its tokenholders are the people who own a CryptoCitizen. These are the people who get to vote on how the organization is run. They can also earn money if they do things like host a community dinner or organize a local meetup, with the idea being that, as an organization, you want to encourage this sort of bottom-up participation and innovation. I find it fascinating to watch this new governance and entity structure emerge, and it will only continue to evolve.
I've been following Bright Moments more or less since they dropped the CryptoVenetians. I thought about jumping in then, but I figured I would wait to see if there would be a CryptoTorontonian. That would obviously be my number one choice. But once they announced their final list of cities, and Toronto wasn't on it, I grumpily decided I would instead wait for a CryptoParisian. And since this week was Paris, it was time.
I now hold CryptoParisian #112:
I like that it has the Pont Neuf and that the human is wearing sunglasses.
This means that I now have a small ownership stake in the Bright Moments DOA. So presumably I'll soon have a say in important and serious matters! It also means that when they launch their final CryptoCitizen collection in Venice, Italy this spring (nice work going full circle here), there is a chance I might get airdropped a CryptoVenetian. It's a random process, so whatever. I also know that it's easy to look at this pixelated Parisian and think, "WTF, Brandon." But something new is building here. And I'm sure that all of the folks who were in Paris this week can testify to that.
As I understand it, databases are pretty important to technology companies. Here is an excerpt from a recent post by Albert Wenger talking about why he and his company (Union Square Ventures) believe that web3/crypto is going to unlock new value for our society:
As a first approximation all the big powerful internet companies are really database providers. Facebook is a database of people’s profiles, their friend graphs and their status updates. Paypal is a database of people’s account balances. Amazon is a database of SKUs, payment credentials and purchase histories. Google is a database of web pages and query histories. Of course all of these companies have built a great deal more over time, but operating a database has stayed at the core of why they are powerful. Only they get to decide who has permission to read and write to this database and which parts of it they get access to.
So how will web3 be any better? Well blockchains, at least right now, are poorer performing databases in almost all dimensions, according to Albert. And this is one of the reasons why they're being so quickly dismissed by most people. But they do have one key advantage: permissionless data. No single entity controls a blockchain database. More from Albert:
It is difficult to overstate how big an innovation this is. We went from not being able to do something at all to having a first working version. Again to be clear, I am not saying this will solve all problems. Of course it won’t. And it will even create new problems of its own. Still, permissionless data was a crucial missing piece – its absence resulted in a vast power concentration. As such Web3 can, if properly developed and with the right kind of regulation, provide a meaningful shift in power back to individuals and communities.
All of this said, I do agree with Fred Wilson and others that the web3/crypto enthusiasts on Twitter these days are getting to be a bit much. For obvious reasons, everyone is trying to pump the crypto stuff that they own. And it can certainly feel like shills trying to sell snake oil. But as Fred pointed out today, this isn't the first time that we've been here:
It reminds me of the early days of web2 in 2001/2002/2003, when we started USV. That was also a time of great cynicism. We almost did not get our first fund raised. Nobody was buying the story we were telling. But of course, that story turned out to be true. And I am confident this one will too.
If/when this story does turn out to be true -- and I believe it's a when -- I think we will see it permeate through all sectors of the economy, including how we plan, build, and operate our cities. Of course, this will probably take decades and much of what will happen is unknowable right now. But it's pretty hard to ignore that this was a pivotal year for the crypto space.
I have written about Bright Moments before. They are a digital art company exploring the intersection of NFTs and real-world experiences. It started as a popup gallery in Venice Beach California, where artists could show new work and where collectors could buy IRL. They then created their own pixel art collection called CryptoVenetians. It included 1,000 different people-centered NFTs by artist QianQian. Since then, they have gone on to host events and create new CryptoCitizen collections in New York, Berlin, London, Mexico City, Tokyo, and Buenos Aires. And this week they were in Paris.
(I don't know why they skipped over Toronto!)
https://twitter.com/seth/status/1761302227216376000?s=20
Their end goal is to create a complete collection of 10,000 NFTs, most of which are tied to a specific city. (The only one that isn't is their CryptoGalacticans collection.) What's obviously great about this approach is that it's a way to promote digital art and onboard new users into the crypto space. They are literally going around the world, throwing parties, and saying "look how cool and fun this whole crypto thing is." At the same time, it also links the digital and the physical, which I believe is fundamental. We're social beings and web3 will never change that.
The other interesting thing about Bright Moments is that they are structured as a decentralized autonomous organization (or DOA). That's like a company, except that governance is distributed to its tokenholders and it's all managed on a blockchain. But it still operates as a company and it can raise money like one too. In 2021, Union Square Ventures invested 500 ETH into the DOA through a blockchain transaction that would naturally be public if you cared to look it up. Based on today's spot price of about CA$4k per ETH, that was a CA$2 million investment.
In the case of Bright Moments, its tokenholders are the people who own a CryptoCitizen. These are the people who get to vote on how the organization is run. They can also earn money if they do things like host a community dinner or organize a local meetup, with the idea being that, as an organization, you want to encourage this sort of bottom-up participation and innovation. I find it fascinating to watch this new governance and entity structure emerge, and it will only continue to evolve.
I've been following Bright Moments more or less since they dropped the CryptoVenetians. I thought about jumping in then, but I figured I would wait to see if there would be a CryptoTorontonian. That would obviously be my number one choice. But once they announced their final list of cities, and Toronto wasn't on it, I grumpily decided I would instead wait for a CryptoParisian. And since this week was Paris, it was time.
I now hold CryptoParisian #112:
I like that it has the Pont Neuf and that the human is wearing sunglasses.
This means that I now have a small ownership stake in the Bright Moments DOA. So presumably I'll soon have a say in important and serious matters! It also means that when they launch their final CryptoCitizen collection in Venice, Italy this spring (nice work going full circle here), there is a chance I might get airdropped a CryptoVenetian. It's a random process, so whatever. I also know that it's easy to look at this pixelated Parisian and think, "WTF, Brandon." But something new is building here. And I'm sure that all of the folks who were in Paris this week can testify to that.
As I understand it, databases are pretty important to technology companies. Here is an excerpt from a recent post by Albert Wenger talking about why he and his company (Union Square Ventures) believe that web3/crypto is going to unlock new value for our society:
As a first approximation all the big powerful internet companies are really database providers. Facebook is a database of people’s profiles, their friend graphs and their status updates. Paypal is a database of people’s account balances. Amazon is a database of SKUs, payment credentials and purchase histories. Google is a database of web pages and query histories. Of course all of these companies have built a great deal more over time, but operating a database has stayed at the core of why they are powerful. Only they get to decide who has permission to read and write to this database and which parts of it they get access to.
So how will web3 be any better? Well blockchains, at least right now, are poorer performing databases in almost all dimensions, according to Albert. And this is one of the reasons why they're being so quickly dismissed by most people. But they do have one key advantage: permissionless data. No single entity controls a blockchain database. More from Albert:
It is difficult to overstate how big an innovation this is. We went from not being able to do something at all to having a first working version. Again to be clear, I am not saying this will solve all problems. Of course it won’t. And it will even create new problems of its own. Still, permissionless data was a crucial missing piece – its absence resulted in a vast power concentration. As such Web3 can, if properly developed and with the right kind of regulation, provide a meaningful shift in power back to individuals and communities.
All of this said, I do agree with Fred Wilson and others that the web3/crypto enthusiasts on Twitter these days are getting to be a bit much. For obvious reasons, everyone is trying to pump the crypto stuff that they own. And it can certainly feel like shills trying to sell snake oil. But as Fred pointed out today, this isn't the first time that we've been here:
It reminds me of the early days of web2 in 2001/2002/2003, when we started USV. That was also a time of great cynicism. We almost did not get our first fund raised. Nobody was buying the story we were telling. But of course, that story turned out to be true. And I am confident this one will too.
If/when this story does turn out to be true -- and I believe it's a when -- I think we will see it permeate through all sectors of the economy, including how we plan, build, and operate our cities. Of course, this will probably take decades and much of what will happen is unknowable right now. But it's pretty hard to ignore that this was a pivotal year for the crypto space.
I recently got a Samsung Frame TV to use as an NFT display at home. I had been looking for one for a while and I finally pulled the trigger last week. The way the Frame works is that it's a TV when it's on, and it's an art display when it's off. But I really don't care about the TV part. I just wanted a good looking art display.
There are a lots of purpose-built NFT displays on the market right now, including Tokenframe, Blackdove, Muse, and others. And I was very close to getting a Muse Frame.
But ultimately I decided on the Samsung Frame because it was (1) cheaper for its size (50"), (2) it looks cool, and (3) I was fine with just a simple high-quality display. I think there will be lots more software and dongles created in the future for people who want to showcase their NFTs on whatever they happen to have at home.
However, if you're a crypto and NFT purist, this maybe isn't the display for you -- at least right now. Out of the box, it doesn't connect with any crypto wallets. And so you're not going to automatically see the provenance of each art piece (more on this below). Instead, the default method is to just upload JPEGs to the TV from Samsung's SmartThings app (insert right-click-save-as jokes here).
Overall, I'm really happy with the display. Here are my initial thoughts:
I have it set to randomly rotate through my art every 3 minutes. There's also a motion detection feature that works reasonably well. If it doesn't detect any motion, the display will go completely to sleep. But for some reason, it occasionally gets possessed and the TV will randomly turn on. Last week it kept turning on old Baywatch episodes. Possibly user error.
Samsung's SmartThings app is bad. It's buggy and a pain to use. For example, even though I've given it complete access to my phone's photos, they never seem to show up. I have to limit access and then go and select the ones I want to use in my gallery.
I have found that I prefer when the art is full bleed versus within the Frame's skeuomorphic picture mat. This is a new form of art and so I like the idea of breaking past traditions. But unless your images are 16x9 and a high enough resolution (I have generally found > 3000px wide to work), then you're going to get prompted to insert and select a mat design.
I have solved this problem by manually cropping and editing the individual pieces. Some NFT collections, such as CyberBrokers, also give you vector files which allows you to play around as you see fit. Again, if you're an NFT and/or art purist, you're probably not going to like this. But I think of it as curating the pieces.
Most of my art is on Ethereum, Solana, and Tezos. Being able to upload whatever I want is helpful, because not all NFT displays support all of the chains. The Muse Frame, for instance, only supports Ethereum and Polygon right now.
PNG files and video files aren't supported natively. This is a significant drawback and so eventually I know I'm going to have to change up the software that powers this display. And there are options. Bright Moments offers display software for holders of its NFTs. Fred Wilson's venture firm USV created this setup. And I'm sure there are countless others. These can solve the provenance issue mentioned above by pulling directly from the various blockchains.
In the end, I knew what I was getting into with the Frame. I knew it wasn't a purpose-built NFT display and I was fine with that. It's still early days in this space. But it sure is nice to finally see my NFT art in large format.
I recently got a Samsung Frame TV to use as an NFT display at home. I had been looking for one for a while and I finally pulled the trigger last week. The way the Frame works is that it's a TV when it's on, and it's an art display when it's off. But I really don't care about the TV part. I just wanted a good looking art display.
There are a lots of purpose-built NFT displays on the market right now, including Tokenframe, Blackdove, Muse, and others. And I was very close to getting a Muse Frame.
But ultimately I decided on the Samsung Frame because it was (1) cheaper for its size (50"), (2) it looks cool, and (3) I was fine with just a simple high-quality display. I think there will be lots more software and dongles created in the future for people who want to showcase their NFTs on whatever they happen to have at home.
However, if you're a crypto and NFT purist, this maybe isn't the display for you -- at least right now. Out of the box, it doesn't connect with any crypto wallets. And so you're not going to automatically see the provenance of each art piece (more on this below). Instead, the default method is to just upload JPEGs to the TV from Samsung's SmartThings app (insert right-click-save-as jokes here).
Overall, I'm really happy with the display. Here are my initial thoughts:
I have it set to randomly rotate through my art every 3 minutes. There's also a motion detection feature that works reasonably well. If it doesn't detect any motion, the display will go completely to sleep. But for some reason, it occasionally gets possessed and the TV will randomly turn on. Last week it kept turning on old Baywatch episodes. Possibly user error.
Samsung's SmartThings app is bad. It's buggy and a pain to use. For example, even though I've given it complete access to my phone's photos, they never seem to show up. I have to limit access and then go and select the ones I want to use in my gallery.
I have found that I prefer when the art is full bleed versus within the Frame's skeuomorphic picture mat. This is a new form of art and so I like the idea of breaking past traditions. But unless your images are 16x9 and a high enough resolution (I have generally found > 3000px wide to work), then you're going to get prompted to insert and select a mat design.
I have solved this problem by manually cropping and editing the individual pieces. Some NFT collections, such as CyberBrokers, also give you vector files which allows you to play around as you see fit. Again, if you're an NFT and/or art purist, you're probably not going to like this. But I think of it as curating the pieces.
Most of my art is on Ethereum, Solana, and Tezos. Being able to upload whatever I want is helpful, because not all NFT displays support all of the chains. The Muse Frame, for instance, only supports Ethereum and Polygon right now.
PNG files and video files aren't supported natively. This is a significant drawback and so eventually I know I'm going to have to change up the software that powers this display. And there are options. Bright Moments offers display software for holders of its NFTs. Fred Wilson's venture firm USV created this setup. And I'm sure there are countless others. These can solve the provenance issue mentioned above by pulling directly from the various blockchains.
In the end, I knew what I was getting into with the Frame. I knew it wasn't a purpose-built NFT display and I was fine with that. It's still early days in this space. But it sure is nice to finally see my NFT art in large format.
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