Yesterday morning, Neat B and I were up at Friday Harbour messing about on jet skis with some friends. It was a lot of fun. It's a good little day trip if you're ever looking for something to do in the summer.
I think that the developers of Friday Harbour have done a wonderful job creating a new waterfront resort and creating an alternative to traditional cottages. I know a bunch of people who have opted for a place here instead. It's closer to Toronto, you don't have the same upkeep, and you get to enjoy urban amenities while still feeling like you're "up north."
Yesterday I also noticed that the most recent phase — which is just finishing up construction — looks like this:

Never before have I seen balcony guard glass like this — at least not here in the Toronto region. It is some kind of iridescent laminated glass, which changes color depending on the light and the viewing perspective. I would imagine that it also offers some degree of privacy benefits, because it got fairly opaque from some angles.
But the primary feature is that it just looks cool. And I think more projects should have fun like this. There's no need to be afraid of color.
What do you think?

I recently discovered this marvelous chair (image from here):

Yesterday morning, Neat B and I were up at Friday Harbour messing about on jet skis with some friends. It was a lot of fun. It's a good little day trip if you're ever looking for something to do in the summer.
I think that the developers of Friday Harbour have done a wonderful job creating a new waterfront resort and creating an alternative to traditional cottages. I know a bunch of people who have opted for a place here instead. It's closer to Toronto, you don't have the same upkeep, and you get to enjoy urban amenities while still feeling like you're "up north."
Yesterday I also noticed that the most recent phase — which is just finishing up construction — looks like this:

Never before have I seen balcony guard glass like this — at least not here in the Toronto region. It is some kind of iridescent laminated glass, which changes color depending on the light and the viewing perspective. I would imagine that it also offers some degree of privacy benefits, because it got fairly opaque from some angles.
But the primary feature is that it just looks cool. And I think more projects should have fun like this. There's no need to be afraid of color.
What do you think?

I recently discovered this marvelous chair (image from here):

This is a photo taken from the base village of Val Thorens. I took it while we were sitting on a massive terrace in the middle of it. But what stood out to me even more than the terrace itself was the buildings that frame it. They are all about 8-9 storeys, have no step-backs, and were clearly orchestrated to create a defined "street wall."
These framing buildings can be just as important as the public spaces themselves; they form the "walls" of the public realm and create a sense of enclosure. In this case, the buildings also follow a similar aesthetic. They were designed to pay homage to traditional Savoyard architecture, which is known for its use of local woods and stones.
The other thing I find noteworthy is that all of this is only about 50-some years old. Val Thorens the resort opened in 1971. And it only became an idea sometime around 1969 when Pierre Schneblelen -- an engineer and developer -- decided that he wanted to build Europe's highest ski resort. (The base of the resort sits at 2,300 m and the peak elevation is 3,230 m.)
As time passes, it's easy to take these kinds of places and experiences for granted. But they only exist because someone, at some point, had a vision. And when that vision was initially presented, it was probably perceived by many, or by most, to be crazy. That's just how these things go, and so I like reminding myself of that.
It’s called a strandkorb, which is a German word that translates into something along the lines of “hooded beach chair.” It was invented in the late 19th century by a basket maker looking for protection from the elements on the beach.
Apparently they are fairly ubiquitous at resorts along the North Sea and Baltic Sea and are a bit of a cult object in Germany. They are a symbol of holiday fun, but also, to some, a symbol of German resiliency in the face of adverse weather.
For me, the beauty of these beach chairs is that the “hood” blocks the wind. So if you orient yourself toward the sun, you could actually feel quite warm even when it may not be the perfect beach weather. They extend the season, which is paramount in cooler climates.
I guess that’s why they have stuck around since the 1880′s. If you check out some of the (Google) photo spheres in beach towns in northern Germany, you will definitely find many a strandkorb.
This is a photo taken from the base village of Val Thorens. I took it while we were sitting on a massive terrace in the middle of it. But what stood out to me even more than the terrace itself was the buildings that frame it. They are all about 8-9 storeys, have no step-backs, and were clearly orchestrated to create a defined "street wall."
These framing buildings can be just as important as the public spaces themselves; they form the "walls" of the public realm and create a sense of enclosure. In this case, the buildings also follow a similar aesthetic. They were designed to pay homage to traditional Savoyard architecture, which is known for its use of local woods and stones.
The other thing I find noteworthy is that all of this is only about 50-some years old. Val Thorens the resort opened in 1971. And it only became an idea sometime around 1969 when Pierre Schneblelen -- an engineer and developer -- decided that he wanted to build Europe's highest ski resort. (The base of the resort sits at 2,300 m and the peak elevation is 3,230 m.)
As time passes, it's easy to take these kinds of places and experiences for granted. But they only exist because someone, at some point, had a vision. And when that vision was initially presented, it was probably perceived by many, or by most, to be crazy. That's just how these things go, and so I like reminding myself of that.
It’s called a strandkorb, which is a German word that translates into something along the lines of “hooded beach chair.” It was invented in the late 19th century by a basket maker looking for protection from the elements on the beach.
Apparently they are fairly ubiquitous at resorts along the North Sea and Baltic Sea and are a bit of a cult object in Germany. They are a symbol of holiday fun, but also, to some, a symbol of German resiliency in the face of adverse weather.
For me, the beauty of these beach chairs is that the “hood” blocks the wind. So if you orient yourself toward the sun, you could actually feel quite warm even when it may not be the perfect beach weather. They extend the season, which is paramount in cooler climates.
I guess that’s why they have stuck around since the 1880′s. If you check out some of the (Google) photo spheres in beach towns in northern Germany, you will definitely find many a strandkorb.
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