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Back when everyone wanted to buy and trade crypto, my friend Evgeny started a marketplace for NFT photography called Sloika. This, to me, felt like an obviously good idea, both in general and for him specifically. Evgeny had previously cofounded the photo company 500px, and so Sloika was initially conceived of as 500px, but for web3. This is a good story.
I have collected a number of photos via Sloika and, in general, I continue to regularly collect NFTs. Of course today, relatively few people want to trade and collect NFTs. The market is largely dead. What is obvious is that there was a giant NFT bubble and it popped in 2022, along with some other asset bubbles.
But does this necessarily mean that NFTs and NFT art are bad ideas?
When I think of bubbles I often think of something that Fred Wilson wrote on his blog. His argument was that bubbles tend to be directionally right; it's the magnitude that we get wrong. A good example of this is the dot com bubble. Yes, it was a massive bubble. But it was directionally right. The internet was going to matter -- a lot it turns out.
Even if we go back to "tulip mania" during the Dutch Golden Age -- which is often brought up as the pinnacle of dumb bubbles -- one could argue that it was still directionally right. Today, tulips remain the most sold flower in the US. So we still love them; we just got a little too excited back in the 17the century.
When it comes to NFT art, I like to think in terms of these questions:
Will humans continue to appreciate art? (Seems obvious.)
Will humans continue to want to collect things? (This is arguably a fundamental human instinct.)
Will provenance and authenticity continue to matter in art? (Blockchain technologies are really good at this.)
Perhaps the only question that remains is whether people will want to collect digital art. But even this feels fairly obvious to me. The challenge, I think, is that the display side of the market needs to be more built out. Because alongside the instinct to collect things is the instinct to display them. That's why NFTs initially took off as profile pics on social media.
So as a start, I think more, better, and cheaper displays would be a big help. There's something very different about projecting an NFT in your living room versus having it live in a crypto wallet on your phone or computer. You need to really experience it, just as you would a conventional piece of art. And like all art, context matters.
I haven't yet invested in a dedicated NFT display, but I plan to do that in the near future. And I'm looking forward to displaying my collection of NFTs, including the one at the top of this post. It's a drone shot of the west side of Toronto in the middle of winter, and it was gifted to me by Evgeny. Thank you for that. It's an honor to have it as part of my art collection.
Photo: Six Bling (via SuperRare)
Nearly 1,000 lots from Karl Lagerfeld's estate are soon to go up for auction. I was reading about it over the weekend in FT and, what is obvious, is that Lagerfeld liked to collect things. He had homes all over the place and in those homes were lots of nice things, ranging from art and tapestries to unique furniture and iPods.
Yes, he really liked iPods. After he passed away, over 500 of them were discovered in one of this drawers and another 70 were found in his office in Paris' 7th. Apparently he used to curate music on them and then gift them to people. It was one of his things.
Of course, Lagerfeld was a wildly successful fashion guy and his estate is surely pretty unique. But I think it's important to keep in mind that to collect is a deeply human endeavor. We have been doing it forever. And in this context, it's not surprising at all why non-fungible tokens (NFTs) have taken off in the way that they have.
Our world is profoundly digital, but before blockchains and NFTs, we were missing a way to validate ownership over digital assets. That's no longer the case. For more on this, here is an interesting TEDx Talk by Roham Gharegozlou, who is the CEO of Vancouver-based Dapper Labs (the company behind CryptoKitties and NBA Top Shot). The talk is from 2018, but it's just as relevant.
My two week photo blogging experiment has come to an end. We are now back in Toronto. France was incredible, and I thoroughly enjoyed practicing my French and messing up which nouns are masculine and feminine. Expect some follow-up posts in the coming week(s). I was jotting down notes throughout the trip.
I must say that the experience of getting back to Canada was far easier than I was expecting. Besides having to run around to a few different places for our PCR tests (sante.fr gave us some addresses that wouldn't take us), it was relatively painless.
I am now swimming through my inbox (butterfly stroke kind of thing). There's a lot to catch up on and a lot that I want to write about. But here's something pretty special. Today I am excited to share that Slate Asset Management just announced an NFT digital art collection by Los Angeles-based artist Petra Cortright.
The collection consists of 8 works of digital art that are exclusive to each of the 8 penthouse residences at One Delisle (1/1). We believe that this is one of if not the first example of this -- NFTs being commissioned by a developer for future condominium residents.
Since the beginning, we have wanted to make One Delisle a "project of firsts." We wanted to create something remarkable and usually that means you have to do something for the first time. We are fortunate to have been able to partner with Studio Gang for both the architecture of the building and its interiors.
The Petra Cortright NFT Collection is the next step in this commitment to new ideas. And on October 6th the team will be revealing both the One Delisle Penthouse Collection
Back when everyone wanted to buy and trade crypto, my friend Evgeny started a marketplace for NFT photography called Sloika. This, to me, felt like an obviously good idea, both in general and for him specifically. Evgeny had previously cofounded the photo company 500px, and so Sloika was initially conceived of as 500px, but for web3. This is a good story.
I have collected a number of photos via Sloika and, in general, I continue to regularly collect NFTs. Of course today, relatively few people want to trade and collect NFTs. The market is largely dead. What is obvious is that there was a giant NFT bubble and it popped in 2022, along with some other asset bubbles.
But does this necessarily mean that NFTs and NFT art are bad ideas?
When I think of bubbles I often think of something that Fred Wilson wrote on his blog. His argument was that bubbles tend to be directionally right; it's the magnitude that we get wrong. A good example of this is the dot com bubble. Yes, it was a massive bubble. But it was directionally right. The internet was going to matter -- a lot it turns out.
Even if we go back to "tulip mania" during the Dutch Golden Age -- which is often brought up as the pinnacle of dumb bubbles -- one could argue that it was still directionally right. Today, tulips remain the most sold flower in the US. So we still love them; we just got a little too excited back in the 17the century.
When it comes to NFT art, I like to think in terms of these questions:
Will humans continue to appreciate art? (Seems obvious.)
Will humans continue to want to collect things? (This is arguably a fundamental human instinct.)
Will provenance and authenticity continue to matter in art? (Blockchain technologies are really good at this.)
Perhaps the only question that remains is whether people will want to collect digital art. But even this feels fairly obvious to me. The challenge, I think, is that the display side of the market needs to be more built out. Because alongside the instinct to collect things is the instinct to display them. That's why NFTs initially took off as profile pics on social media.
So as a start, I think more, better, and cheaper displays would be a big help. There's something very different about projecting an NFT in your living room versus having it live in a crypto wallet on your phone or computer. You need to really experience it, just as you would a conventional piece of art. And like all art, context matters.
I haven't yet invested in a dedicated NFT display, but I plan to do that in the near future. And I'm looking forward to displaying my collection of NFTs, including the one at the top of this post. It's a drone shot of the west side of Toronto in the middle of winter, and it was gifted to me by Evgeny. Thank you for that. It's an honor to have it as part of my art collection.
Photo: Six Bling (via SuperRare)
Nearly 1,000 lots from Karl Lagerfeld's estate are soon to go up for auction. I was reading about it over the weekend in FT and, what is obvious, is that Lagerfeld liked to collect things. He had homes all over the place and in those homes were lots of nice things, ranging from art and tapestries to unique furniture and iPods.
Yes, he really liked iPods. After he passed away, over 500 of them were discovered in one of this drawers and another 70 were found in his office in Paris' 7th. Apparently he used to curate music on them and then gift them to people. It was one of his things.
Of course, Lagerfeld was a wildly successful fashion guy and his estate is surely pretty unique. But I think it's important to keep in mind that to collect is a deeply human endeavor. We have been doing it forever. And in this context, it's not surprising at all why non-fungible tokens (NFTs) have taken off in the way that they have.
Our world is profoundly digital, but before blockchains and NFTs, we were missing a way to validate ownership over digital assets. That's no longer the case. For more on this, here is an interesting TEDx Talk by Roham Gharegozlou, who is the CEO of Vancouver-based Dapper Labs (the company behind CryptoKitties and NBA Top Shot). The talk is from 2018, but it's just as relevant.
My two week photo blogging experiment has come to an end. We are now back in Toronto. France was incredible, and I thoroughly enjoyed practicing my French and messing up which nouns are masculine and feminine. Expect some follow-up posts in the coming week(s). I was jotting down notes throughout the trip.
I must say that the experience of getting back to Canada was far easier than I was expecting. Besides having to run around to a few different places for our PCR tests (sante.fr gave us some addresses that wouldn't take us), it was relatively painless.
I am now swimming through my inbox (butterfly stroke kind of thing). There's a lot to catch up on and a lot that I want to write about. But here's something pretty special. Today I am excited to share that Slate Asset Management just announced an NFT digital art collection by Los Angeles-based artist Petra Cortright.
The collection consists of 8 works of digital art that are exclusive to each of the 8 penthouse residences at One Delisle (1/1). We believe that this is one of if not the first example of this -- NFTs being commissioned by a developer for future condominium residents.
Since the beginning, we have wanted to make One Delisle a "project of firsts." We wanted to create something remarkable and usually that means you have to do something for the first time. We are fortunate to have been able to partner with Studio Gang for both the architecture of the building and its interiors.
The Petra Cortright NFT Collection is the next step in this commitment to new ideas. And on October 6th the team will be revealing both the One Delisle Penthouse Collection
For more information about what all of this means (including a bit about NFTs), here's the full press release from earlier today.
For more information about what all of this means (including a bit about NFTs), here's the full press release from earlier today.
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