Over the weekend I received an Amazon Echo as a gift. I set it up in my kitchen on Sunday morning and had it playing music and telling me the weather in no time. I also setup a couple of “routines” so that when I say things, such as “good morning”, it cycles through the weather, the news, and some other things that I might find valuable at the start of my day. It is pretty neat.
The truth is that I have actually been avoiding voice assistants since they were first launched. As much as I consider myself an early adopter, I have been generally uncomfortable with the idea that my voice commands, and perhaps other things, are being stored by Amazon. There are ways to delete that history, but I am not yet sure if that’s enough for me. Am I going to be served an ad because of something I mention in my own home?
Now that I’ve been trying it out for a few days, I will say that it is incredibly useful. I immediately see the value. I use it to control some of my lights. I ask it things when I’m cooking and my hands are dirty: “Alexa, how badly are the Raptors going to beat the Bucks this Thursday?” And I use it to play music. But is all of this a fair exchange for the creepy feeling that they create?
I’m not sure. But it certainly feels like the future.
I was reading Aaron Renn’s blog this morning and a post called, How Urban Planning Made Motown Records Possible, caught my attention.
His argument – taken from a book called Once in a Great City: A Detroit Story – is that the prevalence of pianos in black working class and middle class families was a key ingredient in Detroit ultimately punching above its weight musically.
Here’s an excerpt that Aaron Renn shared on his blog:
The family piano’s role in the music that flowed out of the residential streets of Detroit cannot be overstated. The piano, and its availability to children of the black working class and middle class, is essential to understanding what happened in that time and place, and why it happened, not just with Berry Gordy, Jr. but with so many other young black musicians who came of age there from the late forties to the early sixties. What was special then about pianos and Detroit? First, because of the auto plants and related industries, most Detroiters had steady salaries and families enjoyed a measure of disposable income they could use to listen to music in clubs and at home. Second, the economic geography of the city meant that the vast majority of residents lived in single family homes, not high-rise apartments, making it easier to deliver pianos and find room for them. And third, Detroit had the egalitarian advantage of a remarkable piano enterprise, the Grinnell Brothers Music House.
Detroit is obviously not the only city with lots of single family homes. But it’s fascinating to think that this housing typology, combined with a number of other socioeconomic factors, could be what ultimately led to the creation of the Motown Sound.
It’s also interesting to think about what kind of talent we might be squandering in our cities. I mean, look what happens when people have access to things like pianos (in the case of Detroit), computers (in the case of people like Bill Gates), and cheap/vacant space (in the case of Berlin and its clubs). They create amazing things.
This is one of the reasons why I think we sometimes underestimate the importance of small scale moves when it comes to spurring innovation in cities. We forget that people will do incredible things when they are, quite simply, given the freedom to work on projects they are passionate about.
If we could harness these passions instead of focusing so often on big political announcements, I think we’d all be better off.
I’ve written about the Ponte Tower in Johannesburg before. At 54 storeys, it is the tallest building in Africa. It’s located in Hillbrow, which is an inner city neighborhood known for its crime and poverty.
In the 1970s when the tower was built, Hillbrow was an Apartheid-designated white-only neighborhood and the tower was filled with affluent residents. But that didn’t last long and eventually the wealth fled for the suburbs.
Here’s a brief 6 minute video talking the Ponte Tower. Let’s call it the real estate perspective. Click here if you can’t see it below.
[youtube https://www.youtube.com/watch?v=3EIKmmSifqw?rel=0&w=560&h=315]
Now, here’s a Real Scenes documentary talking about the thriving electronic music scene in Johannesburg. I think it’s fascinating to look at a city from a particular subculture and, compared to the first video, I get a very different feel for the city. Click here if you can’t see it below.
[youtube https://www.youtube.com/watch?v=Ykt2f6o7-e8?rel=0&w=560&h=315]