I am back in Toronto and ready to resume my normal routines. I am definitely a creature of habit.
But boy is Miami an incredible city.
The interesting thing that I noticed about Miami though is that – despite its reputation as a global capital of glam – it still shares the same kinds of insecurities that many other cities experience.
I was reading the December 2015 / January 2016 issue of Surface this past weekend and there was an interview with billionaire real estate developer Jorge Pérez. He’s the CEO of The Related Companies and worth somewhere over $3 billion. In the interview he said that his biggest focus these days is on “Miami becoming a world-class city.”
I love that. Cities need strong proponents. And he is doing a lot. To give one example, he donated $40 million (half in cash and half in art) to create the new Pérez Art Museum Miami.
But for the Torontonians reading this post, how many times have you also heard the words world-class? At this point it makes me cringe when I hear someone say it. Usually it accompanies a sentence such as: “If we do (insert thing here), we will then be world-class.”
I also attended a talk at Design Miami, where some of the panelists were going on about how Miami’s restaurant scene was pretty pitiful about 10 years ago, but how that’s not the case today. Now, it is finally becoming remarkable.
That struck home for me because I’ve said similar things about Toronto: “10 years ago Toronto was like that, but now we are like this.” Makes me think that I’ll be saying the same thing about Toronto 10 years from today.
So it seems like many, or perhaps most, cities have an insecure side to them. And that can be a powerful motivator for driving growth and change. Cities, like people, need that fire in the belly.
But at the same time, there’s something nice about being grateful for what you have. And Miami certainly has a lot going for it. See you soon, Miami.
Resiliency is an important topic in urbanist circles these days.
New York is working on a 10 mile “Dryline” to protect itself from future storms similar to Hurricane Sandy. And Miami Beach – one of the most vulnerable cities in the U.S. to sea level rise – is frantically building pump stations and raising its seawalls, streets, and sidewalks.
Here’s what the city’s public works director had to say via a Curbed article published about a week ago:
Miami Beach is planning to spend upwards of $500 million over the next five years on the pump stations and street-raising projects. “We are quite certain we are going to buy ourselves another 30 years, and we are hoping we are going to buy ourselves another 50 years,” Carpenter said.
According to Wired, sea levels off the coast of South Beach have risen by 3.7 inches since 1996. But over the last 5 years the high tide levels have had an average increase of about 1.27 inches per year!
This matters a great deal because of what South Beach would look like if sea levels increased by 2 feet (via the Miami Herald):
It’s for this reason that Miami Beach has been working to alter its street elevations and install pumps – as many as 80 of them over the next 5 years – that quickly drain stormwater into Biscayne Bay. (The drains are equipped with backflow preventers so that the water leaves but doesn’t come back into the island.)
Here’s an example of a raised street and sidewalk (via the Miami Herald):
And here’s an example of a pump station (via Curbed):
All of this strikes me as necessary work for Miami Beach. But I also think it’s important to keep in mind that all of this is patch work – regardless of how necessary it is right now.
The bigger question is: what are we doing to stop sea level rise? That’s the only way we’re going to get to true, urban, resiliency.
It’s raining here in Miami Beach this morning. But the city is still buzzing with Art Basel and everything else that is going on right now.
It’s been interesting to learn about some of the measures that Miami Beach is taking to deal with flood risk. The city is highly vulnerable to rising sea levels.
A post on that topic is in the works, but I don’t have time for it this morning. So instead, I’d like to share some of my photos. Many of them are already on my Instagram.
I particularly liked the work of South Korean artist Chul Hyun Ahn. He works primarily with light and the perception of depth.
