Hedge fund manager Bill Ackman is a pretty wealthy guy and so it is fairly safe to assume that he could choose to live almost anywhere. For some people the ideal might be a low-rise house with a backyard in the suburbs.
But since 2018, Ackman has chosen a kind of penthouse apartment on the roof of a 1920's co-op building in Manhattan's Upper West Side. It was formerly the home of author Nancy Friday and Ackman supposedly purchased it for $22.5 million.
He is now looking to demolish the penthouse and build a new two-storey residence designed by architect Norman Foster. The design looks like this, which kind of reminds me of Philip Johnson's The Glass House:

Today it was in the news that Ackman has been having a fun time trying to convince his co-op board that a new set of glass boxes on the roof their building is a good idea. FT reported that the project has created "an atmosphere of fear and distrust among residents in the building."
I'm not exactly sure what it is about this proposal that is causing fear and distrust but Ackman is on record saying that he thinks this isn't about heritage preservation or architectural integrity; it's about people not wanting the disruption that comes along with construction. Fair.
One way to test this, I suppose, is to propose something more traditional or similar to what's already there. But I suspect that the other dynamic at play here is simply that he is a rich guy with a starchitect trying to build something cool.
Building things is tough.
The urban-to-rural transect is a New Urbanist planning framework that prescribes a smooth continuum of settlements that go from least dense to most dense. The six zones are as follows: natural (T1), rural (T2), sub-urban (T3), general urban (T4), center (T5), and core (T6).
Part of this framework is about rejecting single-use Euclidean zoning. Instead of segregating uses, New Urbanism looks to return to a mix of uses within close proximity of each other. This is a good thing.
But the transect also advocates for a certain orderliness. There should be a smooth transition as you move outward from T6 toward T1. It is about placing things in their useful order and maintaining a certain kind of character.
Witold Rybczynski makes an interesting observation about this in a recent post called “urban discontinuities.” The point he makes is that some of the most remarkable urban moments are the result not of smoothness, but of “odd juxtapositions.”
Think:
- Mount Royal (T1) in the middle of downtown Montreal (T6).
- The North Shore Mountains (T1) that terminate views from within the building canyons of downtown Vancouver (T6)
- The walls of tall buildings (T6) that frame Central Park (T1) in Manhattan
- The wonderful ravines (T1) that cut through Toronto’s urban fabric (T6)
These are contrasting zones in the transect bumping up against each other. And it turns out that most of us really like these moments. But I think that the bigger point to be made here is that urban environments aren’t always neat and tidy, and that’s because they are a constantly evolving organism.
That’s not a bug. It’s actually a feature to be celebrated.
This is an interesting story about New Yorkers starting to seek out larger homes. Last month, Manhattan saw 140 purchase agreements signed for homes priced at $4 million or more. In the last week of February alone, 40 contracts were signed, which is apparently a weekly record for this price point that hasn't been seen since August 2016.
What's also interesting is that, in some of these cases, we're talking about buyers who bought preconstruction and then went back to the developer to swap for a larger apartment. Developer Scott Avram is quoted in the above article saying that 10 buyers have "upgraded their contracts" at 130 William (David Adjaye project) over the last six months.
As we've talked about before, this is likely happening for a bunch of reasons. People have been working from home and want more space. Interest rates are low. And New York saw some softening in prices and now people are jumping back in to seize on those opportunities. At the same time, it is yet another example of people going long on dense urban living.
Hedge fund manager Bill Ackman is a pretty wealthy guy and so it is fairly safe to assume that he could choose to live almost anywhere. For some people the ideal might be a low-rise house with a backyard in the suburbs.
But since 2018, Ackman has chosen a kind of penthouse apartment on the roof of a 1920's co-op building in Manhattan's Upper West Side. It was formerly the home of author Nancy Friday and Ackman supposedly purchased it for $22.5 million.
He is now looking to demolish the penthouse and build a new two-storey residence designed by architect Norman Foster. The design looks like this, which kind of reminds me of Philip Johnson's The Glass House:

Today it was in the news that Ackman has been having a fun time trying to convince his co-op board that a new set of glass boxes on the roof their building is a good idea. FT reported that the project has created "an atmosphere of fear and distrust among residents in the building."
I'm not exactly sure what it is about this proposal that is causing fear and distrust but Ackman is on record saying that he thinks this isn't about heritage preservation or architectural integrity; it's about people not wanting the disruption that comes along with construction. Fair.
One way to test this, I suppose, is to propose something more traditional or similar to what's already there. But I suspect that the other dynamic at play here is simply that he is a rich guy with a starchitect trying to build something cool.
Building things is tough.
The urban-to-rural transect is a New Urbanist planning framework that prescribes a smooth continuum of settlements that go from least dense to most dense. The six zones are as follows: natural (T1), rural (T2), sub-urban (T3), general urban (T4), center (T5), and core (T6).
Part of this framework is about rejecting single-use Euclidean zoning. Instead of segregating uses, New Urbanism looks to return to a mix of uses within close proximity of each other. This is a good thing.
But the transect also advocates for a certain orderliness. There should be a smooth transition as you move outward from T6 toward T1. It is about placing things in their useful order and maintaining a certain kind of character.
Witold Rybczynski makes an interesting observation about this in a recent post called “urban discontinuities.” The point he makes is that some of the most remarkable urban moments are the result not of smoothness, but of “odd juxtapositions.”
Think:
- Mount Royal (T1) in the middle of downtown Montreal (T6).
- The North Shore Mountains (T1) that terminate views from within the building canyons of downtown Vancouver (T6)
- The walls of tall buildings (T6) that frame Central Park (T1) in Manhattan
- The wonderful ravines (T1) that cut through Toronto’s urban fabric (T6)
These are contrasting zones in the transect bumping up against each other. And it turns out that most of us really like these moments. But I think that the bigger point to be made here is that urban environments aren’t always neat and tidy, and that’s because they are a constantly evolving organism.
That’s not a bug. It’s actually a feature to be celebrated.
This is an interesting story about New Yorkers starting to seek out larger homes. Last month, Manhattan saw 140 purchase agreements signed for homes priced at $4 million or more. In the last week of February alone, 40 contracts were signed, which is apparently a weekly record for this price point that hasn't been seen since August 2016.
What's also interesting is that, in some of these cases, we're talking about buyers who bought preconstruction and then went back to the developer to swap for a larger apartment. Developer Scott Avram is quoted in the above article saying that 10 buyers have "upgraded their contracts" at 130 William (David Adjaye project) over the last six months.
As we've talked about before, this is likely happening for a bunch of reasons. People have been working from home and want more space. Interest rates are low. And New York saw some softening in prices and now people are jumping back in to seize on those opportunities. At the same time, it is yet another example of people going long on dense urban living.
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