Le Corbusier's Cité Radieuse in Marseille is, as I have mentioned before, one of the most important and influential multi-family buildings of the 20th century. As an architecture student, this is one of those buildings that you get indoctrinated with, so I was excited to visit it for the first time with Neat B in 2022 on what was our second visit to Marseille. We're big fans of the city. Here is the post I wrote following that visit.
Today, let's look at one of the actual suites, which is currently listed for sale through Architecture de Collection. But first, a reminder: The complex was originally constructed between 1948-1952 and was meant to serve as a new housing model for post-war France. In 2016, the building was designated a UNESCO World Heritage Site and, today, you'll sometimes find things like a Chanel fashion show taking place on its rooftop.
The suite that is for sale is Type E, which is about 100 m2. It has 3 bedrooms and 2 bathrooms. A balcony. And a view of the Mediterranean. It is listed for 650 000 €, which works out 6,500 € per square meter. For Toronto readers, this is right now the equivalent of C$965,485 or about C$897 per square foot. The monthly copropriété charge is about 300 € and the annual property taxes are about 2000 €.
Does this seem reasonable or expensive to you?
For more info, click here.
Photo by Louis Charron on Unsplash
In a few days, a new exhibit, called the Aluminaire House™ Exhibit, will open in a parking lot of the Palm Springs Art Museum. It will form a new part of their permanent collection. Now, museum goers won't be able to go inside of the house due to accessibility limitations, but they'll be able to look at it from the outside. And this alone is a big deal because this house is a big deal.
Initially constructed in 1931, the house was designed by A. Lawrence Kocher (then the managing editor of Architectural Record) and Albert Frey. Albert was a Swiss-born architect who had just immigrated to New York from Europe, after having worked for the famous Le Corbusier in Paris. And so he was a practitioner of the International Style and this house was a clear representation of that.
Erected in only 10 days, Aluminaire House is thought to be the first all-metal house ever constructed in the United States. Well, metal and glass. And at the time, the overarching objective was to build something cheap, modular, and durable. Something that many are still trying to accomplish to this day.
Not surprisingly, the house was polarizing. Supposedly, architect Philip Johnson picketed in front of it. But this house would go on to become an icon, and it was eventually featured in MoMA's 1932 exhibition, "The International Style -- Architecture Since 1922" -- an exhibition that has been largely credited with introducing European-style modernism to the US.
Albert also ended up moving to Palm Springs later in life, and became known for pioneering something known as "desert modernism." So it's only fitting that this house ultimately end up here. Even if all-metal maybe isn't the best choice of material for a hot desert. If you find yourself in Palm Springs, you should definitely go check it out, or picket in front of it.
Images: Surface Magazine & Palm Springs Art Museum
Search for the most iconic chair designs in the world and you'll likely come across a list that includes:
Wassily Chair by Marcel Breuer (1928)
Barcelona Chair by Mies van der Rohe (1929)
Grand Consort by Charlotte Perriand, Le Corbusier, and Pierre Jeanneret (1928)
The various Eames Chairs (starting in 1945)
Wishbone Chair by Hans Wegner (1949)
Wiggles Side Chair by Frank Gehry (1972)
And the list goes on.
Most of these chairs also look as if they were just designed yesterday. Meaning, they're timeless and have stood the test of time. But they are mostly older designs. Which raises an interesting question: How much does the passage of time play in a role in determining whether or not something is "iconic"?
There are some more recent designs that you could call iconic. The Roly-Poly Chair by Faye Toogood (2014) and the Louis Ghost Chair by Philippe Stark (2002) come to mind. This suggests that really great designs can become immediate classics. (Though, this latter example is a reinterpretation of a classic French chair that in and of itself is an icon.)
What I think is the mostly right answer is that, yeah, sometimes you can catch lighting in a bottle. The Louis Ghost Chair, for instance, is one of the top selling chairs of the 21st century. It's a clever and modern take that used new technologies (as is often the case) to revisit an old classic. Starck nailed it.
But more often than not, you probably need time. Time is what allows the object to form cultural associations in our mind and to prove that it is, in fact, timeless. However, if this is truly the case, then it makes it difficult to determine if we're still producing as many design icons today as we did in the past. We won't really know until they become old.
Image: Louis Ghost Chair via Knoll