Swiss architecture firm Herzog & de Meuron has just completed what is being called the world's largest floating infinity pool.
Located in Lake Como at The Mandarin Oriental, the pool -- which is built out of dark Cardoso stone in order to blend in seamlessly with the lake -- was fabricated off-site in Finland and then assembled in Italy.
In order to reduce the impact of waves, the pool has also been carefully secured to the bottom of the lake.
Swiss architecture firm Herzog & de Meuron has just completed what is being called the world's largest floating infinity pool.
Located in Lake Como at The Mandarin Oriental, the pool -- which is built out of dark Cardoso stone in order to blend in seamlessly with the lake -- was fabricated off-site in Finland and then assembled in Italy.
In order to reduce the impact of waves, the pool has also been carefully secured to the bottom of the lake.
It's 158m tall and about 40 storeys (which makes it comparable in height to One Delisle). It's extremely narrow in one direction (see above), and so from central Paris it is intended to be read as a kind of thin pencil tower. But when viewed in the east-west direction, you get the full width of its trapezoidal shape (see above, again).
Not surprisingly, this has been a highly contentious development -- which is why it was 15 years in the making. It is now under construction, though, and it is expected to be completed sometime in 2026. But this is likely to be the last tower in Paris for quite some time.
Partially because of this Triangle Tower, Paris has just decided to ban tall buildings in the city. The new height limit is now back to 37 meters (or 12 storeys), which is essentially the same height cap that was put in place in 1977 following completion of the Tour Montparnasse.
So this is seemingly how things work in Paris. Somebody builds a tall tower. People mostly hate it. And then the city bans tall buildings for a number of decades. The previous height cap was relaxed in 2010. (Also, for those of you who are wondering, La Défense, which is generally where Paris puts its tall buildings, is outside of the city limits.)
Regardless, I think there's no question that this new Triangle Tower is destined to become an iconic punctuation in the city's skyline. Which means that we're probably going to have to update our thinking. If Paris, today, is sometimes thought of as a city with two principal towers -- the Eiffel Tower and the "awful tower" -- it will soon be a city with three principal towers.
Perhaps the only question that remains is: Will people learn to love it like the Eiffel Tower or will it end up as another Tour Montparnasse?
It's 158m tall and about 40 storeys (which makes it comparable in height to One Delisle). It's extremely narrow in one direction (see above), and so from central Paris it is intended to be read as a kind of thin pencil tower. But when viewed in the east-west direction, you get the full width of its trapezoidal shape (see above, again).
Not surprisingly, this has been a highly contentious development -- which is why it was 15 years in the making. It is now under construction, though, and it is expected to be completed sometime in 2026. But this is likely to be the last tower in Paris for quite some time.
Partially because of this Triangle Tower, Paris has just decided to ban tall buildings in the city. The new height limit is now back to 37 meters (or 12 storeys), which is essentially the same height cap that was put in place in 1977 following completion of the Tour Montparnasse.
So this is seemingly how things work in Paris. Somebody builds a tall tower. People mostly hate it. And then the city bans tall buildings for a number of decades. The previous height cap was relaxed in 2010. (Also, for those of you who are wondering, La Défense, which is generally where Paris puts its tall buildings, is outside of the city limits.)
Regardless, I think there's no question that this new Triangle Tower is destined to become an iconic punctuation in the city's skyline. Which means that we're probably going to have to update our thinking. If Paris, today, is sometimes thought of as a city with two principal towers -- the Eiffel Tower and the "awful tower" -- it will soon be a city with three principal towers.
Perhaps the only question that remains is: Will people learn to love it like the Eiffel Tower or will it end up as another Tour Montparnasse?
As far as I know, there are now at least two mercury-like and bean-like public art sculptures in the US by Anish Kapoor. The first is, of course, in Chicago's Millennium Park (pictured above). Commonly referred to as just "The Bean", the sculpture was dedicated in 2006 and, since then, has gained international fame as a solid place to take a selfie.
But as of this year, there is now a second "mini-bean" in New York's Tribeca neighborhood. Sitting literally underneath 56 Leonard (a residential tower designed by Herzog & de Meuron), this bean varietal was first announced in 2008, but has taken a few years to be completed. The building itself was completed about 5 five years ago.
It turns out though, that all beans are not made equal. Here's some initial feedback from Bloomberg CityLab's Kristin Capps:
New York’s half-bean feels half-baked: a disappointing imitation for the city and a franchise play by the artist. For New York to install the lesser version of a Chicago icon reeks of second-city status. And while the original sculpture is still a treasure, the second iteration feels like a monument from 20 years ago — because it is.
But it's all perception. If Chicago's bean had never been unveiled in 2006, and this was the first shiny urban selfie bean, then I'm sure we'd all be headed to Lower Manhattan with our phones. But instead, here we are talking about how it "reeks of second-city status" and how it is the "eyesore that no one asked for".
It's all very fascinating if you think about it. And it's a perfect example of why blockchains are proving to be so valuable in the world of art. Because with art, provenance and authenticity are everything. You need to know where it came from, who made it, and that it's scarce. And as we can see here, it can be the difference between loving a bean and hating a bean.
As far as I know, there are now at least two mercury-like and bean-like public art sculptures in the US by Anish Kapoor. The first is, of course, in Chicago's Millennium Park (pictured above). Commonly referred to as just "The Bean", the sculpture was dedicated in 2006 and, since then, has gained international fame as a solid place to take a selfie.
But as of this year, there is now a second "mini-bean" in New York's Tribeca neighborhood. Sitting literally underneath 56 Leonard (a residential tower designed by Herzog & de Meuron), this bean varietal was first announced in 2008, but has taken a few years to be completed. The building itself was completed about 5 five years ago.
It turns out though, that all beans are not made equal. Here's some initial feedback from Bloomberg CityLab's Kristin Capps:
New York’s half-bean feels half-baked: a disappointing imitation for the city and a franchise play by the artist. For New York to install the lesser version of a Chicago icon reeks of second-city status. And while the original sculpture is still a treasure, the second iteration feels like a monument from 20 years ago — because it is.
But it's all perception. If Chicago's bean had never been unveiled in 2006, and this was the first shiny urban selfie bean, then I'm sure we'd all be headed to Lower Manhattan with our phones. But instead, here we are talking about how it "reeks of second-city status" and how it is the "eyesore that no one asked for".
It's all very fascinating if you think about it. And it's a perfect example of why blockchains are proving to be so valuable in the world of art. Because with art, provenance and authenticity are everything. You need to know where it came from, who made it, and that it's scarce. And as we can see here, it can be the difference between loving a bean and hating a bean.
