Barcelona is one my favorite cities in the world. I love the intimate laneways in the old part of town. I love how La Rambla functions as a spine for public life in the city–even if it is pretty touristy. I love the weather and beaches. And I love that there’s a strong culture of art and design that seems to permeate all aspects of the city. 

Over the weekend I found an impressive website called BIG TIME BCN, that beautifully maps out the city’s more than 2,000 years of building. It covers over 70,000 plots of land and, if you hover of them, it’ll tell you the age of the buildings. It’s similar to what was done here for the Netherlands. But the colors on this one seem very Barcelona to me.

I am a real estate developer and I believe in progress. But I also fundamentally believe in balancing progress and preservation. I’ve said this before.

This morning, Alex Bozikovic of the Globe and Mail, published a piece on the epic Mirvish + Gehry proposal for Toronto’s Entertainment District. It’s called, “Frank Gehry and David Mirvish’s tall order in Toronto.”

Now, I’ve said before that I like this project. I don’t mind the height and I don’t buy the argument that there aren’t enough public spaces in the area. There’s David Pecaut Square directly to the south that could use a few more warm bodies in it.

But as I also said before, I think the key concern here is one of heritage. There are 4 heritage designated buildings on the site dating back to as early as 1901. Here’s where they sit:

The Anderson Building (1915) is particularly unique. Here’s a larger photo (via blogTO):

So while I’m excited by the prospect of a real Gehry project in Toronto, I think we need to figure out a way to find a balance. Preserve the facades, build on top, or relocate them. Do something besides wipe the slate clean.

As Bozikovic rightly points out in his article, “Toronto has a sophisticated culture of working with heritage buildings.” There are lots of great examples of how we managed to move forward as a city, without erasing our past.

And in many ways, I see this ability to work with and build upon heritage buildings as an emerging Toronto vernacular. I mean, what could be more appropriate for the most diverse city on the planet than an architectural style–of our own–that blends and layers history with disparate design ideologies.

I sense an opportunity.

We could have Gehry’s white sinuous curves drape over the heritage buildings. Make them become a literal unveiling of Toronto’s past and a metaphor for the sophisticated way in which we build upon legacy.

It’s too easy to just demolish everything. We’re better than that.