
Today I'm excited to announce that the Junction House Sales Gallery has just received a Best of Canada Award (2019) from Canadian Interiors. Link, here. Shout-out to Dialogue 38, Vanderbrand, Unique Urban Homes, Superkul, and the rest of the team for making it happen. We are fortunate to have had such a cool space to work with. It was previously occupied by the art studio, Moss & Lam. And so from the very beginning the idea was always to find the right balance between old and new, raw and unpolished, playful and luxurious.
Some of you may also not be aware that before we converted the above studio into a condo showroom, we donated it to a number of creative groups who were looking for space, but maybe didn't have a lot of (or any) money. Lost & Gone used it to host an immersive rendition of Romeo & Juliet (video of the performance, here). DJ and designer Steve Aoki used it to launch one of his Dim Mak collections (okay, he has a lot of money). And Secret Walls used it for a live art battle. In fact, Secret Wall's markings are still present within the Gallery if you look up toward the ceiling.
Before we came along, the space was used as an art studio. That's an important part of the Junction House story and we wanted to commemorate that in the build out of the Sales Gallery (the "Gallery" part is meant to reference this past use). It is also one of the reasons why we partnered with Ben Johnston for this "Forever" mural on the outside of the building (yes, we see the irony); why we created a place for artists to showcase their work (currently Leeay Aikawa); and why we commissioned a celebrated local artist (Thrush Holmes) to create a custom piece for the future lobby of Junction House.
Art matters.
This a big month for laneway (housing) advocates in Toronto. Last week, City Council voted in favor of expanding the policy provisions for laneway suites to all Neighbourhoods within the city. (Neighbourhood is a defined term in the city's Official Plan.)
Previously, the policies -- which allow laneway suites to be built as-of-right -- only applied to the Toronto & East York Districts. Here's a copy of the recent staff report in case you would like more information.
On Monday, my friend Alex Sharpe (of Lanescape) was on BNN Bloomberg talking about why this is a good thing for the city. Alex and the rest of the team at Lanescape have been instrumental in these policy changes.
If you're a Toronto homeowner with a property that fronts onto a laneway, I would encourage you to consider this opportunity. It's a way to increase the value of your home and it's a way to create more rental housing in this city.
https://twitter.com/alexbozikovic/status/1149316549993488384
As I was going through this Twitter thread by Alex Bozikovic on the "Château Laurier battle," I came across a great line by Robert Wright: "We cannot recreate the past only parody it." I told him I was going to steal it, but here I am giving him credit.
The controversy in Ottawa stems from the fact that a number of people believe that a modern addition to the Fairmont Château Laurier (which was constructed between 1909 and 1912) amounts to heresy.
Instead, the addition should be designed to match the "Château style" that already exists. There should be no change. As Alex put it, "people want Disneyland."
We've had this very same debate come up on some of our projects, where people -- but notably, not the city -- have asked us to replicate something that was constructed in the 1800's using labor and material techniques that no longer exist.
This is where Robert's line comes in.
Architecture is a reflection of the cultural milieu in which it was designed and built, which is one of the reasons why we sometimes preserve old buildings. They communicate to us a particular moment in time.
The reason architects, designers, and planners so often respond -- negatively that is -- to Disneyland-type architecture, is that it lacks that same authenticity. It's only a simulacra.
It's for this reason that one of Ontario's "eight guiding principles in the conservation of built heritage properties" is, in fact, legibility:
"New work should be distinguishable from old. Buildings or structures should be recognized as products of their own time, and new additions should not blur the distinction between old and new."
This is not to say that we shouldn't be respectful of the past. Five of the eight guiding principles include the word "respect" in the title. There should be lots of that.
But we would be fooling, and cheating, ourselves if we believed we could mimic the past with any justice. We cannot recreate the past only parody it.

Today I'm excited to announce that the Junction House Sales Gallery has just received a Best of Canada Award (2019) from Canadian Interiors. Link, here. Shout-out to Dialogue 38, Vanderbrand, Unique Urban Homes, Superkul, and the rest of the team for making it happen. We are fortunate to have had such a cool space to work with. It was previously occupied by the art studio, Moss & Lam. And so from the very beginning the idea was always to find the right balance between old and new, raw and unpolished, playful and luxurious.
Some of you may also not be aware that before we converted the above studio into a condo showroom, we donated it to a number of creative groups who were looking for space, but maybe didn't have a lot of (or any) money. Lost & Gone used it to host an immersive rendition of Romeo & Juliet (video of the performance, here). DJ and designer Steve Aoki used it to launch one of his Dim Mak collections (okay, he has a lot of money). And Secret Walls used it for a live art battle. In fact, Secret Wall's markings are still present within the Gallery if you look up toward the ceiling.
Before we came along, the space was used as an art studio. That's an important part of the Junction House story and we wanted to commemorate that in the build out of the Sales Gallery (the "Gallery" part is meant to reference this past use). It is also one of the reasons why we partnered with Ben Johnston for this "Forever" mural on the outside of the building (yes, we see the irony); why we created a place for artists to showcase their work (currently Leeay Aikawa); and why we commissioned a celebrated local artist (Thrush Holmes) to create a custom piece for the future lobby of Junction House.
Art matters.
This a big month for laneway (housing) advocates in Toronto. Last week, City Council voted in favor of expanding the policy provisions for laneway suites to all Neighbourhoods within the city. (Neighbourhood is a defined term in the city's Official Plan.)
Previously, the policies -- which allow laneway suites to be built as-of-right -- only applied to the Toronto & East York Districts. Here's a copy of the recent staff report in case you would like more information.
On Monday, my friend Alex Sharpe (of Lanescape) was on BNN Bloomberg talking about why this is a good thing for the city. Alex and the rest of the team at Lanescape have been instrumental in these policy changes.
If you're a Toronto homeowner with a property that fronts onto a laneway, I would encourage you to consider this opportunity. It's a way to increase the value of your home and it's a way to create more rental housing in this city.
https://twitter.com/alexbozikovic/status/1149316549993488384
As I was going through this Twitter thread by Alex Bozikovic on the "Château Laurier battle," I came across a great line by Robert Wright: "We cannot recreate the past only parody it." I told him I was going to steal it, but here I am giving him credit.
The controversy in Ottawa stems from the fact that a number of people believe that a modern addition to the Fairmont Château Laurier (which was constructed between 1909 and 1912) amounts to heresy.
Instead, the addition should be designed to match the "Château style" that already exists. There should be no change. As Alex put it, "people want Disneyland."
We've had this very same debate come up on some of our projects, where people -- but notably, not the city -- have asked us to replicate something that was constructed in the 1800's using labor and material techniques that no longer exist.
This is where Robert's line comes in.
Architecture is a reflection of the cultural milieu in which it was designed and built, which is one of the reasons why we sometimes preserve old buildings. They communicate to us a particular moment in time.
The reason architects, designers, and planners so often respond -- negatively that is -- to Disneyland-type architecture, is that it lacks that same authenticity. It's only a simulacra.
It's for this reason that one of Ontario's "eight guiding principles in the conservation of built heritage properties" is, in fact, legibility:
"New work should be distinguishable from old. Buildings or structures should be recognized as products of their own time, and new additions should not blur the distinction between old and new."
This is not to say that we shouldn't be respectful of the past. Five of the eight guiding principles include the word "respect" in the title. There should be lots of that.
But we would be fooling, and cheating, ourselves if we believed we could mimic the past with any justice. We cannot recreate the past only parody it.
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