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The American Institute of Architects (AIA) just announced its 2025 Architecture Award winners. This is a program that celebrate the best contemporary architecture in the US, spanning all scales and budgets.
Firstly, I'm obligated to share that Studio Gang won an award for its Kresge College Expansion at the University of California, Santa Cruz. This is a beautiful project consisting of 4 new mass-timber buildings — three residential halls and an academic center — in the middle of a redwood forest in northern California.
But since we talk a lot about housing on this blog, I also wanted to highlight two projects by Brooks + Scarpa. The first is 11NOHO in North Hollywood, CA. This is a 5-storey apartment consisting of 60 suites, 12 of which are affordable (which allowed for a density bonus).
The second is the Rose Mixed-Use Apartments in Venice, CA. This one is a 4-storey apartment and is 100% affordable. I'd like to know how they got the pro forma to work, but regardless, it's proof that Europe doesn't have a monopoly on beautiful social housing projects.
What I really wanted to point out, though, are the projects' courtyards. Southern California has a rich history of courtyard buildings and these two projects offer a contemporary interpretation of this tradition. Both include an elevated courtyard and both have found a way to maintain a connection to the street.
What I like about this approach is that it's simultaneously extroverted (there's a connection to the broader urban context) and introverted (residents get a semi-private amenity).
I think this duality can be particularly helpful when you're designing and developing in a context that maybe isn't the most conducive to intimate urban spaces. It allows you to create your own new ground plane, while not turning your back on the city.
Coincidentally, it also happens to be one of the design moves that Globizen put forward in a recent submission to Salt Lake City for the redevelopment of a full city block in the Granary District.
Photos from Brooks + Scarpa
At the intersection of rue Eugene Sue and rue Simart in Paris is a collection of mid-rise buildings that were constructed during Haussmann's renovation of Paris in the second half of the 19th century. They were intended to house some 10,000 workers.
Here's an aerial image of that intersection from Google Maps:
The American Institute of Architects (AIA) just announced its 2025 Architecture Award winners. This is a program that celebrate the best contemporary architecture in the US, spanning all scales and budgets.
Firstly, I'm obligated to share that Studio Gang won an award for its Kresge College Expansion at the University of California, Santa Cruz. This is a beautiful project consisting of 4 new mass-timber buildings — three residential halls and an academic center — in the middle of a redwood forest in northern California.
But since we talk a lot about housing on this blog, I also wanted to highlight two projects by Brooks + Scarpa. The first is 11NOHO in North Hollywood, CA. This is a 5-storey apartment consisting of 60 suites, 12 of which are affordable (which allowed for a density bonus).
The second is the Rose Mixed-Use Apartments in Venice, CA. This one is a 4-storey apartment and is 100% affordable. I'd like to know how they got the pro forma to work, but regardless, it's proof that Europe doesn't have a monopoly on beautiful social housing projects.
What I really wanted to point out, though, are the projects' courtyards. Southern California has a rich history of courtyard buildings and these two projects offer a contemporary interpretation of this tradition. Both include an elevated courtyard and both have found a way to maintain a connection to the street.
What I like about this approach is that it's simultaneously extroverted (there's a connection to the broader urban context) and introverted (residents get a semi-private amenity).
I think this duality can be particularly helpful when you're designing and developing in a context that maybe isn't the most conducive to intimate urban spaces. It allows you to create your own new ground plane, while not turning your back on the city.
Coincidentally, it also happens to be one of the design moves that Globizen put forward in a recent submission to Salt Lake City for the redevelopment of a full city block in the Granary District.
Photos from Brooks + Scarpa
At the intersection of rue Eugene Sue and rue Simart in Paris is a collection of mid-rise buildings that were constructed during Haussmann's renovation of Paris in the second half of the 19th century. They were intended to house some 10,000 workers.
Here's an aerial image of that intersection from Google Maps:
Designed by Johnsen Schmaling Architects and located in Milwaukee's Lower East Side neighborhood, the home sits on a long 24-foot wide parcel that backs onto the Milwaukee River.
When I first saw where it was located I immediately assumed that it was a coveted location. I mean, the backyard terraces down and has direct access to the water. But one of the things that's interesting about this lot is that it had been sitting vacant for over two decades!
According to the architect, the city had condemned and demolished the previous house, and so the current owners purchased the vacant lot directly from the Milwaukee Department of City Development. Every market is different.
I don't know Milwaukee, like at all. But I did spend a good 15 minutes street viewing the area. And I have come to the informed conclusion that this is the kind of first home you build for yourself when you're a resolute urbanist.
This is where you live when you don't want to have to drive everywhere and when you want to be able to walk down to Brady Street for dinner. I respect this. So as much as I enjoy the architecture (I love a good courtyard), I think the context surrounding this build is equally interesting.
Here is a forgotten urban lot, directly on the water, that was vacant and overlooked for over twenty years. Obviously, nobody saw any value in it. Then one day, some people came along and said "let's create something incredible." And that's exactly what they did.
This is one of the things that makes cities so wonderful. They are always evolving. And there are always opportunities that others are overlooking.
Photos via Johnsen Schmaling Architects
Some people, namely the folks over at The Funambulist, have compared this area to the Kowloon Walled City in Hong Kong as a result of its extreme population density. But unlike the Walled City, this area of Paris still exists today.
The way these blocks are able to achieve such a high population density is by employing compact internal courtyards. In some cases they would be more accurately referred to as light wells.
Here's a fascinating diagram from The Funambulist showing the approximate areas of each courtyard/light well:
I have become very interested in these sorts of European courtyard buildings. They do have their benefits. For one, they offer respite from the rest of the city. But you can also understand why the modernists were so fixated on access to light and air.
Designed by Johnsen Schmaling Architects and located in Milwaukee's Lower East Side neighborhood, the home sits on a long 24-foot wide parcel that backs onto the Milwaukee River.
When I first saw where it was located I immediately assumed that it was a coveted location. I mean, the backyard terraces down and has direct access to the water. But one of the things that's interesting about this lot is that it had been sitting vacant for over two decades!
According to the architect, the city had condemned and demolished the previous house, and so the current owners purchased the vacant lot directly from the Milwaukee Department of City Development. Every market is different.
I don't know Milwaukee, like at all. But I did spend a good 15 minutes street viewing the area. And I have come to the informed conclusion that this is the kind of first home you build for yourself when you're a resolute urbanist.
This is where you live when you don't want to have to drive everywhere and when you want to be able to walk down to Brady Street for dinner. I respect this. So as much as I enjoy the architecture (I love a good courtyard), I think the context surrounding this build is equally interesting.
Here is a forgotten urban lot, directly on the water, that was vacant and overlooked for over twenty years. Obviously, nobody saw any value in it. Then one day, some people came along and said "let's create something incredible." And that's exactly what they did.
This is one of the things that makes cities so wonderful. They are always evolving. And there are always opportunities that others are overlooking.
Photos via Johnsen Schmaling Architects
Some people, namely the folks over at The Funambulist, have compared this area to the Kowloon Walled City in Hong Kong as a result of its extreme population density. But unlike the Walled City, this area of Paris still exists today.
The way these blocks are able to achieve such a high population density is by employing compact internal courtyards. In some cases they would be more accurately referred to as light wells.
Here's a fascinating diagram from The Funambulist showing the approximate areas of each courtyard/light well:
I have become very interested in these sorts of European courtyard buildings. They do have their benefits. For one, they offer respite from the rest of the city. But you can also understand why the modernists were so fixated on access to light and air.
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