This is the sort of housing project that you'd fully expect to find in Tokyo. Seven homes built on a small urban lot measuring only 11 feet wide by 93 feet deep. But in this case, it's not Tokyo; it's Chinatown, Philadelphia, where a residual lot that was created when the sunken Vine Street Expressway was carved through the middle of the city in the 1950s.

Designed by Philadelphia-based Interface Studio Architects (ISA), the project contains 7 levels of livable space. What's interesting, though, is that from a building code perspective this is still a 4-story building. There are two mezzanine levels that don't get counted (and that create some great double-height spaces). This also seems to be what allowed them to get away with a single egress stair in the middle of the building.

The other technique that was used to maximum density is facade projections. Philadelphia's zoning code allows for projections up to 3 feet in the horizontal dimension. And if you look at the above plans, you'll see that these were used to "top up" or extend the site's 11 foot width to 14 feet, when it made sense to do so from a programming standpoint. The result is some very livable spaces.

I am endlessly fascinated by these sorts of projects because they demand creativity and because you ultimately end up unlocking something that the market had been overlooking. Here is an example of a small leftover urban parcel that was previously used as surface parking for two cars. Now it's seven beautiful homes.

Photos/drawings: ISA

This past week Studio Gang unveiled its first project in Los Angeles, a curvaceous apartment (300 rental units) and hotel (149 rooms) tower in Chinatown.

The developer is Paris-based Compagnie de Phalsbourg and the hotel component is expected to be operated by the European brand, MOB Hotel.

Above is the only rendering I could find. If you would like to read a bit more about the project, check out Curbed LA.

Image: Studio Gang

This afternoon I rode Toronto’s new streetcar for the first time on my way home from Chinatown. I had been meaning to do it for weeks now, but this was my first opportunity.

The experience was infinitely better than what you get today on our current streetcars. I felt like I was in a new city. The proof-of-payment system makes onboarding much faster and the 4 loading doors means you just get on the train where there’s the most room – instead of getting on at the front and fighting your way to the back.

The other thing I liked is that they now have a map of our streetcar network within the train (see above image). Toronto never used to do this. For whatever reason, we didn’t like mixing subway lines with streetcar lines on the same map. 

But why be so pedantic?

For one thing, our subway map looks pathetic without these additional streetcar lines on it. So for the sake of Torontonian morale, please fill it up with what you can.

But the other reason why I think it’s important to include them is that we shouldn’t be thinking about our cities just in terms of specific technologies (subway, streetcar, and so on). Our cities are now multi-modal. Which means we navigate them using many different means, from subways and streetcars to bikes and Uber cars. What people care about is getting from A to B in the most efficient and enjoyable way possible.

This may seem like a subtle distinction, but it’s an important one. And maybe, just maybe, these new maps will serve as an important reminder to us that there’s a lot of fixed rail in this city and that it could be far better optimized if we just tried a little harder.