I was recently on Ben Myers' Toronto Under Construction podcast with Ilana Altman (The Bentway) and Rob Spanier (Spanier Group). It was generally a discussion about what makes for great public spaces, how Toronto is evolving its public realm under infrastructure like the Gardiner Expressway, and what it means to design cities with people at the forefront. If you'd like to have a listen, click here. I hope you enjoy it.

Yesterday afternoon and evening was a series of interesting discussions about city building in Toronto. First, I met with Jeff Ranson of Northcrest Developments for a tour of YZD. This is the 370-acre former Downsview Airport lands that is now the biggest urban redevelopment project in North America.

The tour also involved the two of us e-scootering around the property, which was timely given yesterday's post about not hating on them so much. Jeff is up next on Globizen's Global City Builder series, so stay tuned for that.

After that I was on Ben Myers' Toronto Under Construction podcast. After 80+ episodes, he finally invited me to join (wink wink). It was a great discussion with Rob Spanier of the Spanier Group and Ilana Altman of The Bentway. When the link comes out, I'll be sure to share it on the blog.

But one of the common threads across both discussions, that I'm now thinking about, is about how city builders can better provision for flexibility in new urban projects. Flexibility is an important feature because cities need to be able to grow and adapt over time.

Consider some of the older main streets in Toronto where it's very clear that the shop or restaurant you're in used to be someone's home that has now been converted. This is a very good outcome. It's the city iterating.

But this isn't always possible with newer developments. Condominium corporations, land use restrictions, and a variety of other factors can make this largely impossible. It's for this reason that I'm always drawn to things like live/work suites. They already contemplate a greater degree of flexibility.

Two specific examples that come to mind are the live/work suites fronting onto Fort York Boulevard (in CityPlace), which have over time become more retail oriented, and loft buildings like 90 Sumach Street, which is known for housing a lot of creative professionals.

Cities are at their best when they are able to change and adapt. So I think it behooves us to spend more time thinking about how we can encourage greater flexibility through different design approaches, flexible land use permissions, legal carveouts, and whatever else might be necessary to fully unlock the potential of our cities.

Cover photo by Minh on Unsplash

This past weekend we went to check out Fashion Art Toronto.

I'll be honest and say that I had never heard of it before we bought tickets. Even though technically, it is the longest running fashion week in the city because of Toronto Fashion Week getting briefly cancelled in 2016, when its corporate sponsor pulled out. I also had no idea that Peter Freed, of Freed Developments, ended up purchasing the TFW brand later that year. I have been told he talks about it on this episode of Toronto Under Construction, but I haven't had a chance to listen to it just yet.

Getting back to FAT (the acronym is deliberate), it was a cool event. There were of course various runway shows throughout the day and evening, but there were also a few art installations and a retail area for local designers (see below). Tricon Residential and Kronenbourg 1664 Blanc were major sponsors, and were giving out popcorn and beer. And in general, the crowd was dressed in ways that made me feel both old and stuffy. It was a lot of fun.

It was also in a warehouse in the Junction. Well, technically I think the neighborhood is called Harwood. But if you're even remotely close to the Junction nowadays, it is vital that you just assimilate. That's how this stuff works. As soon as a neighborhood has a successful brand, its boundaries get invariably stretched in every way possible. I suppose this is the Darwinian world of urban neighborhoods. There is always a chance that you may not make it and you might just get absorbed by a neighboring faction.

I would also add that a lot of creative uses in need of space -- whether it's a fashion show or a DJ event -- seem to be gravitating towards this northern part of the Junction. If you see an event location that says "undisclosed warehouse", chances are it will be here. This is, of course, another naturally occurring urban phenomenon. It is the whole "new ideas require old buildings" thing, which really just means that new ideas require cheaper rents. And generally, it is a good positive leading indicator for an area.

Having said all this, I do think there's a lot of room for Toronto to step up its commitment to fashion and the arts. This is not a world that I live in, and I am not criticizing the good work of Fashion Art Toronto or Toronto Fashion Week. I just think that for a global city of our size and influence, we should be much better. I saw some of this city's ambition, talent, and diversity in a warehouse in the Junction this past weekend. It's just too bad that it's not on stage for the rest of the world to see.

I was recently on Ben Myers' Toronto Under Construction podcast with Ilana Altman (The Bentway) and Rob Spanier (Spanier Group). It was generally a discussion about what makes for great public spaces, how Toronto is evolving its public realm under infrastructure like the Gardiner Expressway, and what it means to design cities with people at the forefront. If you'd like to have a listen, click here. I hope you enjoy it.

Yesterday afternoon and evening was a series of interesting discussions about city building in Toronto. First, I met with Jeff Ranson of Northcrest Developments for a tour of YZD. This is the 370-acre former Downsview Airport lands that is now the biggest urban redevelopment project in North America.

The tour also involved the two of us e-scootering around the property, which was timely given yesterday's post about not hating on them so much. Jeff is up next on Globizen's Global City Builder series, so stay tuned for that.

After that I was on Ben Myers' Toronto Under Construction podcast. After 80+ episodes, he finally invited me to join (wink wink). It was a great discussion with Rob Spanier of the Spanier Group and Ilana Altman of The Bentway. When the link comes out, I'll be sure to share it on the blog.

But one of the common threads across both discussions, that I'm now thinking about, is about how city builders can better provision for flexibility in new urban projects. Flexibility is an important feature because cities need to be able to grow and adapt over time.

Consider some of the older main streets in Toronto where it's very clear that the shop or restaurant you're in used to be someone's home that has now been converted. This is a very good outcome. It's the city iterating.

But this isn't always possible with newer developments. Condominium corporations, land use restrictions, and a variety of other factors can make this largely impossible. It's for this reason that I'm always drawn to things like live/work suites. They already contemplate a greater degree of flexibility.

Two specific examples that come to mind are the live/work suites fronting onto Fort York Boulevard (in CityPlace), which have over time become more retail oriented, and loft buildings like 90 Sumach Street, which is known for housing a lot of creative professionals.

Cities are at their best when they are able to change and adapt. So I think it behooves us to spend more time thinking about how we can encourage greater flexibility through different design approaches, flexible land use permissions, legal carveouts, and whatever else might be necessary to fully unlock the potential of our cities.

Cover photo by Minh on Unsplash

This past weekend we went to check out Fashion Art Toronto.

I'll be honest and say that I had never heard of it before we bought tickets. Even though technically, it is the longest running fashion week in the city because of Toronto Fashion Week getting briefly cancelled in 2016, when its corporate sponsor pulled out. I also had no idea that Peter Freed, of Freed Developments, ended up purchasing the TFW brand later that year. I have been told he talks about it on this episode of Toronto Under Construction, but I haven't had a chance to listen to it just yet.

Getting back to FAT (the acronym is deliberate), it was a cool event. There were of course various runway shows throughout the day and evening, but there were also a few art installations and a retail area for local designers (see below). Tricon Residential and Kronenbourg 1664 Blanc were major sponsors, and were giving out popcorn and beer. And in general, the crowd was dressed in ways that made me feel both old and stuffy. It was a lot of fun.

It was also in a warehouse in the Junction. Well, technically I think the neighborhood is called Harwood. But if you're even remotely close to the Junction nowadays, it is vital that you just assimilate. That's how this stuff works. As soon as a neighborhood has a successful brand, its boundaries get invariably stretched in every way possible. I suppose this is the Darwinian world of urban neighborhoods. There is always a chance that you may not make it and you might just get absorbed by a neighboring faction.

I would also add that a lot of creative uses in need of space -- whether it's a fashion show or a DJ event -- seem to be gravitating towards this northern part of the Junction. If you see an event location that says "undisclosed warehouse", chances are it will be here. This is, of course, another naturally occurring urban phenomenon. It is the whole "new ideas require old buildings" thing, which really just means that new ideas require cheaper rents. And generally, it is a good positive leading indicator for an area.

Having said all this, I do think there's a lot of room for Toronto to step up its commitment to fashion and the arts. This is not a world that I live in, and I am not criticizing the good work of Fashion Art Toronto or Toronto Fashion Week. I just think that for a global city of our size and influence, we should be much better. I saw some of this city's ambition, talent, and diversity in a warehouse in the Junction this past weekend. It's just too bad that it's not on stage for the rest of the world to see.