I definitely wouldn't call a 40-foot wide lot minuscule. But I guess when it's located on the side of a mountain in Zell am See, Austria; you have a required 13-foot setback on both sides; and your architect is one of the world's leading practitioners, it starts to feel a bit smaller. This is the recently completed Austrian House, designed by Rem Koolhaas:

I'm always drawn to houses like these because they demand creativity. You can't just repeat what was done on that other 40-foot wide lot, because then you might conclude that the lot is unbuildable. And it's not. You just have to solve the puzzle. Then you've unlocked something that that many, or perhaps most, thought wasn't possible. And that's truly exciting to me.

For more on the Austrian House, check out Architectural Digest.

Photography by Pernille Loof and Thomas Loof

Architectural Digest has just published the perfect article for gratuitous self-promotion. It is a list of "the 12 best design districts around the world", and it includes The Junction, here in Toronto:

Located in a tree-lined historic area of the city, The Junction gets its name for its past as the heart of the Canadian Pacific Railway. Mix with locals on the main drag of Dundas West at boutiques including the minimalist homeware store Mjolk and modern stationery shop Take Note. A short 20-minute walk from this charming retail center, the Museum of Contemporary Art is worthy of a stop in too. (Current exhibitions include a site-specific commission by artist Sarah Badr and Seeing the Invisible, an augmented reality experience in the museum’s Jerusalem Botanical Gardens.) Then take a tipple at The Junction Brewery, which serves local craft beers within an Art Deco building that offers a glimpse of the neighborhood’s rich history.

Early on in high school, I used to come downtown to primarily do two things: skateboard and walk Queen Street. This was the street. It was weird and artsy and we loved it. And so we would start at University Ave and walk west for as long as the street was interesting.

For a period of time, it felt like things kind of fell off after Spadina Ave. So we would often stop there. But then west of Spadina started getting cool and interesting too.

Years later in 2004, the Drake Hotel would open up on what felt like a far off location on Queen Street. And then seemingly overnight, all of Queen Street was cool. Parkdale had a taco place with absurdly long lines and loud hip-hop music, and cool started moving up Ossington Ave, presumably because Queen had run out of space.

Of course, neighborhoods have cycles. Before it was the Drake Hotel, it was Small's Hotel. And when it opened in 1890, it was located in one of the wealthiest areas of Toronto. Then the area became a lot less wealthy, and eventually the hotel became a flophouse, before once again becoming cool again. These are the cycles.

There is no doubt that Queen Street remains one of the greatest streets in Toronto. But in my mind, 2018 was a turning point. This is when when the Museum of Contemporary Art (MOCA) left Queen and moved to the Junction Triangle (or the Lower Junction, or just the Junction, depending on what you prefer to call it).

This to me didn't signal that Queen had in any way peaked. Far from it. But I think it did solidify the Junction as one of Toronto's next cool and artsy neighborhoods. And now here we are with Architectural Digest calling it one of the best in the world.

It would be hard for me to be more biased. But I'm a big fan of the Junction. And I am really looking forward to erecting our placemaking art later this year. It is one of the things that our team is most proud of, and we proposed it simply because we thought it would be cool and interesting. That's important.

In 2017, the New York Times Style Magazine ran a piece on Harry Nuriev – and his design firm Crosby Studios – titled: The man designing spaces for the Instagram age. 

Since then, Harry and his firm have been in Time Magazine, have had a solo show at Design Miami, and have been named to the Architectural Digest 100, among many other things.

There has obviously been a lot of talk over the last few years about the impact that Instagram is having on physical spaces and design #IRL (in real life). 

Some, or perhaps many, worry that it is having a “homogenizing effect on design.” Everyone is following a kind of global minimalism that looks good on social, but is maybe getting a bit monotonous. 

There’s no question that online is having an impact on how we design offline. But I am far less fussed about it than most. 

Architecture, design, and art have always reflected the cultural milieu at the time, and it just so happens that we are living through a period where the internet is transforming so much of what we know.

It is always important to question what is going on. But I think Crosby Studios is doing some really great work.