Tag: painting

• Man behind the map

  For those of you who are regular readers of this blog, you’ll know that I love to snowboard and that I leave Ontario every winter in search of fresh lines. It is an annual tradition that has been going on for over a decade.

  One of the things I wish I had been more diligent about is collecting all of the trail maps. I am sure I have a number of old ratty ones in some of my snowboard bags and snow pants, but none of them are probably worth keeping.

  That’s why I think this is a terrific Kickstarter campaign by James Niehues. Over the last 30 years, James has researched, photographed, and painted almost every ski map in use across North America. Yes, these maps are all painted by hand. 

  If you would like to back James’ project – a hardcover coffee table book of his work – you can do that here.

  https://www.kickstarter.com/projects/orsc/james-niehues-the-man-behind-the-map/widget/video.html

  2018.11.24

• Drip, subscription platform for artists and creators

  

  Kickstarter has just relaunched a subscription service for artists and creators called Drip. It is an acquisition that Kickstarter made a few years ago and so that’s why it’s a relaunch. Here is the blog post announcement.

  The simplest way to describe Drip is as follows: “Kickstarter is for projects, Drip is for people.” In other words, instead of backing a specific project, you back the human for, say, $10 a month. It’s a tool for people to fund creators so that they have the freedom to make their work.

  Now compare this model to that of the 19th century Salon in Paris. Arguably the greatest art event in the Western world during its prime, getting exhibited at the Salon was basically a right of passage for artists.

  But the Salon had specific criteria for what it considered to be good and acceptable art. Perhaps most famously, 19th century Impressionism – which some would call the first truly modern art movement in painting – was not considered acceptable.

  The Impressionists routinely had their work refused by the Salon, which is why they ended up having to organize their own shows. Good for them.

  So when I see something like Drip, I think about how amazing it is that we now have platforms where artists and creators have the freedom to make what they want to make and the market – instead of a stuffy institution – can decide what is good and worth supporting. 

  Check out Shantell Martin if you’re looking to explore Drip. I recently discovered her work and I’m a fan.

  Image: Coney Art Walls by Shantell Martin

  2017.11.16

• A Love Letter to the Great Lakes

  This week, the first ever international street art festival will be taking place in Toronto. It’s called A Love Letter to the Great Lakes and it is running from June 20 to June 25, 2016.

  The goal of the festival is to use public works of art to get people thinking about our water resources and, more specifically, about the Great Lakes. Together, these Lakes represent 20% of the world’s fresh surface water.

  So this week, 21 local and international artists will be painting giant murals in 3 different areas of the city: Queen & Ossington, Queen & Spadina, and at the mouth of the Don River.

  The collaborators for the event include Tre Packard (Pangeaseed Foundation), Jason Botkin (A Love Letter to the Great Lakes, En Masse), Jaqueline West (Herman & Audrey), developer Jeff Hull (Hullmark) and Devon Ostrum (Friends of the Pan Am).

  Below is one of the works already in progress. It’s by Jason Botkin and it’s located on one of the bents of the Gardiner Expressway East at the mouth of the Don River.

  

  This event caught my attention for 3 reasons.

  First, I think the city is going to be left with some rad looking murals. Here is one from a similar event in Cozumel, Mexico called Sea Walls: Murals for Oceans in Cozumel:

  

  Second, like many others, I care deeply about the environment. But until we put in place the right economic incentives / disincentives, we need all the awareness building that we can get.

  Third, seeing Jeff Hull on the list of collaborators reminded me that there’s a new breed of real estate developers emerging in our cities. The big bad developer is sometimes (often?) thought to be greedy and insensitive to local communities. But I think the next generation sees itself quite differently. They see themselves more as city and community builders.

  So if you’re in Toronto this week, get on your bike and head over to one or more of the mural sites. Tweet me if you decide to go and maybe we can connect.

  2016.06.20