Daily insights for city builders, delivered every morning at 6 AM ET. I’m Brandon Donnelly — a Toronto-based real estate developer and founder of Globizen. I’ve been writing here since 2013.

Tag: machines

  • How should mid-sized cities really compete?

    Jennifer Keesmaat – the former chief planner of Toronto – recently published an article in Maclean’s called: Toronto’s unaffordable. Why can’t Halifax or Saskatoon take advantage? Her argument: 

    “The hard truth is that many mid-sized cities won’t win the future because they are stuck on a suburban growth model. If the future is green and walkable, they will be left behind.”

    The model city that is held up is Portland – a terrific mid-sized city of only 640,000 people that has used progressive land use policies to build a livable and dense urban center. (In all fairness, the Portland MSA has over 2.4 million people.)

    Now, if you’re a regular reader of this blog you’ll know that I have a penchant for dense urban centers. I live and I work downtown. And I would happily trade square footage for a more sensible commute and lower transportation costs.

    But after I read the article, I couldn’t help but think that progressive land use policies, alone, aren’t enough. Cities, like social networks, experience network effects. That’s why there’s so much talk these days of winner-take-all urbanism.

    All of this is not to say that progressive urban policies are a bad thing. Quite the opposite. I just think there are many other factors at play if we’re talking about taming the hegemony of our global cities.

  • The birthplace of techno

    Detroit has been called the birthplace of techno. Beginning in the early 1980s – when the city was well in decline – the Detroit techno sound started to emerge, thanks to musicians such as Juan Atkins, Derrick May, and Kevin Saunderson. 

    Chicago had house music. And Detroit had techno music – among, of course, many other musical genres. But what I find fascinating about Detroit techno, in particular, was how it really reflected the ethos of post-industrial Detroit. It was high-tech. It was about machines. And it was obsessed with the future.

    Below is a clip from a 1996 French documentary called Universal Techno. Even if you’re not into electronic music, I think you should at least watch the segment starting at 1:40. I love how Derrick May talks about Detroit, and what should be this balance between the past and the future. It really reflects my own views on city building.

    [youtube https://www.youtube.com/watch?v=RSX_r0u3uzE?rel=0&w=420&h=315]

    If you can’t see the video, click here.

    I’m thinking about Detroit and its music because I’m headed there during Memorial Day weekend for the annual Movement Electronic Music Festival. It has been about 2 years since I was last in Detroit and so I’m excited to see the city in full swing.