Tag: japanese architecture

• The Tokyo Toilet – Part 2

  You can tell a lot about a place by the quality of its public toilets. I don’t know about you, but if I’m at a restaurant and the toilets are filthy, I automatically assume that the kitchen is at least as filthy.

  And so what does it say about Japan that it decided to hire the country’s leading architects to design 17 new public toilets in Tokyo?

  I first wrote about “The Tokyo Toilet” back in the summer of 2021. But now that the majority of them have been constructed, I figured it was time to revisit the project.

  The two toilets designed by Shigeru Ban are particularly noteworthy in that they are clear glass boxes that become automatically opaque when in use. This was done so you can see if there’s anyone lurking inside.

  I also love this one by Kazoo Sato.

  But of course, all of them are remarkable and all of them are probably better than the general level of public architecture that you’ll find in most other cities.

  2023.02.02

• Leica Store Kyoto

  Yesterday I sent out this tweet about the, relatively new, Apple store in Kyoto. 

  It is the first in the city and I like what they did with the facade of the building. It is decidedly modern and yet there are hints of a local vernacular.

  Photographer Jonathan Castellino responded and suggested that I check out the new(ish) Leica store, which is also in Kyoto. 

  So here is that store (if you can’t see the video below, click here):

  [youtube https://www.youtube.com/watch?v=ouckkaj3XVc&w=560&h=315]

  I shoot on the Fujifilm X-T3, but Leica certainly makes some exquisite (and expensive) cameras. The Leica Store Kyoto does not deviate from that recipe.

  2018.11.10

• Peach skin

  I am fascinated by the way the Japanese think about housing. It is very different than the way we think about housing here in North America. Below is a small house tour that reinforces that. If you can’t see it below, click here.

  [youtube https://www.youtube.com/watch?v=4fEeh-8OFT8?rel=0&w=560&h=315]

  2017.03.27

• Japan Unlayered

  

  If you happen to find yourself in Vancouver between January 27th and February 28th, you may want to check out an exhibition being held at the Fairmont Pacific Rim called Japan Unlayered. 

  It is a celebration of Japanese architecture, design, and culture, curated by the Japanese architect Kengo Kuma and developers Westbank and Peterson.

  The exhibition is in support of a new project in Vancouver by Kengo Kuma called 1550 Alberni. Pictured above. It will be his first in North America. 

  The architecture is a 43-storey (residential) tower formed by two “scoops” that carve out the building in response to its urban context. Some of those relationships start to become apparent when you see the building rendered into the skyline (below toward right).

  

  I’ll be in Vancouver next month and so I’m hoping to stop by.

  2017.01.27

• Nest or cave?

  I was recently introduced to the work and writing of Japanese architect Sou Fujimoto. One concept that he writes about that I really like is the idea of nest vs. cave.

  The way Fujimoto describes a cave is that it’s a naturally occurring and pre-existing condition. It is exists independent of humans. So if and when a human decides to occupy a cave, he or she must assimilate their lives to that which is already there. They have to deal with the ambiguity of the spaces because it is not clear how everything should be used.

  A nest, on the other hand, is something completely created by and for the benefit of a person or animal. It would not exist without someone creating it and so it is prescriptive and functional in a way that a cave is not.

  Fujimoto is interested in exploring architecture that is analogous to caves. Which is why he designs houses like this one (House NA) in Tokyo:

  

  In most countries, a house like this would not meet code and would be illegal. But in Tokyo it’s obviously allowed. And his hope is that the owners will discover new and unintended ways to interact with the unusual pairing of levels and platforms.

  However, I think about this juxtaposition differently – likely incorrectly in the mind of Fujimoto.

  I’m actually more interested in nests. Because in a way, mass produced housing is like a cave. It exists whether or not we decide to occupy it. And it is generally created to appeal to lots of people, rather than to the idiosyncratic tastes of one person. So when someone does occupy it, they invariably end up trying to shape it.

  But not to the extent of a nest. A nest is custom. It is what you would build for yourself given the opportunity to do so. And that thought is really appealing to me. Maybe it’s because I don’t like the ambiguity of a cave. That could be a possibility.

  I could also be thinking about it differently because I tend to think of Japanese homes as being quite individualistic. Since Japanese people generally don’t care about resale value, they don’t have the same fixation with marketability and future value. That means they’re more likely to just build what they want.

  I’d love to have my own nest.

  Image: Wall Street Journal

  2016.04.22

• Japan’s disposable housing

  

  https://500px.com/embed.js

  As further evidence that real estate is a local business, let’s take a look at the housing market in Japan today. It’s a very unique market.

  According to this Freakonomics podcast, 50% of all single family houses in Japan are demolished by the time they reach 38 years old. That’s their half-life. By contrast, in the US, this number is 100 years.

  The reason for this is rapid depreciation. Real property typically consists of two things: land and the building. Land doesn’t depreciate. But the structure sitting on the land does.

  In Japan, the building or structure is thought to be fully depreciated (and therefore worth nothing) after about 30 years for a single-family home and after about 40 years for an apartment/condominium.

  The result is that there’s virtually no resale housing market. When somebody buys a house, it is usually torn down and completely rebuilt. It’s a uniquely Japanese phenomenon.

  So why does this happen?

  The Freakonomics podcast presents a couple of hypothesis. Some believe that it’s caused by a Japanese fixation with newness. New is seen as pure and clean. 

  Others believe that it has to do with a building code that is constantly changing due to the high frequency of earthquakes in Japan. 20% of the world’s earthquakes with a magnitude of 6.0 or greater happen in Japan. And so there appears to be a belief that newer homes – with the latest seismic technologies – are the safest.

  Whatever the case may be, the fact that there’s virtually no resale housing market in Japan, not surprisingly, produces some interesting outcomes. For one, maintenance and DIY home projects are uncommon. Why invest in your home when it’s not viewed as an asset, but as a disposable good?

  At the same time, people worry very little about marketability when they are building new. And this is a big reason why Japan is so famous for its radically designed homes. When you’re building only for yourself, you just do what you want.

  But most importantly, some (such as Richard Koo, who is interviewed in the podcast) believe that this approach to housing is a huge “obstacle to affluence.” Without a functioning resale market, the Japanese don’t get the opportunity to build wealth/equity in the same way that other countries do.

  Do you buy that?

  2015.08.24

• 47.55 square meters in Tokyo

  I’ve always been fascinated by Japanese culture.

  A lot of that has to do with how design and technology seem to permeate the culture. But it also has to do with how dichotomous the culture feels to me. On the one hand they’re at the forefront of design and technology, and on the other hand they are very much steeped in tradition. It has always felt like a unique and special place to me.

  So today on ATC I thought I would share a piece of Japanese architecture that I found on Dezeen. It’s a 47.55 square meter (512 square foot) apartment in Tokyo that was recently renovated by Yuichi Yoshida & Associates. 

  Here are three views of the main living area:

  

  

  

  Here’s the view from the main entrance:

  

  Here’s the walk-in-closet/storage area (notice how the exposed concrete walls have been dabbed with plaster):

  

  And here’s the floor plan (I’m guessing sub entrance means secondary entrance):

  

  The first thing that struck me was the lack of a traditional bedroom. It’s basically a nook with a bed and sliding doors. But that was obviously done to give more space to the remainder of the apartment and the main living area, which they label as the “reception area.” The idea was that this space could be used for both living and working, and so they wanted a large open space.

  The other thing that stood out for me was the amount of storage and shelving throughout the apartment. There’s a bookshelf as you walk in. There are drawers under the bed. There’s a walk-in-closet with floor to ceiling shelving. And if you look closely at the upper track for the sliding bedroom doors, you’ll see a small ledge that was purposefully created for storage and display.

  It all seems very Japanese to me.

  It’s a small space and yet there’s no absolutely zero clutter. I love how organized everything seems. For many of you, this space may be a bit too sparse (even with that hammock!). But there’s something really nice about the simplicity of it all. It’s peaceful.

  Images: Katsumi Hirabayashi via Dezeen

  2014.12.03