Tag: interior

• 133 Wai Yip Street, Hong Kong

  Dutch architecture firm MVRDV recently converted an old industrial building in Hong Kong into new office space. The overall project size is roughly 200,000 sf. What’s unique about the project is the obsessive focus on transparency and glass.

  Here’s what the interior looks like:

  

  And here’s how the architect has described the project:

  “We are moving into a transparent society, businesses are becoming more open with the public, and people care more about what goes on behind closed doors. In that way, a clear workspace leaves nothing questionable, nothing hidden; it generates trust.” Tells MVRDV co-founder Winy Maas, “But also it is an opportunity for the building to become a reminder of the industrial history of the neighbourhood, monumentalised in a casing of glass.”

  I have written quite a bit about how I believe we are shifting towards a more transparent world – perhaps even a radically transparent world. And so it’s interesting to see an architect pick up on this broader theme and translate it into physical space.

  The floor is transparent. The partitions are transparent. The furniture is transparent. And you can clearly discern the interfaces between old and new.

  Good architecture, at least in my opinion, should reflect what is happening in our broader society. That’s why I believe that studying the history of art and architecture is really like studying the history of the world.

  For more photos of the project, click here.

  Image by Ossip van Duivenbode via MVRDV

  2016.06.04

• Fun Friday: Saltz, Zurich

  Earlier this month a new restaurant – called Saltz – opened up in Zurich’s historic Dolder Grand Hotel. (The building was originally built in the late 19th century, but an extension was added in 2008 by architecture firm Foster + Partners.) 

  Designed by artist Rolf Sachs, the 280 square meter restaurant is fitted out with an eclectic mix of unusual materials: neon, salt, rock, climbing rope, felt, and so on. And everything is intended to relate back to Swiss culture in some way.

  The interiors caught my attention as I was browsing through the press release this morning, so I have decided to post a few photos. All of the photography is by Nico Schaerer, courtesy of The Dolder Grand and artist Rolf Sachs.

  

  2016.03.18

• How high are your ceilings?

  

  I’ve been having a lot of discussions lately about ceiling heights. The clear height from the top of the floor to the underside of the ceiling.

  In Toronto there has been a bit of an evolution in ceiling heights. Older apartment and condo buildings often have 8’ ceilings. Newer buildings today often have 9’ ceilings. And we’re now seeing 10’ ceilings creep into the market, though I wouldn’t say it’s close to becoming the standard. It’s more at the top end. Of course there are also loft buildings with even higher ceilings.

  I am personally big on ceiling height. But I would be very curious to hear from the Architect This City community on this one.

  How high are your ceilings? What do you consider ideal? Do you even care? And is there a ceiling height where it would become a deal breaker for you when it comes to buying/renting a new place? I also think your actual height might have an impact on preference, so it would be great to also hear how tall you are.

  I have 10’ ceilings in my place. Not because my place is all that special, but because my suite is on the same floor as the building amenities. So the higher ceiling height is carried through (the rest of the building is 9’). I think it makes a big difference, particularly since my place isn’t all that big. I’m 6’3".

  Let me know your thoughts in the comment section below. This is great market feedback that will certainly be taken to heart.

  2015.09.05

• Visit Apartment N°50 in Marseille next month

  

  Completed in 1952, the Unité d’habitation in Marseille, France (more specifically known as the Cité radieuse) is one of the most famous buildings by Swiss-French architect, Le Corbusier. Every architecture student learns about it at one point or another.

  It’s famous because it was a model for a new way to live and build cities. Le Corbusier envisioned the apartment building as a kind of vertical city. The corridors weren’t thought of or referred to as corridors, they were instead called streets and lined with shops and businesses.

  Of course, Le Corbusier later became famous for inspiring an entire generation of buildings that many people now hate. Some believe he was completely misguided and others believe we simply bastardized his intents. But whatever the case may be, he certainly had a profound impact on cities.

  So if you happen to be in Marseille between July 4 to 19 (2015), you should check out an installation at the Unité d’habitation called Apartment N°50.

  It’s an installation put on by Jean-Marc Drut and Patrick Blauwart. They are the owners of Apartment N°50 and, since 2008, they have invited a designer or studio to come in and renovate it on an annual basis. They then open it up to the public during the summer. I think that’s a really neat idea and would love to visit sometime.

  Click here for the official Apartment N°50 website (it’s in French). The image at the top of this post is from Curbed.

  2015.06.15

• Snøhetta — an integrated architecture, landscape, interior, and brand design firm

  

  Last month I wrote a post talking about YOO Architecture. And in the body of that post I mentioned my interest in branding and marketing and how I wondered why it was something we never really talked about in architecture school.

  After publishing that post, a close friend of mine from architecture school quickly pointed out to me that there are firms today that are integrating brand design into their practices. Specifically, he mentioned two firms: Gensler and Snøhetta.

  Here’s some of Snøhetta’s work (click here for more it):

  

  I wasn’t aware that this was the case with these firms, but I’m delighted to see it happening. At the same time, I’m not surprised to see it happening. Architecture and branding have the potential to go hand-in-hand.

  A good brand and identity isn’t just about logos and tag lines. It should speak to and reinforce an organization’s belief system. 

  And one of the most powerful ways to do that is through its architecture and environments. I mean, just look at how important the design of Apple’s stores are to the Apple brand.

  Images: Snøhetta

  2015.03.06

• Muuto stacked shelf system

  I don’t have a lot to say today. I had a busy day and then this evening I set up some new shelving in my apartment. Here’s what it looks like:

  

  There’s a bulkhead directly above it (that you can’t see in this picture) and so I’ve been wanting to put shelving in this corner ever since I moved in almost 2 years ago. I haven’t really organized the contents yet, but I did get some wine into the bottom of it. First things first.

  Initially I thought about getting built-in shelves. But custom millwork is expensive and, to do something even remotely interesting, the pricing got stupid. So I searched and searched and eventually stumbled upon the Muuto stacked shelf system designed by JDS Architects.

  This is the picture that sold me:

  

  My setup doesn’t look nearly as impressive, but I’m still thrilled with it.

  The way it works is really simple. You stack up the boxes however you would like and then, once you’re satisfied, you just clip them together. That’s what those yellow things are in my picture. You can hide them at the back if you want, but I purposely ordered yellow ones in order to highlight how the system actually goes together.

  It wasn’t the cheapest option out there, but I’d rather have fewer things of higher quality. I already have too many things.

  2014.12.19
• 

  surfacemag:

  An interior hallway at French automaker Renault’s Bump fair stand, designed by Paris-based firm DGT Architects. Photo by Takuji Shimmura.

  2013.06.07
• 

  justthedesign:

  Living Room Interior Design By Nikita Borisenko

  2013.02.28