Daily insights for city builders, delivered every morning at 6 AM ET. I’m Brandon Donnelly — a Toronto-based real estate developer and founder of Globizen. I’ve been writing here since 2013.

Tag: drone photography

  • Nobody wants to collect NFTs anymore

    Back when everyone wanted to buy and trade crypto, my friend Evgeny started a marketplace for NFT photography called Sloika. This, to me, felt like an obviously good idea, both in general and for him specifically. Evgeny had previously cofounded the photo company 500px, and so Sloika was initially conceived of as 500px, but for web3. This is a good story.

    I have collected a number of photos via Sloika and, in general, I continue to regularly collect NFTs. Of course today, relatively few people want to trade and collect NFTs. The market is largely dead. What is obvious is that there was a giant NFT bubble and it popped in 2022, along with some other asset bubbles.

    But does this necessarily mean that NFTs and NFT art are bad ideas?

    When I think of bubbles I often think of something that Fred Wilson wrote on his blog. His argument was that bubbles tend to be directionally right; it’s the magnitude that we get wrong. A good example of this is the dot com bubble. Yes, it was a massive bubble. But it was directionally right. The internet was going to matter — a lot it turns out.

    Even if we go back to “tulip mania” during the Dutch Golden Age — which is often brought up as the pinnacle of dumb bubbles — one could argue that it was still directionally right. Today, tulips remain the most sold flower in the US. So we still love them; we just got a little too excited back in the 17the century.

    When it comes to NFT art, I like to think in terms of these questions:

    • Will humans continue to appreciate art? (Seems obvious.)
    • Will humans continue to want to collect things? (This is arguably a fundamental human instinct.)
    • Will provenance and authenticity continue to matter in art? (Blockchain technologies are really good at this.)

    Perhaps the only question that remains is whether people will want to collect digital art. But even this feels fairly obvious to me. The challenge, I think, is that the display side of the market needs to be more built out. Because alongside the instinct to collect things is the instinct to display them. That’s why NFTs initially took off as profile pics on social media.

    So as a start, I think more, better, and cheaper displays would be a big help. There’s something very different about projecting an NFT in your living room versus having it live in a crypto wallet on your phone or computer. You need to really experience it, just as you would a conventional piece of art. And like all art, context matters.

    I haven’t yet invested in a dedicated NFT display, but I plan to do that in the near future. And I’m looking forward to displaying my collection of NFTs, including the one at the top of this post. It’s a drone shot of the west side of Toronto in the middle of winter, and it was gifted to me by Evgeny. Thank you for that. It’s an honor to have it as part of my art collection.

    Photo: Six Bling (via SuperRare)

  • Patio season: on

    Shot on a DJI Mavic Mini and edited in Lightroom.

  • Photoblog: A cabin in the woods

    Location: Laurentian Mountains, Quebec // Camera: DJI Mavic Mini

  • Photoblog: Humans are social creatures

    The above photo was taken on Lake Couchiching (off Lake Simcoe) with a DJI Mavic Mini.

    Here is the before straight from the drone.

    And here is the after with my Lightroom edits. I then cropped it to a 4×5 aspect ratio because wide landscape photos don’t show well on Instagram.

    For me, this scene is a reminder to remain bullish on cities. Take people out of the city. Put them on boats in the middle of a large lake. And they’ll still find a way to cluster together.

    Why? Because humans are social creatures.

  • Views from the Junction

    Shot on DJI Mavic Mini

  • Barcelona from above

    Barcelona is one of the densest cities in Europe. And Márton Mogyorósy’s recent photo series, called Barcelona from above, does an excellent job of demonstrating that. My favorite photo is this one here, showing La Barceloneta neighborhood adjacent to the beach:

    None of the buildings are particularly tall (maybe 6 or 7 storeys at the most), but the streets are probably only about 6m wide, including sidewalks. This is one way that you can achieve density without height and it is a good example of what I was getting at in my post, European-style height, but not density.

  • Urban jungle

    Keeping with yesterday’s theme of urban density, here is a photo by Andy Yeung that I am embedding via his 500px page:

    Urban Jungle #04 by Andy Yeung on 500px.com

    https://500px.com/embed.js

    The photo is of Hong Kong and it was taken using a drone. Click here for other photos from his “Urban Jungle” drone series.

    If you remember the maps from yesterday, you might remember that Hong Kong had a peak residential density of around 111,100 people per square kilometre (2013).

    Above is what that generally looks like.