The stickers under our projecting Junction House sign box irk me, but otherwise we’re all really happy with the way the video turned out. We wanted it to feel real and authentic.
I am also thrilled to announce that we have partnered with a few local artists for this project.
The first is Leeay Aikawa. She is a multidisciplinary artist who moved to Toronto from Japan in 2003 and now works and resides in the Junction. We’re excited to have the opportunity to exhibit her work. You’ll find it in our “sales gallery” when that space opens.
The stickers under our projecting Junction House sign box irk me, but otherwise we’re all really happy with the way the video turned out. We wanted it to feel real and authentic.
I am also thrilled to announce that we have partnered with a few local artists for this project.
The first is Leeay Aikawa. She is a multidisciplinary artist who moved to Toronto from Japan in 2003 and now works and resides in the Junction. We’re excited to have the opportunity to exhibit her work. You’ll find it in our “sales gallery” when that space opens.
The next artist will remain a
secret
for now (though that’s a hint). Stay tuned to the blog and the socials.
Alain Bertaud has a new book coming out later this year from MIT Press called, Order without Design: How Markets Shape Cities. If you’re based or happen to be in New York, there’s a book launch on Tuesday, December 11, 2018 at NYU. You can
This past July, Soho House Amsterdam opened up in the storied Bungehuis building. Not really news, other than the fact that FT just published this article talking about the building’s history and some of the project’s hurdles, which I of course found interesting.
Completed in 1934, the Bungehuis originally served as the offices for a prominent trading company. The architect was ADN van Gendt. When he died during the building’s construction, Willem Jacob Klok took over.
Also noteworthy about the building’s construction is that, according to Wikipedia, twenty houses had to be demolished in order for it to be constructed.
This underscores a point that I have made before on the blog. Cities are not static. Most of us probably look at the Bungehuis and consider it to be quite a handsome piece of architecture. Some of us may even go so far as to say that we don’t make buildings like they used to.
Soho House is on record saying that they were “not very budget-conscious” during the renovation because of the sense of responsibility that they felt around the building and its history.
secret
for now (though that’s a hint). Stay tuned to the blog and the socials.
Alain Bertaud has a new book coming out later this year from MIT Press called, Order without Design: How Markets Shape Cities. If you’re based or happen to be in New York, there’s a book launch on Tuesday, December 11, 2018 at NYU. You can
This past July, Soho House Amsterdam opened up in the storied Bungehuis building. Not really news, other than the fact that FT just published this article talking about the building’s history and some of the project’s hurdles, which I of course found interesting.
Completed in 1934, the Bungehuis originally served as the offices for a prominent trading company. The architect was ADN van Gendt. When he died during the building’s construction, Willem Jacob Klok took over.
Also noteworthy about the building’s construction is that, according to Wikipedia, twenty houses had to be demolished in order for it to be constructed.
This underscores a point that I have made before on the blog. Cities are not static. Most of us probably look at the Bungehuis and consider it to be quite a handsome piece of architecture. Some of us may even go so far as to say that we don’t make buildings like they used to.
Soho House is on record saying that they were “not very budget-conscious” during the renovation because of the sense of responsibility that they felt around the building and its history.
RSVP here
.
The book argues that, “operational urban planning can be improved by the application of the tools of urban economics to the design of regulations and infrastructure.” I haven’t read it yet and it’s not available until December, but I’ve just added it to my reading list.
I am of the opinion that none of us involved in the built environment should be working in insolation, without some understanding of the myriad of other forces shaping our cities. Cities are too complex and important for narrow views.
From what I’ve read about this book, it subscribes to that philosophy. And so I’m giving it a place in the queue.
But I think it’s important to note that this building was initially built for a for-profit company and things had to be demolished in order for it to come to fruition.
I can’t say for sure whether this development was opposed in the 1930s, but it may have been. Cities and buildings have a way of ingratiating themselves over time.
In any event, starting in the 1970s, the building became home to the arts faculty at the University of Amsterdam. And as recent as 2015, it became home to the Bungehuis occupations – a protest occupation started by students and staff of the University who were opposed to a slew of academic cuts.
Then in a state of poor repair, the building was ultimately sold to Aedes Real Estate, who now leases it to the Soho House Group for their private club and 79 room hotel. Above is a picture of the club’s rooftop pool and lounge.
The big hurdle, or at least one of them, was the fact that Amsterdam currently has a moratorium on new hotels – as a way to try and mitigate “overtourism” – unless it can be demonstrated that it will represent “an extraordinary addition to the existing stock.”
Since Soho House Amsterdam opened in July, I guess we know the answer to that test. But it sounds like it may have been a battle. That wouldn’t be a first for this building.
The book argues that, “operational urban planning can be improved by the application of the tools of urban economics to the design of regulations and infrastructure.” I haven’t read it yet and it’s not available until December, but I’ve just added it to my reading list.
I am of the opinion that none of us involved in the built environment should be working in insolation, without some understanding of the myriad of other forces shaping our cities. Cities are too complex and important for narrow views.
From what I’ve read about this book, it subscribes to that philosophy. And so I’m giving it a place in the queue.
But I think it’s important to note that this building was initially built for a for-profit company and things had to be demolished in order for it to come to fruition.
I can’t say for sure whether this development was opposed in the 1930s, but it may have been. Cities and buildings have a way of ingratiating themselves over time.
In any event, starting in the 1970s, the building became home to the arts faculty at the University of Amsterdam. And as recent as 2015, it became home to the Bungehuis occupations – a protest occupation started by students and staff of the University who were opposed to a slew of academic cuts.
Then in a state of poor repair, the building was ultimately sold to Aedes Real Estate, who now leases it to the Soho House Group for their private club and 79 room hotel. Above is a picture of the club’s rooftop pool and lounge.
The big hurdle, or at least one of them, was the fact that Amsterdam currently has a moratorium on new hotels – as a way to try and mitigate “overtourism” – unless it can be demonstrated that it will represent “an extraordinary addition to the existing stock.”
Since Soho House Amsterdam opened in July, I guess we know the answer to that test. But it sounds like it may have been a battle. That wouldn’t be a first for this building.
