This is a really nice kitchen extension. In response to an "oppressively" low ceiling height, the architects -- DGN Studio -- lowered the existing ground floor by about 500mm. At the same time, they created a kind of "concrete tray" that fills the width of the Victorian home's property and extends outward to create a sunken patio space off said kitchen. From the outside, this drop makes the house feel as if it's sitting on a concrete plinth -- hence the name. (A good photo of this can be found here.) It's a simple move, but a good one. Sometimes you just have to play with the section. If you can't see the above video, click here.
This is a really nice kitchen extension. In response to an "oppressively" low ceiling height, the architects -- DGN Studio -- lowered the existing ground floor by about 500mm. At the same time, they created a kind of "concrete tray" that fills the width of the Victorian home's property and extends outward to create a sunken patio space off said kitchen. From the outside, this drop makes the house feel as if it's sitting on a concrete plinth -- hence the name. (A good photo of this can be found here.) It's a simple move, but a good one. Sometimes you just have to play with the section. If you can't see the above video, click here.
This short 5-minute video by Vox is a perfect example of how, just like with fashion, architecture and design tastes are always changing. The things we like at one point in time may not be what we like in the future. And it can go from extreme desire to extreme disgust. In this video, Vox makes the argument that the mansions of America's Gilded Age are the reason why all haunted houses seem to look the same in popular culture and in our imaginations.
Once the extreme desire of America's nouveau riche (who were clearly trying to emulate rich Europeans), they fell out of favor with the arrival of modernism and a new cultural ethos. All of a sudden it wasn't fashionable to have copious amounts of ornament and labyrinthian-like floor plans filled with a bunch of gaudy stuff. So the rich moved on and many of these homes fell into disrepair, setting the stage for spooky thoughts.
What's interesting about this phenomenon is that it can make it difficult to discern what has design and cultural value and what doesn't. Because something that has value today, may not have perceived value tomorrow (and it may also become the backdrop for future horror movies). Of course, the opposite is also true. We could hate something today, but eventually learn to love it.
Brutalism is perhaps a good example. Though there seems to be a groundswell of people interested in preserving this style of architecture, I continue to think that it remains a generally unloved kind of built form when it comes to the general public. So does that mean it has little present and/or future value? That's not a straightforward question.
The other thing I find fascinating about this haunted house phenomenon is that it shows how one thing can lead to another. If the typology of haunted houses is a result of the Gilded Age mansion, then it's also important to consider that the Gilded Age mansion is arguably a result of the new wealth that was being amassed by some Americans at the end of the 19th century.
The Gilded Age was a period economic expansion for the United States. New fortunes were being made via rail, steel, tobacco, and other industries. (Inequality was a concern.) And this new wealth was naturally looking for a way to show off (as it usually does). That happened to manifest itself in ornate European-like mansions. But had that not happened, would haunted houses look the way that they do today?
Yesterday evening I went to the Toronto Christmas Market in the Distillery District. I had actually never been before, but it was something that I had been meaning to check out for a few years now. And it was wonderful. If you’ve never been, I would highly recommend you go. This past weekend was the opening weekend and it runs all throughout Advent until Sunday, December 21st.
For those of who might not be aware, the Christmas Market festivity is a longstanding tradition that originated primarily in German-speaking Europe. Accounts of a “December market” were found as early as the end of the 13th century. The Toronto Christmas Market is a slightly more recent tradition (it’s only about 5 years old), but it was already selected as one of the world’s best.
But Christmas carollers and hot toddies aside, the Market is also a fantastic opportunity to see the Distillery District in all its glory. Every time I visit the Distillery, I can’t help but feel how lucky we are to have a district like this in the city. The architecture and scale of the place is incredible and – alongside the Toronto Islands and Kensington Market, sometimes – it’s pretty much the only car free zone we have.
However as someone who lived near the Distillery District in its early days, I remember how much of an “island” it was when it first opened. It felt disconnected from the rest of the city and the only way to get people there was to hold a special event. The retailers and galleries struggled and many didn’t last.
With all the condos that have been built, literally on top of the neighborhood, that has changed dramatically. Today the area has become much more balanced as a mixed-use community. But the real tipping point, I think, will come next year when Toronto hosts the Pan Am Games and the West Don Lands neighborhood starts to come online just to the east of Cherry Street.
Now all of a sudden the Distillery District won’t feel like the edge of downtown anymore, it will feel more like the middle of it. As my friend Alex Bozikovic of the Globe and Mail pointed out to me this weekend, the Pan Am Games are going to put the east side of downtown on people’s radars. And I would completely agree. Once that happens, the Distillery District will finally start to reach its maximum potential.
This short 5-minute video by Vox is a perfect example of how, just like with fashion, architecture and design tastes are always changing. The things we like at one point in time may not be what we like in the future. And it can go from extreme desire to extreme disgust. In this video, Vox makes the argument that the mansions of America's Gilded Age are the reason why all haunted houses seem to look the same in popular culture and in our imaginations.
Once the extreme desire of America's nouveau riche (who were clearly trying to emulate rich Europeans), they fell out of favor with the arrival of modernism and a new cultural ethos. All of a sudden it wasn't fashionable to have copious amounts of ornament and labyrinthian-like floor plans filled with a bunch of gaudy stuff. So the rich moved on and many of these homes fell into disrepair, setting the stage for spooky thoughts.
What's interesting about this phenomenon is that it can make it difficult to discern what has design and cultural value and what doesn't. Because something that has value today, may not have perceived value tomorrow (and it may also become the backdrop for future horror movies). Of course, the opposite is also true. We could hate something today, but eventually learn to love it.
Brutalism is perhaps a good example. Though there seems to be a groundswell of people interested in preserving this style of architecture, I continue to think that it remains a generally unloved kind of built form when it comes to the general public. So does that mean it has little present and/or future value? That's not a straightforward question.
The other thing I find fascinating about this haunted house phenomenon is that it shows how one thing can lead to another. If the typology of haunted houses is a result of the Gilded Age mansion, then it's also important to consider that the Gilded Age mansion is arguably a result of the new wealth that was being amassed by some Americans at the end of the 19th century.
The Gilded Age was a period economic expansion for the United States. New fortunes were being made via rail, steel, tobacco, and other industries. (Inequality was a concern.) And this new wealth was naturally looking for a way to show off (as it usually does). That happened to manifest itself in ornate European-like mansions. But had that not happened, would haunted houses look the way that they do today?
Yesterday evening I went to the Toronto Christmas Market in the Distillery District. I had actually never been before, but it was something that I had been meaning to check out for a few years now. And it was wonderful. If you’ve never been, I would highly recommend you go. This past weekend was the opening weekend and it runs all throughout Advent until Sunday, December 21st.
For those of who might not be aware, the Christmas Market festivity is a longstanding tradition that originated primarily in German-speaking Europe. Accounts of a “December market” were found as early as the end of the 13th century. The Toronto Christmas Market is a slightly more recent tradition (it’s only about 5 years old), but it was already selected as one of the world’s best.
But Christmas carollers and hot toddies aside, the Market is also a fantastic opportunity to see the Distillery District in all its glory. Every time I visit the Distillery, I can’t help but feel how lucky we are to have a district like this in the city. The architecture and scale of the place is incredible and – alongside the Toronto Islands and Kensington Market, sometimes – it’s pretty much the only car free zone we have.
However as someone who lived near the Distillery District in its early days, I remember how much of an “island” it was when it first opened. It felt disconnected from the rest of the city and the only way to get people there was to hold a special event. The retailers and galleries struggled and many didn’t last.
With all the condos that have been built, literally on top of the neighborhood, that has changed dramatically. Today the area has become much more balanced as a mixed-use community. But the real tipping point, I think, will come next year when Toronto hosts the Pan Am Games and the West Don Lands neighborhood starts to come online just to the east of Cherry Street.
Now all of a sudden the Distillery District won’t feel like the edge of downtown anymore, it will feel more like the middle of it. As my friend Alex Bozikovic of the Globe and Mail pointed out to me this weekend, the Pan Am Games are going to put the east side of downtown on people’s radars. And I would completely agree. Once that happens, the Distillery District will finally start to reach its maximum potential.
