The Tour Montparnasse turned 50 this year and so people are now writing about it again. In my opinion, this recent piece in the New Yorker, by Colin Marshall, is particularly thoughtful. Here are two important points that he makes. The first has to do with the fact that kind of old usually isn't enough when it comes to architecture. You need buildings to be really old before they get fully appreciated:

Architectural fashion treasures hundred-and-fifty-year-old structures but derides fifty-year-old ones; hence the works of brutalism that have faced the wrecking ball in recent years. “The destruction of brutalist buildings is more than the destruction of a particular mode of architecture,” Jonathan Meades says, in his television documentary “Bunkers, Brutalism and Bloodymindedness: Concrete Poetry.” “It is like burning books. It’s a form of censorship of the past, a discomfiting past, by the present. It’s the revenge of a mediocre age on an age of epic grandeur.”

The second point is maybe an obvious one:

Aberrations like the Tour Montparnasse only underscore how much Paris remains Haussman’s city, its core frozen in a nineteenth century whose built environment can be restored, and in some cases discreetly renovated, but which—so the severity of the restrictions implies—can never fundamentally be improved upon.

This is, however, a crucial point. Because it directs to why the Tour Montparnasse is so jarring to many, or perhaps most. It is jarring because it is so obviously different from its surrounding 19th century context. It is clearly not that. But as Marshall points out, one way to address this would be to simply add more 21st century context throughout the city.

Of course, this is easier said than done. It would require a new mental model -- one that accepts that the built form of Paris is not static and can be allowed to evolve. We're not there yet. But maybe the current renovation of Tour Montparnasse, or the city's new triangle tower, will give people a fresh set of eyes when it comes to buildings taller than 37 meters.

Photo by Maeva Hemon on Unsplash

So, Herzog and de Meuron are building this trapezoidal-shaped tower in Paris right now.

It's 158m tall and about 40 storeys (which makes it comparable in height to One Delisle). It's extremely narrow in one direction (see above), and so from central Paris it is intended to be read as a kind of thin pencil tower. But when viewed in the east-west direction, you get the full width of its trapezoidal shape (see above, again).

Not surprisingly, this has been a highly contentious development -- which is why it was 15 years in the making. It is now under construction, though, and it is expected to be completed sometime in 2026. But this is likely to be the last tower in Paris for quite some time.

Partially because of this Triangle Tower, Paris has just decided to ban tall buildings in the city. The new height limit is now back to 37 meters (or 12 storeys), which is essentially the same height cap that was put in place in 1977 following completion of the Tour Montparnasse.

So this is seemingly how things work in Paris. Somebody builds a tall tower. People mostly hate it. And then the city bans tall buildings for a number of decades. The previous height cap was relaxed in 2010. (Also, for those of you who are wondering, La Défense, which is generally where Paris puts its tall buildings, is outside of the city limits.)

Regardless, I think there's no question that this new Triangle Tower is destined to become an iconic punctuation in the city's skyline. Which means that we're probably going to have to update our thinking. If Paris, today, is sometimes thought of as a city with two principal towers -- the Eiffel Tower and the "awful tower" -- it will soon be a city with three principal towers.

Perhaps the only question that remains is: Will people learn to love it like the Eiffel Tower or will it end up as another Tour Montparnasse?

Image: Herzog and de Meuron

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