Debating the merits -- or shortcomings, depending on which camp you're in -- of all-glass buildings isn't new. But there seems to be a bit of a resurgence happening right now because of the recent opening of Hudson Yards in New York.

There's an important environmental consideration here: Glass is, as a rule, a poor insulator. But often the other concern with all-glass buildings is their sameness. Witold Rybczynski recently wrote about this on his blog in a post called The Transparency Trap:

Le Corbusier described (modernist) architecture as “the masterly, correct and magnificent play of volumes brought together in light.” Corbusier used glass but he never designed all-glass buildings. Neither did Mies; he added superfluous I-beams to his facades (which also had substantial spandrels). The problem with transparent glass is that it doesn’t hold a shadow, and without a shadow there can be no “play of volumes.” Since minimalist modernist architecture doesn’t offer decoration or ornament, that doesn’t leave much to look at.

Witold isn't usually appreciative of that which is new and I often find myself disagreeing with this critiques. But I like his metaphor of "holding a shadow." Light and shadow are, of course, fundamental to architecture.

Photo by LinedPhoto on Unsplash

Last night I went by the Toronto-Dominion Centre to check out the above public art project by French artist Aude Moreau. The message on the buildings is “LESS IS MORE OR”, which is a play on the architect Mies van der Rohe’s famous adage: “Less is more.” Here, the “or” is meant to make you question it.

All of this is to celebrate the 50th anniversary of the Centre. The first tower was completed in 1967 and is one of Mies’ last projects before he died in 1969. His original plan included two towers and the banking pavilion at the corner of Bay and King, but three more towers were later added.

This is Toronto architecture at its absolute best. And it may not have happened without people like Phyllis Lambert. I am so glad it did.

Last Friday the Financial Post published an interesting article talking about Mattamy Homes and the new office that its founder, Peter Gilgan, is in the process of opening up downtown in the Toronto-Dominion Centre (which just so happens to be my favorite office complex in the city).

At 64 years old, Peter recognizes that his company has changed and the world has changed. He he himself recently moved downtown and now he’s bringing his company with him.

“Our Oakville office [a western suburb of Toronto] is a reflection of what our business was 25 years ago,” he says. “We were a local, west-end Toronto builder. Now we’re the largest home builder in Canada and we’re the largest private home builder in all of North America.”

Come September he will move his finance, legal, IT, human resources and strategic marketing team —  about 100 of Mattamy’s 1,100 staff — into the new downtown digs. He wants to attract “the absolute best talent.”

“The young people seem to really want to work down here. So that’s one reason. The other thing is to make sure the business has the capital to move forward and expand. Well, where’s the capital? It ain’t in Oakville.”

This of course isn’t a new thing for suburban homebuilders. Many in Toronto have made the switch – or at least expanded – from suburban houses to downtown/urban condos. And I’m assuming that’s what is going to happen here.

Still, it’s fascinating to see this trend continue. Young people really do want to live and work “down here.”