I am really interested in these sorts of spaces. In this case, these is an old brutalist office building in Kanazawa, Japan that was purchased in 2019 by artist Hiraki Sawa. The original intent was to turn it into a co-working space, but eventually the idea evolved into a hybrid "co-being" space that can be rented as a place to stay and/or as a place to facilitate creativity.
The space itself was left mostly raw and exposed, but neon movable walls were inserted by AB Rogers Design that allow you to configure the volumes as you'd like. What's interesting about spaces like these is that they enable play and experimentation. Maybe it also makes money, or maybe it doesn't. But that doesn't seem to be the main point.


The point is to empower creativity. And finding spaces to do this can be tough in competitive markets where demand is consistently outstripping supply. Oftentimes you need some slack in the system so that there's literal breathing room for new ideas, or rich people who can make it so.
Whatever the case, I am a believer that when given the opportunity, people will generally find a way to imagine and create. So if you happen to find yourself in Kanazawa and would like to book this space, which is called Fish Market, click here. Guests are being asked to submit a request explaining how and why they'd like to use the space.
It'll be fun to see what this leads to.
Photos: Takumi Ota via AB Rogers Design
I am really interested in these sorts of spaces. In this case, these is an old brutalist office building in Kanazawa, Japan that was purchased in 2019 by artist Hiraki Sawa. The original intent was to turn it into a co-working space, but eventually the idea evolved into a hybrid "co-being" space that can be rented as a place to stay and/or as a place to facilitate creativity.
The space itself was left mostly raw and exposed, but neon movable walls were inserted by AB Rogers Design that allow you to configure the volumes as you'd like. What's interesting about spaces like these is that they enable play and experimentation. Maybe it also makes money, or maybe it doesn't. But that doesn't seem to be the main point.


The point is to empower creativity. And finding spaces to do this can be tough in competitive markets where demand is consistently outstripping supply. Oftentimes you need some slack in the system so that there's literal breathing room for new ideas, or rich people who can make it so.
Whatever the case, I am a believer that when given the opportunity, people will generally find a way to imagine and create. So if you happen to find yourself in Kanazawa and would like to book this space, which is called Fish Market, click here. Guests are being asked to submit a request explaining how and why they'd like to use the space.
It'll be fun to see what this leads to.
Photos: Takumi Ota via AB Rogers Design
Lately, I've become very interested in live/work uses. This is not something that I have written much about over the years, but it is now on my mind for a few reasons.
One, many of us tried working from home for the first time over the last 21 months or so, and my understanding is that some people enjoy it. It's not my preference, but I don't represent everyone.
Two, photography is a hobby of mine and I've always thought it would be super fun to have a studio space to play around with on the weekends. If any of you have any suggestions or spaces available, please let me know.
Three, there are lots of urban conditions where retail doesn't work, but a bit more ground-floor animation would be nice. This is commonly how live/work uses have been used. That said, I can think of a number of unsuccessful examples of this in Toronto. It's tough to execute on.
And four, there are lots of instances of older non-conforming spaces throughout our cities serving this purpose: inexpensive spaces for people to live, work, and create in. Though often "illegal", I believe they are important for fostering new ideas.
Here's an example that I was reading about this morning in The Spaces and that triggered this blog post. It's about sculptor Andreas Anastasis and his live/work loft on the west side of New York.
https://youtu.be/tZobmZnlvds
I don't know what building this is and whether or not work functions are technically permitted (presumably they are), but it's an example of what I'm talking about. Take a spin through the video embedded above. If you can't see it, click here.
Should we be designing and creating our new residential spaces with multiple uses and this kind of flexibility in mind? Is there a big enough market for it? Does it devalue the pure residential aspect of the building knowing that your next door neighbor might have an office in their space, an artist studio, or a short-term Airbnb rental?
These are some of the things that I've been thinking about and I would love to hear thoughts in the comment section below.
Lately, I've become very interested in live/work uses. This is not something that I have written much about over the years, but it is now on my mind for a few reasons.
One, many of us tried working from home for the first time over the last 21 months or so, and my understanding is that some people enjoy it. It's not my preference, but I don't represent everyone.
Two, photography is a hobby of mine and I've always thought it would be super fun to have a studio space to play around with on the weekends. If any of you have any suggestions or spaces available, please let me know.
Three, there are lots of urban conditions where retail doesn't work, but a bit more ground-floor animation would be nice. This is commonly how live/work uses have been used. That said, I can think of a number of unsuccessful examples of this in Toronto. It's tough to execute on.
And four, there are lots of instances of older non-conforming spaces throughout our cities serving this purpose: inexpensive spaces for people to live, work, and create in. Though often "illegal", I believe they are important for fostering new ideas.
Here's an example that I was reading about this morning in The Spaces and that triggered this blog post. It's about sculptor Andreas Anastasis and his live/work loft on the west side of New York.
https://youtu.be/tZobmZnlvds
I don't know what building this is and whether or not work functions are technically permitted (presumably they are), but it's an example of what I'm talking about. Take a spin through the video embedded above. If you can't see it, click here.
Should we be designing and creating our new residential spaces with multiple uses and this kind of flexibility in mind? Is there a big enough market for it? Does it devalue the pure residential aspect of the building knowing that your next door neighbor might have an office in their space, an artist studio, or a short-term Airbnb rental?
These are some of the things that I've been thinking about and I would love to hear thoughts in the comment section below.
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