My time in the mountains has come to an end. I’m on a flight back to Toronto and about to start watching old Bond movies (as one should). If you don’t ski or snowboard or do any other winter sports, it’s maybe hard to relate to this, but the mountains are a truly special place. I’m always sad to leave them. In my opinion, there’s no better place to disconnect and recalibrate.

And even though I've been mostly disconnected, it has been hard not to miss the hype around the new Apple Vision Pro, which was released into the wild this week. I haven't tried one yet, but every review that I have read or watched seems to come to the same general conclusion: "Wow, this thing is incredible. It feels like a glimpse into the future of computing."

If you're looking for a comprehensive technical overview of the device, you should check out Marques Brownlee's video, here. But if you're just looking to get a sense of what it might be like to, you know, wander around New York City wearing one, you should definitely check out Casey Neistat's video, here.

Now I think there's no question that there's a dystopian element to all of this. When Casey is standing around and watching a butterfly eat his donut, he looks pretty strange from the outside. Only he is seeing the butterfly. But then again, we all look pretty weird standing around staring down at our phones all the time. Maybe this will help us become less disconnected. I don't know.

Either way, it's hard not to imagine this changing -- a lot. I mean, here's just one small example. Already Zillow has an app for Vision Pro that allows you to tour homes for sale. Assuming it's as good as everyone says it is, I can't imagine anyone going to physically tour a home ever again, unless they're really serious and/or ready to put in an offer.

Of course, there's also no shortage of people saying that this device is simply too expensive. But I think that misses the point. This is version one. At this point, Apple just needs to be directionally right about what they are calling "spatial computing." (They don't want you to call it VR.) Because if they are right, the price will come down and then we'll all be watching old Bond movies on these devices.

Things have been far too serious around here this week with talk of interest rates, unrealized gains, flooding, and the EU referendum. So let’s change that and do a bit of an architecture roundup. It has been on my agenda for a few weeks now to move toward some sort of regular post about architecture and design.

1.

DUS architects of Amsterdam recently completed a fully 3D printed urban cabin (pictured above). It totals 8 square meters and was printed using “bio-plastic,” which means the entire structure could be shredded and reprinted into something else. The Urban Cabin is a research experiment, but the thinking is that 3D printed homes could serve as an “on-demand housing solution” in rapidly urbanizing cities, in disaster areas, and so on. That said, the niche use case can quickly become the mainstream use case.

2.

REX has just released their design for a Performing Arts Center on the World Trade Center site. The design is a minimalist “mystery box” that provides an infinitely customizable interior canvas for directors. I have long been interested in the work of REX because of the hyper-rationale approach they quite often bring to architecture. It’s about allowing architecture to emerge from the project’s constraints, programmatic requirements, and so on. Here’s a video of the project.

3.

Finally, this Swiss chalet (not the restuarant) in the town of Anzère has got me pretty excited about the upcoming snowboard season. It was designed by the Amsterdam-based firm SeARCH. And I love the dichotomy between the raw exposed concrete and the softer wood details. Also note how the garage, situated beneath the house, is built into the mountain. It is connected to the house above via an elevator that is also carved into the mountain. Sadly, my ski retreats don’t typically involve James Bond-style lairs.

Image: Copyright Ossip