Today we visited the Aga Khan Museum here in Toronto, which is a museum dedicated to the arts of Islamic civilizations. I had been outside the building before but this was my first time inside and my first time seeing some of the collections.

Here is the main entrance:

Here is a photo looking the opposite way over one of the reflection ponds:

The museum was designed by Japanese architect Fumihiko Maki and was completed in 2014. 

The site area is approximately 70,000 square meters and the building itself is approximately 11,600 square meters. Maki won the Pritzker Prize in 1993.

Here is the building’s interior courtyard, which was one of my favorite parts:

The glass is patterned with the Islamic eight pointed star. But since the symbol is typically represented by two overlapping squares, the patterning was placed on two different sides of the double pane glass. Or at least that’s my guess as to why they did it that way.

Lastly, here is the Bellerive Room:

It was designed to be a contemplative room that could, on occasion, also host intimate events and performances. Note the shadows being cast by the screens in front of the windows.

If you haven’t yet been to the Aga Khan Museum it is worth a visit, even if you just walk the formal gardens surrounding it.

Today we visited the Aga Khan Museum here in Toronto, which is a museum dedicated to the arts of Islamic civilizations. I had been outside the building before but this was my first time inside and my first time seeing some of the collections.

Here is the main entrance:

Here is a photo looking the opposite way over one of the reflection ponds:

The museum was designed by Japanese architect Fumihiko Maki and was completed in 2014. 

The site area is approximately 70,000 square meters and the building itself is approximately 11,600 square meters. Maki won the Pritzker Prize in 1993.

Here is the building’s interior courtyard, which was one of my favorite parts:

The glass is patterned with the Islamic eight pointed star. But since the symbol is typically represented by two overlapping squares, the patterning was placed on two different sides of the double pane glass. Or at least that’s my guess as to why they did it that way.

Lastly, here is the Bellerive Room:

It was designed to be a contemplative room that could, on occasion, also host intimate events and performances. Note the shadows being cast by the screens in front of the windows.

If you haven’t yet been to the Aga Khan Museum it is worth a visit, even if you just walk the formal gardens surrounding it.