Back when everyone wanted to buy and trade crypto, my friend Evgeny started a marketplace for NFT photography called Sloika. This, to me, felt like an obviously good idea, both in general and for him specifically. Evgeny had previously cofounded the photo company 500px, and so Sloika was initially conceived of as 500px, but for web3. This is a good story.
I have collected a number of photos via Sloika and, in general, I continue to regularly collect NFTs. Of course today, relatively few people want to trade and collect NFTs. The market is largely dead. What is obvious is that there was a giant NFT bubble and it popped in 2022, along with some other asset bubbles.
But does this necessarily mean that NFTs and NFT art are bad ideas?
When I think of bubbles I often think of something that Fred Wilson wrote on his blog. His argument was that bubbles tend to be directionally right; it's the magnitude that we get wrong. A good example of this is the dot com bubble. Yes, it was a massive bubble. But it was directionally right. The internet was going to matter -- a lot it turns out.
Even if we go back to "tulip mania" during the Dutch Golden Age -- which is often brought up as the pinnacle of dumb bubbles -- one could argue that it was still directionally right. Today, tulips remain the most sold flower in the US. So we still love them; we just got a little too excited back in the 17the century.
When it comes to NFT art, I like to think in terms of these questions:
Will humans continue to appreciate art? (Seems obvious.)
Will humans continue to want to collect things? (This is arguably a fundamental human instinct.)
Will provenance and authenticity continue to matter in art? (Blockchain technologies are really good at this.)
Perhaps the only question that remains is whether people will want to collect digital art. But even this feels fairly obvious to me. The challenge, I think, is that the display side of the market needs to be more built out. Because alongside the instinct to collect things is the instinct to display them. That's why NFTs initially took off as profile pics on social media.
So as a start, I think more, better, and cheaper displays would be a big help. There's something very different about projecting an NFT in your living room versus having it live in a crypto wallet on your phone or computer. You need to really experience it, just as you would a conventional piece of art. And like all art, context matters.
I haven't yet invested in a dedicated NFT display, but I plan to do that in the near future. And I'm looking forward to displaying my collection of NFTs, including the one at the top of this post. It's a drone shot of the west side of Toronto in the middle of winter, and it was gifted to me by Evgeny. Thank you for that. It's an honor to have it as part of my art collection.
Photo: Six Bling (via SuperRare)
Sunset in Toronto by Daniel Fernandes on 500px
If you’re a regular reader of Architect This City, you’ll know that I generally like to include at least one photo with every post. Sometimes I run out of time and I don’t always do that, but that is at least the intent.
You might have also noticed that my go-to for stock photography is 500px. That is the case for a few reasons.
I find the photos to be of higher quality than any other service. I can easily “embed” them into my posts while giving appropriate credit to the author and linking back to 500px. The company was founded by a good friend of mine and snowboarding compadre. And the company is made in Toronto.
That’s why it’s exciting to report that yesterday the company announced an additional $13M in funding (Series B). To date the company has raised $23M of outside funding, from some big names like Andreessen Horowitz. This is great for the everyone in the company, and I believe it’s great for this city.
Why is that?
Well, here’s a video from the New York Times’ Cities For Tomorrow conference, where Andrew Ross Sorkin and Fred Wilson talk about creating startup hubs. It’s about 20 minutes long and well worth a watch.