Today we visited the Aga Khan Museum here in Toronto, which is a museum dedicated to the arts of Islamic civilizations. I had been outside the building before but this was my first time inside and my first time seeing some of the collections.
Here is the main entrance:
Here is a photo looking the opposite way over one of the reflection ponds:
Today we visited the Aga Khan Museum here in Toronto, which is a museum dedicated to the arts of Islamic civilizations. I had been outside the building before but this was my first time inside and my first time seeing some of the collections.
Here is the main entrance:
Here is a photo looking the opposite way over one of the reflection ponds:
The site area is approximately 70,000 square meters and the building itself is approximately 11,600 square meters. Maki won the Pritzker Prize in 1993.
Here is the building’s interior courtyard, which was one of my favorite parts:
The glass is patterned with the Islamic eight pointed star. But since the symbol is typically represented by two overlapping squares, the patterning was placed on two different sides of the double pane glass. Or at least that’s my guess as to why they did it that way.
Lastly, here is the Bellerive Room:
It was designed to be a contemplative room that could, on occasion, also host intimate events and performances. Note the shadows being cast by the screens in front of the windows.
If you haven’t yet been to the Aga Khan Museum it is worth a visit, even if you just walk the formal gardens surrounding it.
On Friday evening, here in Toronto at the Aka Khan Museum, this year’s Pritzker Architecture Prize was awarded to Indian architect, Balkrishna Doshi. He is 90 and will receive US$100,000, as well as the honor of being the first Indian to receive architecture’s Nobel Prize. This year was also the first year it was awarded in Canada.
The site area is approximately 70,000 square meters and the building itself is approximately 11,600 square meters. Maki won the Pritzker Prize in 1993.
Here is the building’s interior courtyard, which was one of my favorite parts:
The glass is patterned with the Islamic eight pointed star. But since the symbol is typically represented by two overlapping squares, the patterning was placed on two different sides of the double pane glass. Or at least that’s my guess as to why they did it that way.
Lastly, here is the Bellerive Room:
It was designed to be a contemplative room that could, on occasion, also host intimate events and performances. Note the shadows being cast by the screens in front of the windows.
If you haven’t yet been to the Aga Khan Museum it is worth a visit, even if you just walk the formal gardens surrounding it.
On Friday evening, here in Toronto at the Aka Khan Museum, this year’s Pritzker Architecture Prize was awarded to Indian architect, Balkrishna Doshi. He is 90 and will receive US$100,000, as well as the honor of being the first Indian to receive architecture’s Nobel Prize. This year was also the first year it was awarded in Canada.
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Alex Bozikovic of the Globe and Mail sat down with Doshi while he was in Toronto. Article here. Doshi also lectured at the Daniels Faculty at the University of Toronto earlier in the week.
Some of you will probably recognize the name because of his collaborations with Le Corbusier and Louis Kahn. But as Alex quoted in his article, this year’s prize is about, “expanding the scope of architecture’s usefulness.” Doshi’s architecture is less about objects and more about the public good it creates.
On a related note, I was happy to see worlds collide in my Instagram feed this morning with this photo from the event. It’s a picture of Jeanne Gang, Meg Graham, and Andre D’Elia of Studio Gang and Superkul, respectively.
We are thrilled to be working on projects here Toronto with both firms.
Alex Bozikovic of the Globe and Mail sat down with Doshi while he was in Toronto. Article here. Doshi also lectured at the Daniels Faculty at the University of Toronto earlier in the week.
Some of you will probably recognize the name because of his collaborations with Le Corbusier and Louis Kahn. But as Alex quoted in his article, this year’s prize is about, “expanding the scope of architecture’s usefulness.” Doshi’s architecture is less about objects and more about the public good it creates.
On a related note, I was happy to see worlds collide in my Instagram feed this morning with this photo from the event. It’s a picture of Jeanne Gang, Meg Graham, and Andre D’Elia of Studio Gang and Superkul, respectively.
We are thrilled to be working on projects here Toronto with both firms.