Daily insights for city builders, delivered every morning at 6 AM ET. I’m Brandon Donnelly — a Toronto-based real estate developer and founder of Globizen. I’ve been writing here since 2013.

Author: Brandon Donnelly

  • Value of Design Awards

    Interior Designers of Canada (IDC) is launching a new awards program this September called the Value of Design Awards (VODA). And for some reason they asked me to be one of their inaugural judges. I think the talented folks at figure3 had something to do with that. Link here.

    What’s interesting about VODA is that many or most ID awards focus on design that simply looks cool. The ambition of this awards program is to recognize and celebrate the positive impact that Canadian design thinking has on people and businesses. In other words: How does it actually perform?

    To submit your project to IDC’s Value of Design Awards, go here. The final entry deadline is June 8, 2018. So you don’t have much time left.

  • Introducing the new Corktown Plaza

    This evening Slate hosted a pre-application community meeting in Corktown, Hamilton, where we presented our proposed design for the redevelopment of Corktown Plaza

    There was a short presentation by Slate, GSP Group, CORE Architects, and Janet Rosenberg and Studio, and then we shifted to an open house format where members of the community could speak directly with all members of the project team.

    Below are a few of the project renderings, all completed by our friends at ADHOC Studio

    imageimageimageimage

    The proposed design includes fine grain and large format retail spaces and a 9.5m pedestrian setback along John Street South (rendering #2 and #3); grade-related family-oriented townhouses on Young Street and Catharine Street South (rendering #4); and two 100% rental towers (31 and 34 storeys) to be built over two phases.

    The other notable feature is a mid-block pedestrian connection that will run from John to Catharine and become an important place for local public art. The plan is to work with the community and Councillor Jason Farr to run a separate engagement process for this component of the project. We want to work with local artists. If you have any suggestions, please send them over.

    Here, here, and here are what some people had to say about the proposal on Twitter. Thanks to everyone who attended this evening.

  • The birth of the open floor plan

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    Today most condos and apartments are designed with open concept (or open plan) floor plans. This generally means that the kitchen and main living areas are combined into one continuous and fluid space. 

    Part of this has to do with creating a sense of openness and part of this has to do with simply maximizing small spaces. When you consolidate spaces, you get to take advantage of occupancy overlaps.

    But this isn’t a new concept. The roots of the open plan go all the way back to the turn of the 20th century with Frank Lloyd Wright’s emerging “Prairie School” of architecture.

    Ian Bogost’s recent piece in the Atlantic called, “The Curse of an Open Floor Plan”, does a good job of explaining this history. He credits Wright with popularizing the open plan.

    Here is an excerpt:

    In the February 1901 issue of Ladies Home Journal, on a single page between a portrayal on the “Life of an English Girl” and a feature asking, “Is the Newspaper Office the Place for a Girl?,” the then-obscure American architect Frank Lloyd Wright published plans for a home “in a prairie town.” It might seem like a strange host for architectural plans, but Ladies Home Journal frequently featured them, amid Rubifoam toothpaste ads, tips on what to do with cheese, serialized romance novels, and journalistic muckraking. It makes sense: Architecture is the foundation of home life, a matter largely relegated to women then—and still today, like it or not.

    Many of the characteristic features of Wright’s “Prairie” style, as others would come to call it, are already visible in the 1901 design: a low-pitched roof, wide eaves, horizontal orientation, and a strong connection to the surrounding landscape. Inside, another feature is present, in nascent form: an early open floor plan, combining multiple rooms together into a continuous space.

    Of course, at the time, the open plan was about much more than raw practicality and economic necessity. It wasn’t just about maximizing space and affordability. Here is another snippet:

    For Wright, Neutra, Harris, and others, open design represented the promise of a new social ideal, one where fluid spaces would allow egalitarian integration. That aspiration continues, in a way, but the ideal is less communal and more individual: Open plan is where everyone does their own thing, but all together.

    For Bogost’s full piece, which is worth a read, click here.

    Image: University of Michigan Library via The Atlantic

  • In defense of the gig economy

    Bill Gurley – who by the way is an investor in Uber – has an interesting piece up on his blog about the thing he loves most about Uber. It is the ability for the network to level load on its own. And here’s what he means by that:

    In spite of all the ink that journalists, analysts, and pundits have spilled on Uber over the years, no mainstream article has focused on what I consider to be the most elegant feature of this now ubiquitous, high growth global service — no driver-partner is ever told where or when to work. This is quite remarkable — an entire global network miraculously “level loads” on its own. Driver-partners unilaterally decide when they want to work and where they want to work. The flip side is also true — they have unlimited freedom to choose when they do NOT want to work. Despite the complete lack of a “driver-partner schedule” this system delivers pick-up times that are less than 5 minutes (in most US cities (with populations over 25K) and in 412 cities in 55 other countries. The Uber network, along with Mr. Smith’s invisible hand, is able to elegantly match supply and demand, without the “schedules” and “shifts” that are the norm in most every other industry.

    When surveyed, most people seem to prefer a job where they set their own schedule and get to be their own boss, compared to a steady 9 to 5 job with benefits and a fixed salary. Assuming that’s true, then this is a feature worth talking about.

  • Going dockless

    A couple of months ago I wrote about Bird, the electric scooter sharing company that is trying to solve the last-mile problem. They are expanding across the US and it is seemingly wildly popular.

    But its popularity is also leading some people to call them a public nuisance. Perhaps the biggest contributor to that is the fact that the system is dockless. That is, when you get to your destination you can park the Bird wherever you want.

    That’s obviously a great feature for users (who wants to look around for a docking station?), but it’s also causing a proliferation of “Bird litter” in the cities and neighborhoods where they are widely used. 

    I am sure this will eventually get resolved.

    The other thing about going dockless is that you now have a charging problem. Where and when do these scooters get charged and by whom? Bird solves this problem through decentralized contract workers called “Bird hunters.”

    You register to be one and then Bird pays you $5 to $20 for every scooter charged, depending on how difficult the Bird is to find. And as you can expect, these scooters are getting left all over the place.

    I thought this was a clever solution. And apparently it is popular with high school students looking to earn extra cash. Some are making several hundred dollars a day by spending their evenings picking up and dropping off Birds.

  • Birth rates in the United States last year

    The National Center of Health Statistics just released this update on births and birth rates for the United States in 2017. The provisional number of births last year was 3,853,472, which represents a 2% reduction from 2016 and the lowest number in 30 years. The general fertility rate was 60.2 births per 1,000 women aged 15-44, which represents a 3% reduction from 2016. Also a record low.

    Here is a chart from the report showing birth rates for selected age ranges from 1990 to 2016 (the 2017 numbers are provisional):

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    Many of the age ranges have remained stable. Notable are the decline in the teenage (15-19) birth rate and the increase in births to women aged 40-44. The teenage birth rate declined 7% from 2016 and has averaged a decline of nearly 8% a year since 2007. And the birth rate for women aged 40-44 has generally been rising since 1982.

    I am sure that you can all think of many explanations for the above phenomena without even diving into the report. I find all of this relevant because demographics obviously impact the real estate business and how we build cities.

  • Balkrishna Doshi

    On Friday evening, here in Toronto at the Aka Khan Museum, this year’s Pritzker Architecture Prize was awarded to Indian architect, Balkrishna Doshi. He is 90 and will receive US$100,000, as well as the honor of being the first Indian to receive architecture’s Nobel Prize. This year was also the first year it was awarded in Canada.

    Alex Bozikovic of the Globe and Mail sat down with Doshi while he was in Toronto. Article here. Doshi also lectured at the Daniels Faculty at the University of Toronto earlier in the week. 

    Some of you will probably recognize the name because of his collaborations with Le Corbusier and Louis Kahn. But as Alex quoted in his article, this year’s prize is about, “expanding the scope of architecture’s usefulness.” Doshi’s architecture is less about objects and more about the public good it creates.

    For more on Doshi, check here.

    On a related note, I was happy to see worlds collide in my Instagram feed this morning with this photo from the event. It’s a picture of Jeanne Gang, Meg Graham, and Andre D’Elia of Studio Gang and Superkul, respectively. 

    We are thrilled to be working on projects here Toronto with both firms.

    Photo via The Pritzker Architecture Prize

  • How drones will change cities

    Dezeen, the architecture and design magazine, has a documentary out called Elevation – How Drones Will Change Cities. It premiered in Hong Kong in March and is supposed to be widely available this month. I’m not exactly sure when that is happening, but below is a trailer. If you can’t see it below click here.

    [youtube https://www.youtube.com/watch?v=YSlep5XCpaw&w=560&h=315]

    Included in the trailer is footage of a delivery drone concept by design consultancy PriestmanGoode called Dragonfly. Norman Foster also talks about the development of “aerial highways.” It’s 2018 and we were promised flying cars by this point. But flying drones, similar to what’s in the above trailer, seem more probable right now.

  • Many days in the Junction

    This morning blogTO did a post on how to spend a day in the Junction neighborhood of Toronto.

    I love the Junction. I’m planning to move to the Junction. And we have a development project in the area called Junction House. So know that I am entirely biased when I talk about this neighborhood. 

    A couple of my favorite places from blogTO’s list include Mjolk (Scandinavian interior design), Gerhard Supply (menswear), Playa Cabana Cantina (tacos and tequila), and Indie Alehouse (brewpub). 

    One spot that wasn’t on the list is the Italian restaurant, Nodo. Big fan of this place. Great pastas. Great negronorum. Yes, the plural of negroni is allegedly negronorum.

    One of the big game changers for the Junction – besides the reintroduction of alcohol in 1997 – is the Union Pearson Express train.

    Many people only think of it as civilized airport travel. But it also provides an incredible inner city service. It shows you the potential of Regional Express Rail in this region. We need more of this.

    We’ll be providing an update on Junction House very soon and I’ll be sure to blog it. So stay tuned.

  • Architectural fashion cycles

    Witold Rybczynski wrote on his blog this week about historic preservation. He cites a number of reasons for why one might want to renovate, restore, and preserve an old building. But he also provides a reason for why one might not want to renovate, restore, and preserve an old building.

    “What seems to me a less compelling reason is the idea that a building should be preserved simply because it is representative of a previous period or architectural fashion. In architecture, as in many human endeavors, not all periods are equally admirable; there are ups and downs.”

    I thought this was an interesting comment because it reinforces the idea that this is a fairly subjective exercise. One of his reasons for preserving a building is that it might be particularly beautiful or represent some sort of human achievement. But beautiful to whom?

    Similarly, who determines which architectural period or fashion is an up or a down? Is brutalist architecture worth preserving or is it not yet old enough to have perceived value? Will it ever be widely admired? And is there really an architectural cycle?

    Many of us can probably agree that New York City’s original Penn Station by McKim, Mead and White was a tragic loss. But I am sure that many of us will also disagree on what are considered to be the most admirable periods of architectural fashion.